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		<title>WikiBot: Integrazione fonti aggiuntive transcript 25 maggio: Action Types Marquet During Lussiana INSEP + Marsman + Messinger + Coren + Sullivan-Porges 2018 + Rolf + Feldenkrais + Berceli + Spiegel HIP</title>
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		<updated>2026-05-30T21:40:38Z</updated>

		<summary type="html">&lt;p&gt;Integrazione fonti aggiuntive transcript 25 maggio: Action Types Marquet During Lussiana INSEP + Marsman + Messinger + Coren + Sullivan-Porges 2018 + Rolf + Feldenkrais + Berceli + Spiegel HIP&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 21:40, 30 mag 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l304&quot;&gt;Riga 304:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 304:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sul piano delle convergenze storico-tipologiche, il Moving Enneagram dialoga in modo particolare con il lavoro di &amp;#039;&amp;#039;&amp;#039;Claudio Naranjo&amp;#039;&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Character and Neurosis: An Integrative View&amp;#039;&amp;#039;, 1994), che è stato il principale autore a integrare l&amp;#039;enneagramma classico con la psicologia clinica contemporanea e con le tipologie caratteriali della tradizione psicoanalitica e umanistica. Naranjo riconosce esplicitamente che &amp;#039;&amp;#039;&amp;#039;l&amp;#039;enneagramma descrive nove fissazioni egoiche&amp;#039;&amp;#039;&amp;#039; di cui ciascuna costituisce &amp;#039;&amp;#039;&amp;#039;una particolare forma di addormentamento alla realtà&amp;#039;&amp;#039;&amp;#039; — concetto che converge precisamente con quanto la Scuola chiama &amp;#039;&amp;#039;&amp;#039;trance abituale&amp;#039;&amp;#039;&amp;#039; e che la PMA permette di riconoscere diagnosticamente attraverso la lateralizzazione e il gesto. La Scuola del Paret Method &amp;#039;&amp;#039;&amp;#039;non è naranjana&amp;#039;&amp;#039;&amp;#039; — la sua filiazione è magnetica, ermetica e polivagale — ma &amp;#039;&amp;#039;&amp;#039;riconosce&amp;#039;&amp;#039;&amp;#039; in Naranjo un autore-ponte fra l&amp;#039;enneagramma e la psicologia clinica del Novecento.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sul piano delle convergenze storico-tipologiche, il Moving Enneagram dialoga in modo particolare con il lavoro di &amp;#039;&amp;#039;&amp;#039;Claudio Naranjo&amp;#039;&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Character and Neurosis: An Integrative View&amp;#039;&amp;#039;, 1994), che è stato il principale autore a integrare l&amp;#039;enneagramma classico con la psicologia clinica contemporanea e con le tipologie caratteriali della tradizione psicoanalitica e umanistica. Naranjo riconosce esplicitamente che &amp;#039;&amp;#039;&amp;#039;l&amp;#039;enneagramma descrive nove fissazioni egoiche&amp;#039;&amp;#039;&amp;#039; di cui ciascuna costituisce &amp;#039;&amp;#039;&amp;#039;una particolare forma di addormentamento alla realtà&amp;#039;&amp;#039;&amp;#039; — concetto che converge precisamente con quanto la Scuola chiama &amp;#039;&amp;#039;&amp;#039;trance abituale&amp;#039;&amp;#039;&amp;#039; e che la PMA permette di riconoscere diagnosticamente attraverso la lateralizzazione e il gesto. La Scuola del Paret Method &amp;#039;&amp;#039;&amp;#039;non è naranjana&amp;#039;&amp;#039;&amp;#039; — la sua filiazione è magnetica, ermetica e polivagale — ma &amp;#039;&amp;#039;&amp;#039;riconosce&amp;#039;&amp;#039;&amp;#039; in Naranjo un autore-ponte fra l&amp;#039;enneagramma e la psicologia clinica del Novecento.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sul piano dello sport e della prestazione, il Moving Enneagram dialoga inoltre con il sistema di &#039;&#039;&#039;Action Types&#039;&#039;&#039; della scuola francese di &#039;&#039;&#039;Ralph Hippolyte&#039;&#039;&#039; e &#039;&#039;&#039;Bertrand During&#039;&#039;&#039; (Sorbonne), sistematizzato da &#039;&#039;&#039;Marquet&#039;&#039;&#039; in &#039;&#039;À chacun son cerveau, sa réussite&#039;&#039; (2013) e validato accademicamente dalla &#039;&#039;&#039;tesi di Lussiana&#039;&#039;&#039; (Université de Franche-Comté, 2016) con applicazione all&#039;&#039;&#039;&#039;INSEP&#039;&#039;&#039; (Institut National du Sport). Action Types ha sviluppato indipendentemente &#039;&#039;&#039;una griglia di preferenze motrici&#039;&#039;&#039; (asse pelvi-spalla, mobilità prossimale vs distale, appoggio piede-mano dominante) che si sovrappone in larga parte alla griglia laterale-gestuale della PMA, e in particolare usa la nomenclatura &#039;&#039;&#039;«profil Terrien» vs «profil Aérien»&#039;&#039;&#039; nello studio del swing nel golf — terminologia che &#039;&#039;&#039;coincide&#039;&#039;&#039; con la tipologia &#039;&#039;&#039;Terra/Aria/Acqua/Fuoco&#039;&#039;&#039; usata dalla Scuola.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Per la diagnostica laterale, il riferimento epidemiologico-statistico classico resta &#039;&#039;&#039;Stanley Coren&#039;&#039;&#039; e Clare Porac, &#039;&#039;Lateral Preferences and Human Behavior&#039;&#039; (Springer, 1981), che documenta la distribuzione delle preferenze laterali nella popolazione e le loro correlazioni con personalità, cognizione e salute. Coren è &#039;&#039;&#039;la base statistica&#039;&#039;&#039; su cui la tipologia ottuplice del Moving Enneagram si fonda epidemiologicamente.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Per la diagnostica ipnotica rapida, il sistema di &#039;&#039;&#039;Herbert Spiegel&#039;&#039;&#039; e David Spiegel &#039;&#039;Trance and Treatment&#039;&#039; (1978, riv. 2004) con l&#039;&#039;&#039;&#039;Hypnotic Induction Profile (HIP)&#039;&#039;&#039; — basato sul «roll eye sign» e altri indicatori oculari/cinestesici — fornisce uno &#039;&#039;&#039;strumento di screening&#039;&#039;&#039; rapido che si integra bene con la PMA. La distinzione spiegeliana fra profili &#039;&#039;&#039;Apollonian / Odyssean / Dionysian&#039;&#039;&#039; corrisponde a configurazioni laterali compatibili con il Moving Enneagram, con la nomenclatura della Scuola che mantiene la sua filiazione iniziatico-magnetica originale.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sul piano della convergenza yoga-polivagale, l&#039;articolo cardine di &#039;&#039;&#039;Sullivan, Erb, Schmalzl, Moonaz, Taylor e Porges&#039;&#039;&#039; (&#039;&#039;Frontiers in Human Neuroscience&#039;&#039;, 2018, PMC5835127) documenta esplicitamente la corrispondenza &#039;&#039;&#039;vago ventrale ↔ sattva, simpatico ↔ rajas, vago dorsale ↔ tamas&#039;&#039;&#039; — esposta in dettaglio nella pagina &#039;&#039;&#039;[[Guna e Tria Prima]]&#039;&#039;&#039; della wiki. Questa convergenza è il &#039;&#039;&#039;fondamento contemporaneo&#039;&#039;&#039; del rapporto fra tipologia alchemica (Zolfo/Mercurio/Sale = Rajas/Sattva/Tamas) e diagnostica polivagale, che il Moving Enneagram porta poi alla griglia ottuplice integrando lateralizzazione e gesto.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Vedi anche ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Vedi anche ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l404&quot;&gt;Riga 404:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 412:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* H. F. Ellenberger, &amp;#039;&amp;#039;The Discovery of the Unconscious: The History and Evolution of Dynamic Psychiatry&amp;#039;&amp;#039;, Basic Books, 1970.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* H. F. Ellenberger, &amp;#039;&amp;#039;The Discovery of the Unconscious: The History and Evolution of Dynamic Psychiatry&amp;#039;&amp;#039;, Basic Books, 1970.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* A. Gauld, &amp;#039;&amp;#039;A History of Hypnotism&amp;#039;&amp;#039;, Cambridge University Press, 1992.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* A. Gauld, &amp;#039;&amp;#039;A History of Hypnotism&amp;#039;&amp;#039;, Cambridge University Press, 1992.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* H. Spiegel, D. Spiegel, &#039;&#039;Trance and Treatment: Clinical Uses of Hypnosis&#039;&#039;, American Psychiatric Press, 1978/2004.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Action Types e preferenze motrici ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* R. Hippolyte, B. During, &#039;&#039;Action Types: La science des préférences motrices&#039;&#039;, Éditions Amphora, 2009.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* B. Marquet, &#039;&#039;À chacun son cerveau, sa réussite&#039;&#039;, Le Cherche Midi, 2013.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* L. Lussiana, &#039;&#039;Préférences motrices et performance sportive&#039;&#039; (tesi di dottorato), Université de Franche-Comté, 2016.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Documentazione INSEP (Institut National du Sport, de l&#039;Expertise et de la Performance), Parigi, vari anni.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Yoga, polivagale e tradizioni convergenti ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* M. B. Sullivan, M. Erb, L. Schmalzl, S. Moonaz, J. N. Taylor, S. W. Porges, «Yoga therapy and polyvagal theory: The convergence of traditional wisdom and contemporary neuroscience for self-regulation and resilience», &#039;&#039;Frontiers in Human Neuroscience&#039;&#039;, 12:67, 2018 (PMC5835127). — Articolo co-firmato da Porges che fonda la corrispondenza sattva-rajas-tamas ↔ vago ventrale-simpatico-vago dorsale, cuore della pagina &#039;&#039;[[Guna e Tria Prima]]&#039;&#039;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Postura, respiro, lateralizzazione del gesto ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Postura, respiro, lateralizzazione del gesto ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>WikiBot</name></author>
	</entry>
	<entry>
		<id>https://wiki.marcoparet.com/index.php?title=The_Moving_Enneagram_of_Paret&amp;diff=2137&amp;oldid=prev</id>
		<title>WikiBot: Integrazione 13 fonti: McGilchrist + C-tactile (McGlone) + Schore + Stern + Levine + van der Kolk + Damasio + Gallese + Naranjo + Sheldon + Crabtree + Ellenberger + Lakoff</title>
		<link rel="alternate" type="text/html" href="https://wiki.marcoparet.com/index.php?title=The_Moving_Enneagram_of_Paret&amp;diff=2137&amp;oldid=prev"/>
		<updated>2026-05-30T21:29:52Z</updated>

		<summary type="html">&lt;p&gt;Integrazione 13 fonti: McGilchrist + C-tactile (McGlone) + Schore + Stern + Levine + van der Kolk + Damasio + Gallese + Naranjo + Sheldon + Crabtree + Ellenberger + Lakoff&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 21:29, 30 mag 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l74&quot;&gt;Riga 74:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 74:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;L&amp;#039;operatore esperto della Scuola &amp;#039;&amp;#039;&amp;#039;legge il canale dal gesto&amp;#039;&amp;#039;&amp;#039; e adatta la propria comunicazione di conseguenza.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;L&amp;#039;operatore esperto della Scuola &amp;#039;&amp;#039;&amp;#039;legge il canale dal gesto&amp;#039;&amp;#039;&amp;#039; e adatta la propria comunicazione di conseguenza.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== La lettura di McGilchrist: Master and Emissary ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Il quadro filosofico-neuroscientifico più ampio in cui si situa la diagnostica laterale del Moving Enneagram è quello esposto dal neuroscienziato &#039;&#039;&#039;Iain McGilchrist&#039;&#039;&#039; in &#039;&#039;The Master and His Emissary&#039;&#039; (2009) e &#039;&#039;The Matter With Things&#039;&#039; (2021), al quale la wiki dedica la pagina &#039;&#039;&#039;[[Iain McGilchrist e la dualità emisferica]]&#039;&#039;&#039;. Secondo McGilchrist, i due emisferi non differiscono nei &#039;&#039;contenuti&#039;&#039; (linguaggio a sinistra, immagini a destra: la dicotomia popolare è scientificamente superata) ma &#039;&#039;&#039;nei due &#039;&#039;modi&#039;&#039; di prestare attenzione al mondo&#039;&#039;&#039;:&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* L&#039;&#039;&#039;&#039;emisfero sinistro&#039;&#039;&#039; — un&#039;attenzione &#039;&#039;&#039;ristretta, focalizzata, manipolativa&#039;&#039;&#039;: vede &#039;&#039;&#039;parti&#039;&#039;&#039; anziché totalità, decompone, categorizza, isola, privilegia il &#039;&#039;&#039;noto e prevedibile&#039;&#039;&#039;. È l&#039;emisfero dell&#039;&#039;&#039;&#039;Emissary&#039;&#039;&#039;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* L&#039;&#039;&#039;&#039;emisfero destro&#039;&#039;&#039; — un&#039;attenzione &#039;&#039;&#039;ampia, vigile, contestuale&#039;&#039;&#039;: vede &#039;&#039;&#039;totalità&#039;&#039;&#039;, coglie &#039;&#039;&#039;contesto&#039;&#039;&#039;, &#039;&#039;&#039;relazione&#039;&#039;&#039;, &#039;&#039;&#039;ambiguità&#039;&#039;&#039;, &#039;&#039;&#039;unicità del particolare in situazione&#039;&#039;&#039;. È l&#039;emisfero del &#039;&#039;&#039;Master&#039;&#039;&#039;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Le otto case del Moving Enneagram codificate dalle sigle SSS, SSD, SDS, SDD, DSS, DSD, DDS, DDD corrispondono, lette nel quadro di McGilchrist, a &#039;&#039;&#039;otto configurazioni del rapporto fra Master ed Emissary&#039;&#039;&#039;:&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;Sigle inizianti con S&#039;&#039;&#039; (arm folding sinistro sopra) → attivazione preferenziale &#039;&#039;&#039;dell&#039;emisfero destro&#039;&#039;&#039; (Master). Tipi più aperti al contesto, alla relazione, all&#039;intuizione: Sensitivo, Idealista, Cartesiano, Relazionale.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;Sigle inizianti con D&#039;&#039;&#039; (arm folding destro sopra) → attivazione preferenziale &#039;&#039;&#039;dell&#039;emisfero sinistro&#039;&#039;&#039; (Emissary). Tipi più analitici, manipolativi, orientati al controllo: Creativo, Tribale, Narcisistico, Challenger.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;Hand clasping&#039;&#039;&#039; (seconda lettera) — modula il &#039;&#039;&#039;controllo sinistro sul destro&#039;&#039;&#039;: pollice destro sopra (D) = sinistro inibisce le emozioni del destro (configurazione «nevrotica» di Bakan-Galin); pollice sinistro sopra (S) = maggiore espressività affettiva.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;Ear preference&#039;&#039;&#039; (terza lettera) — orientamento all&#039;attenzione: D (orecchio destro) = parole = sinistro = estroverso analitico; S (orecchio sinistro) = toni = destro = introverso prosodico.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;La diagnosi PMA è dunque, nel linguaggio di McGilchrist, &#039;&#039;&#039;una diagnosi di quale parte di noi sta governando&#039;&#039;&#039;. Il lavoro della Scuola — la pratica della &#039;&#039;&#039;[[Presenza Integrale|Presenza Integrale™]]&#039;&#039;&#039;, le tecniche magnetiche, l&#039;attraversamento delle trance abituali — è &#039;&#039;&#039;la pratica del ritorno al Master&#039;&#039;&#039;, il ristabilimento del giusto rapporto in cui l&#039;Emissary serve come strumento competente sotto la guida della parte di noi che vede l&#039;insieme.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== III. I quattro stili di adattamento ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== III. I quattro stili di adattamento ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l96&quot;&gt;Riga 96:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 112:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Questo quadro è &amp;#039;&amp;#039;&amp;#039;compatibile con la teoria delle intelligenze multiple&amp;#039;&amp;#039;&amp;#039; di Howard Gardner e con la distinzione di Daniel Goleman fra intelligenza cognitiva e intelligenza emotiva, ma &amp;#039;&amp;#039;&amp;#039;la integra con la diagnostica neurolaterale&amp;#039;&amp;#039;&amp;#039; che permette di &amp;#039;&amp;#039;&amp;#039;riconoscere&amp;#039;&amp;#039;&amp;#039; il tipo di intelligenza prevalente in pochi secondi di osservazione.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Questo quadro è &amp;#039;&amp;#039;&amp;#039;compatibile con la teoria delle intelligenze multiple&amp;#039;&amp;#039;&amp;#039; di Howard Gardner e con la distinzione di Daniel Goleman fra intelligenza cognitiva e intelligenza emotiva, ma &amp;#039;&amp;#039;&amp;#039;la integra con la diagnostica neurolaterale&amp;#039;&amp;#039;&amp;#039; che permette di &amp;#039;&amp;#039;&amp;#039;riconoscere&amp;#039;&amp;#039;&amp;#039; il tipo di intelligenza prevalente in pochi secondi di osservazione.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;La cornice neuroscientifica più ampia in cui questo quadro si situa è quella della &#039;&#039;&#039;embodied cognition&#039;&#039;&#039; contemporanea — la corrente che riconosce &#039;&#039;&#039;l&#039;inseparabilità di cognizione e corpo&#039;&#039;&#039;. Due autori sono qui particolarmente rilevanti per la Scuola: &#039;&#039;&#039;Antonio Damasio&#039;&#039;&#039; con la teoria dei &#039;&#039;&#039;marcatori somatici&#039;&#039;&#039; (&#039;&#039;Descartes&#039; Error&#039;&#039;, 1994; &#039;&#039;Self Comes to Mind&#039;&#039;, 2010), che fornisce &#039;&#039;&#039;il fondamento neurobiologico del principio paretiano «il corpo non mente»&#039;&#039;&#039; — le decisioni cognitive sono modulate da segnali corporei automatici che il cervello legge prima della razionalizzazione cosciente; e &#039;&#039;&#039;Vittorio Gallese&#039;&#039;&#039; con la teoria della &#039;&#039;&#039;embodied simulation&#039;&#039;&#039; e dei &#039;&#039;&#039;neuroni specchio&#039;&#039;&#039; (Rizzolatti e Gallese, 1996 e oltre), che fornisce &#039;&#039;&#039;la base neurologica della lettura non verbale&#039;&#039;&#039; che l&#039;operatore PMA fa del soggetto — il cervello dell&#039;osservatore simula motoriamente il gesto osservato e produce la comprensione affettiva diretta.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== V. I tipi specifici nel Moving Enneagram ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== V. I tipi specifici nel Moving Enneagram ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l284&quot;&gt;Riga 284:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 302:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;La Scuola insegna che la tipologia &amp;#039;&amp;#039;&amp;#039;non è un&amp;#039;etichetta&amp;#039;&amp;#039;&amp;#039;: è &amp;#039;&amp;#039;&amp;#039;una lente di riconoscimento della propria trance abituale&amp;#039;&amp;#039;&amp;#039; per poterla attraversare. Il valore del Moving Enneagram non è classificatorio — è &amp;#039;&amp;#039;&amp;#039;operativo&amp;#039;&amp;#039;&amp;#039;: permette all&amp;#039;allievo di &amp;#039;&amp;#039;&amp;#039;riconoscersi&amp;#039;&amp;#039;&amp;#039;, riconoscere l&amp;#039;altro, scegliere la porta d&amp;#039;accesso giusta, calibrare il tocco e la fascinazione, e infine attraversare la propria configurazione abituale verso lo stato integrato.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;La Scuola insegna che la tipologia &amp;#039;&amp;#039;&amp;#039;non è un&amp;#039;etichetta&amp;#039;&amp;#039;&amp;#039;: è &amp;#039;&amp;#039;&amp;#039;una lente di riconoscimento della propria trance abituale&amp;#039;&amp;#039;&amp;#039; per poterla attraversare. Il valore del Moving Enneagram non è classificatorio — è &amp;#039;&amp;#039;&amp;#039;operativo&amp;#039;&amp;#039;&amp;#039;: permette all&amp;#039;allievo di &amp;#039;&amp;#039;&amp;#039;riconoscersi&amp;#039;&amp;#039;&amp;#039;, riconoscere l&amp;#039;altro, scegliere la porta d&amp;#039;accesso giusta, calibrare il tocco e la fascinazione, e infine attraversare la propria configurazione abituale verso lo stato integrato.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sul piano delle convergenze storico-tipologiche, il Moving Enneagram dialoga in modo particolare con il lavoro di &#039;&#039;&#039;Claudio Naranjo&#039;&#039;&#039; (&#039;&#039;Character and Neurosis: An Integrative View&#039;&#039;, 1994), che è stato il principale autore a integrare l&#039;enneagramma classico con la psicologia clinica contemporanea e con le tipologie caratteriali della tradizione psicoanalitica e umanistica. Naranjo riconosce esplicitamente che &#039;&#039;&#039;l&#039;enneagramma descrive nove fissazioni egoiche&#039;&#039;&#039; di cui ciascuna costituisce &#039;&#039;&#039;una particolare forma di addormentamento alla realtà&#039;&#039;&#039; — concetto che converge precisamente con quanto la Scuola chiama &#039;&#039;&#039;trance abituale&#039;&#039;&#039; e che la PMA permette di riconoscere diagnosticamente attraverso la lateralizzazione e il gesto. La Scuola del Paret Method &#039;&#039;&#039;non è naranjana&#039;&#039;&#039; — la sua filiazione è magnetica, ermetica e polivagale — ma &#039;&#039;&#039;riconosce&#039;&#039;&#039; in Naranjo un autore-ponte fra l&#039;enneagramma e la psicologia clinica del Novecento.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Vedi anche ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Vedi anche ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l292&quot;&gt;Riga 292:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 312:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[I sei tipi caratteriali nella mappa polivagale]] — versione semplificata polivagale-paracelsiana&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[I sei tipi caratteriali nella mappa polivagale]] — versione semplificata polivagale-paracelsiana&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Touch e sistema nervoso autonomo]] — il dossier neurobiologico&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Touch e sistema nervoso autonomo]] — il dossier neurobiologico&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Iain McGilchrist e la dualità emisferica]] — il quadro filosofico-neuroscientifico della lateralizzazione&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Tria Prima]] — radice alchemica&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Tria Prima]] — radice alchemica&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Mercurio Filosofico]] — lo stato integrato come configurazione fluida&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Mercurio Filosofico]] — lo stato integrato come configurazione fluida&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l338&quot;&gt;Riga 338:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 359:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* M. Behrmann, D. Plaut, «Distributed circuits, not circumscribed centers, mediate visual recognition», &amp;#039;&amp;#039;Annals of NYAS&amp;#039;&amp;#039;, 2013.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* M. Behrmann, D. Plaut, «Distributed circuits, not circumscribed centers, mediate visual recognition», &amp;#039;&amp;#039;Annals of NYAS&amp;#039;&amp;#039;, 2013.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* R. J. Davidson, «Affective style and affective disorders», &amp;#039;&amp;#039;Cognition &amp;amp; Emotion&amp;#039;&amp;#039;, 12(3), 1998.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* R. J. Davidson, «Affective style and affective disorders», &amp;#039;&amp;#039;Cognition &amp;amp; Emotion&amp;#039;&amp;#039;, 12(3), 1998.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* I. McGilchrist, &#039;&#039;The Master and His Emissary: The Divided Brain and the Making of the Western World&#039;&#039;, Yale University Press, 2009.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* I. McGilchrist, &#039;&#039;The Matter With Things: Our Brains, Our Delusions, and the Unmaking of the World&#039;&#039;, 2 vol., Perspectiva Press, 2021.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Embodied cognition e simulazione motoria ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* A. Damasio, &#039;&#039;Descartes&#039; Error: Emotion, Reason, and the Human Brain&#039;&#039;, Putnam, 1994.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* A. Damasio, &#039;&#039;The Feeling of What Happens: Body and Emotion in the Making of Consciousness&#039;&#039;, Harcourt, 1999.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* A. Damasio, &#039;&#039;Self Comes to Mind: Constructing the Conscious Brain&#039;&#039;, Pantheon, 2010.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* V. Gallese, «The &quot;shared manifold&quot; hypothesis: From mirror neurons to empathy», &#039;&#039;Journal of Consciousness Studies&#039;&#039;, 8, 2001.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* G. Rizzolatti, C. Sinigaglia, &#039;&#039;Mirrors in the Brain: How Our Minds Share Actions and Emotions&#039;&#039;, Oxford University Press, 2008.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* G. Lakoff, M. Johnson, &#039;&#039;Philosophy in the Flesh: The Embodied Mind and Its Challenge to Western Thought&#039;&#039;, Basic Books, 1999.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* G. Lakoff, M. Johnson, &#039;&#039;Metaphors We Live By&#039;&#039;, University of Chicago Press, 1980.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Arm folding, hand clasping ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Arm folding, hand clasping ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l349&quot;&gt;Riga 349:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 382:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* I. Briggs Myers, &amp;#039;&amp;#039;Gifts Differing&amp;#039;&amp;#039;, Davies-Black, 1980.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* I. Briggs Myers, &amp;#039;&amp;#039;Gifts Differing&amp;#039;&amp;#039;, Davies-Black, 1980.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* D. Keirsey, &amp;#039;&amp;#039;Please Understand Me II&amp;#039;&amp;#039;, 1998.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* D. Keirsey, &amp;#039;&amp;#039;Please Understand Me II&amp;#039;&amp;#039;, 1998.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Don Riso, Russ Hudson, &#039;&#039;The Wisdom of the Enneagram&#039;&#039;, 1999.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* C. Naranjo, &#039;&#039;Character and Neurosis: An Integrative View&#039;&#039;, Gateways, 1994.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* C. Naranjo, &#039;&#039;Ennea-type Structures: Self-Analysis for the Seeker&#039;&#039;, Gateways, 1990.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* A. H. Almaas, &#039;&#039;Facets of Unity: The Enneagram of Holy Ideas&#039;&#039;, Diamond Books, 1998.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Don Riso, Russ Hudson, &#039;&#039;The Wisdom of the Enneagram&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Bantam&lt;/ins&gt;, 1999&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* W. H. Sheldon, &#039;&#039;The Varieties of Human Physique&#039;&#039;, Harper, 1940.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* W. H. Sheldon, &#039;&#039;The Varieties of Temperament&#039;&#039;, Harper, 1942&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* H. Spiegel, D. Spiegel, &amp;#039;&amp;#039;Trance and Treatment&amp;#039;&amp;#039;, American Psychiatric Press, 2004.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* H. Spiegel, D. Spiegel, &amp;#039;&amp;#039;Trance and Treatment&amp;#039;&amp;#039;, American Psychiatric Press, 2004.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* J. G. Kappas, &amp;#039;&amp;#039;Professional Hypnotism Manual&amp;#039;&amp;#039;, Panorama Publishing, 1999.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* J. G. Kappas, &amp;#039;&amp;#039;Professional Hypnotism Manual&amp;#039;&amp;#039;, Panorama Publishing, 1999.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* H. J. Eysenck, &#039;&#039;The Biological Basis of Personality&#039;&#039;, Thomas, 1967.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* P. T. Costa, R. R. McCrae, &#039;&#039;Revised NEO Personality Inventory&#039;&#039;, PAR, 1992.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Hippocrates, &amp;#039;&amp;#039;De temperamentis&amp;#039;&amp;#039;; Galenus, scritti sui temperamenti.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Hippocrates, &amp;#039;&amp;#039;De temperamentis&amp;#039;&amp;#039;; Galenus, scritti sui temperamenti.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l358&quot;&gt;Riga 358:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 398:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Paracelso, &amp;#039;&amp;#039;Opus Paramirum&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Paracelso, &amp;#039;&amp;#039;Opus Paramirum&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Oswald Wirth, &amp;#039;&amp;#039;Le Symbolisme hermétique dans ses rapports avec l&amp;#039;alchimie et la franc-maçonnerie&amp;#039;&amp;#039;, Dervy, 1909/2009.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Oswald Wirth, &amp;#039;&amp;#039;Le Symbolisme hermétique dans ses rapports avec l&amp;#039;alchimie et la franc-maçonnerie&amp;#039;&amp;#039;, Dervy, 1909/2009.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Storia del magnetismo e dell&#039;ipnosi ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* A. Crabtree, &#039;&#039;From Mesmer to Freud: Magnetic Sleep and the Roots of Psychological Healing&#039;&#039;, Yale University Press, 1993.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* H. F. Ellenberger, &#039;&#039;The Discovery of the Unconscious: The History and Evolution of Dynamic Psychiatry&#039;&#039;, Basic Books, 1970.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* A. Gauld, &#039;&#039;A History of Hypnotism&#039;&#039;, Cambridge University Press, 1992.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Postura, respiro, lateralizzazione del gesto ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Postura, respiro, lateralizzazione del gesto ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>WikiBot</name></author>
	</entry>
	<entry>
		<id>https://wiki.marcoparet.com/index.php?title=The_Moving_Enneagram_of_Paret&amp;diff=1502&amp;oldid=prev</id>
		<title>WikiBot: Pagine neurologiche: PMA, Touch ANS, Moving Enneagram + cucitura sei tipi</title>
		<link rel="alternate" type="text/html" href="https://wiki.marcoparet.com/index.php?title=The_Moving_Enneagram_of_Paret&amp;diff=1502&amp;oldid=prev"/>
		<updated>2026-05-25T23:15:21Z</updated>

		<summary type="html">&lt;p&gt;Pagine neurologiche: PMA, Touch ANS, Moving Enneagram + cucitura sei tipi&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Nuova pagina&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;The Moving Enneagram of Paret&amp;#039;&amp;#039;&amp;#039; è il &amp;#039;&amp;#039;&amp;#039;sistema tipologico originale&amp;#039;&amp;#039;&amp;#039; sviluppato da &amp;#039;&amp;#039;&amp;#039;Marco Paret&amp;#039;&amp;#039;&amp;#039; come sintesi di quattro tradizioni tipologiche convergenti — l&amp;#039;&amp;#039;&amp;#039;&amp;#039;enneagramma&amp;#039;&amp;#039;&amp;#039; classico, il &amp;#039;&amp;#039;&amp;#039;Myers-Briggs Type Indicator&amp;#039;&amp;#039;&amp;#039; (MBTI), i &amp;#039;&amp;#039;&amp;#039;temperamenti ippocratico-galenici&amp;#039;&amp;#039;&amp;#039; (collerico, sanguigno, flemmatico, melanconico) e la &amp;#039;&amp;#039;&amp;#039;Tria Prima paracelsiana&amp;#039;&amp;#039;&amp;#039; (Zolfo, Mercurio, Sale) — letti &amp;#039;&amp;#039;&amp;#039;attraverso la griglia della lateralizzazione cerebrale&amp;#039;&amp;#039;&amp;#039; e del &amp;#039;&amp;#039;&amp;#039;gesto dominante&amp;#039;&amp;#039;&amp;#039; della &amp;#039;&amp;#039;&amp;#039;[[Paret Movement Analysis|Paret Movement Analysis (PMA)]]&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
Il sistema riconosce che le tipologie storiche, sviluppate indipendentemente in epoche e culture diverse, descrivono &amp;#039;&amp;#039;&amp;#039;la stessa struttura fenomenologica&amp;#039;&amp;#039;&amp;#039; del comportamento umano sotto vocabolari diversi. La novità di Paret è &amp;#039;&amp;#039;&amp;#039;l&amp;#039;integrazione operativa&amp;#039;&amp;#039;&amp;#039; di queste tipologie con (a) il quadro neurofisiologico della lateralizzazione cerebrale documentata da Bakan, Galin e Luria, (b) la &amp;#039;&amp;#039;&amp;#039;[[Teoria polivagale]]&amp;#039;&amp;#039;&amp;#039; di &amp;#039;&amp;#039;&amp;#039;[[Stephen Porges]]&amp;#039;&amp;#039;&amp;#039;, (c) la lettura non verbale del gesto. Il risultato è &amp;#039;&amp;#039;&amp;#039;un sistema diagnostico unico&amp;#039;&amp;#039;&amp;#039; che permette di identificare il tipo prevalente di una persona attraverso &amp;#039;&amp;#039;&amp;#039;tre test rapidi&amp;#039;&amp;#039;&amp;#039; (arm folding, hand clasping, ear preference) e l&amp;#039;osservazione del gesto dominante.&lt;br /&gt;
&lt;br /&gt;
La pagina &amp;#039;&amp;#039;&amp;#039;[[I sei tipi caratteriali nella mappa polivagale]]&amp;#039;&amp;#039;&amp;#039; espone la versione semplificata, polivagale-paracelsiana, della stessa tipologia (tre principi puri + tre misti binari + stato integrato come settima configurazione). La presente pagina espone invece la versione &amp;#039;&amp;#039;&amp;#039;ottuplice&amp;#039;&amp;#039;&amp;#039; completa, con la diagnostica laterale-gestuale e le correlazioni MBTI e enneagramma.&lt;br /&gt;
&lt;br /&gt;
== I. La griglia ottuplice: arm folding × hand clasping × ear preference ==&lt;br /&gt;
&lt;br /&gt;
Il fondamento diagnostico del Moving Enneagram è la combinazione di &amp;#039;&amp;#039;&amp;#039;tre test di lateralizzazione spontanea&amp;#039;&amp;#039;&amp;#039; che ogni persona esegue inconsciamente:&lt;br /&gt;
&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Arm folding&amp;#039;&amp;#039;&amp;#039; — quale avambraccio è sopra quando si incrociano le braccia? Sinistro (S) o destro (D)&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Hand clasping&amp;#039;&amp;#039;&amp;#039; — quale pollice è sopra quando si intrecciano le dita? Sinistro (S) o destro (D)&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Ear preference&amp;#039;&amp;#039;&amp;#039; — quale orecchio si avvicina al telefono o per ascoltare? Sinistro (S) o destro (D)&lt;br /&gt;
&lt;br /&gt;
Le otto combinazioni &amp;#039;&amp;#039;&amp;#039;SSS, SSD, SDS, SDD, DSS, DSD, DDS, DDD&amp;#039;&amp;#039;&amp;#039; identificano otto &amp;#039;&amp;#039;&amp;#039;case posturali&amp;#039;&amp;#039;&amp;#039; che Paret incrocia con i nove tipi dell&amp;#039;enneagramma — &amp;#039;&amp;#039;&amp;#039;sovrappongono i tipi 9 e 4&amp;#039;&amp;#039;&amp;#039; come variazioni introspettive dello stesso pattern (SSS), e analogamente i tipi 1 e 6 (DDS). Si ottiene così la corrispondenza ottuplice fondamentale.&lt;br /&gt;
&lt;br /&gt;
=== La tavola dei tipi ===&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
! Sigla !! Enneagramma !! MBTI prevalente !! Temperamento !! Canale PMA !! Tipologia Paret&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;SDS&amp;#039;&amp;#039;&amp;#039; || Tipo 5 || IT (INTJ/INTP/ISTJ/ISTP) || Melanconico || AV || &amp;#039;&amp;#039;&amp;#039;Cartesiano / Logico&amp;#039;&amp;#039;&amp;#039; (introvert thinker)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;SSS&amp;#039;&amp;#039;&amp;#039; || Tipo 4-9 || IF (INFJ/INFP/ISFJ/ISFP) || Melanconico/Flemmatico || KA || &amp;#039;&amp;#039;&amp;#039;Sensitivo&amp;#039;&amp;#039;&amp;#039; (introvert feeling)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;DSS&amp;#039;&amp;#039;&amp;#039; || Tipo 4-5 || IN (INFJ/INFP/INTJ/INTP) || Melanconico || — || &amp;#039;&amp;#039;&amp;#039;Creativo&amp;#039;&amp;#039;&amp;#039; (introvert intuition)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;DDS&amp;#039;&amp;#039;&amp;#039; || Tipo 1-6 || IS (ISTJ/ISFJ/ISTP/ISFP) || Melanconico/Sanguigno || VA-VA || &amp;#039;&amp;#039;&amp;#039;Narcisistico&amp;#039;&amp;#039;&amp;#039; (introvert sensation)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;DSD&amp;#039;&amp;#039;&amp;#039; || Tipo 8-3 || ET (ENTJ/ENTP/ESTJ/ESTP) || Colerico || AK-VK || &amp;#039;&amp;#039;&amp;#039;Tribale&amp;#039;&amp;#039;&amp;#039; (extrovert thinker)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;SSD&amp;#039;&amp;#039;&amp;#039; || Tipo 2 || EF (ENFJ/ENFP/ESFJ/ESFP) || Sanguigno || KV || &amp;#039;&amp;#039;&amp;#039;Idealista&amp;#039;&amp;#039;&amp;#039; (extrovert feeling)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;DDD&amp;#039;&amp;#039;&amp;#039; || Tipo (2-)7 || ES (ESTP/ESFP/ESTJ/ESFJ) || Colerico/Sanguigno || V || &amp;#039;&amp;#039;&amp;#039;Challenger&amp;#039;&amp;#039;&amp;#039; (extrovert sensation)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;SDD&amp;#039;&amp;#039;&amp;#039; || Tipo 7-(2) || EN (ENFJ/ENFP/ENTJ/ENTP) || Sanguigno || VKA || &amp;#039;&amp;#039;&amp;#039;Relazionale&amp;#039;&amp;#039;&amp;#039; (extrovert intuition)&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
I tipi &amp;#039;&amp;#039;&amp;#039;introversi&amp;#039;&amp;#039;&amp;#039; (sigla che inizia per S nell&amp;#039;ear preference, o nelle combinazioni con dominanza emisferica sinistra attenuata) si concentrano nella metà superiore della tabella; i tipi &amp;#039;&amp;#039;&amp;#039;estroversi&amp;#039;&amp;#039;&amp;#039; nella metà inferiore.&lt;br /&gt;
&lt;br /&gt;
== II. Il significato di S e D: lateralizzazione e «hemisity» ==&lt;br /&gt;
&lt;br /&gt;
La lettera &amp;#039;&amp;#039;&amp;#039;S&amp;#039;&amp;#039;&amp;#039; indica &amp;#039;&amp;#039;&amp;#039;avambraccio/pollice/orecchio sinistro sopra o preferito&amp;#039;&amp;#039;&amp;#039; — che corrisponde a &amp;#039;&amp;#039;&amp;#039;attivazione preferenziale dell&amp;#039;emisfero destro&amp;#039;&amp;#039;&amp;#039; (per il principio di controllo controlaterale). La lettera &amp;#039;&amp;#039;&amp;#039;D&amp;#039;&amp;#039;&amp;#039; indica la situazione speculare — &amp;#039;&amp;#039;&amp;#039;attivazione preferenziale dell&amp;#039;emisfero sinistro&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
Le combinazioni di S e D non sono dicotomiche ma &amp;#039;&amp;#039;&amp;#039;gradate&amp;#039;&amp;#039;&amp;#039;: come documentato da Behrmann &amp;amp; Plaut (2013), la lateralizzazione è &amp;#039;&amp;#039;&amp;#039;un concetto graduale&amp;#039;&amp;#039;&amp;#039;, non un interruttore. Le sigle del Moving Enneagram codificano questa gradualità:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;SS-&amp;#039;&amp;#039;&amp;#039; nelle prime due posizioni → &amp;#039;&amp;#039;&amp;#039;dominanza dell&amp;#039;emisfero sinistro&amp;#039;&amp;#039;&amp;#039; (assenza di compensazione destra). Secondo Luria, può essere &amp;#039;&amp;#039;&amp;#039;latent left-handedness&amp;#039;&amp;#039;&amp;#039; — schizotipia mite, creatività non-convenzionale (Flor-Henry 1976).&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;DS-&amp;#039;&amp;#039;&amp;#039; → &amp;#039;&amp;#039;&amp;#039;dominanza attenuata dell&amp;#039;emisfero sinistro&amp;#039;&amp;#039;&amp;#039;. Possibile &amp;#039;&amp;#039;&amp;#039;bias dell&amp;#039;emisfero destro&amp;#039;&amp;#039;&amp;#039; come conseguenza di un&amp;#039;imbalance callosa, con ipofunzione sinistra &amp;#039;&amp;#039;&amp;#039;compensata&amp;#039;&amp;#039;&amp;#039; dalla controparte (cfr. ricerca su arm folding e lateralità latente).&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;SD-&amp;#039;&amp;#039;&amp;#039; → &amp;#039;&amp;#039;&amp;#039;dominanza sinistra attenuata&amp;#039;&amp;#039;&amp;#039; con migliore &amp;#039;&amp;#039;&amp;#039;integrazione interemisferica&amp;#039;&amp;#039;&amp;#039;. Recupero migliore dalle afasie. Tipo «organizzatore-coordinatore».&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;DD-&amp;#039;&amp;#039;&amp;#039; → &amp;#039;&amp;#039;&amp;#039;dominanza sinistra ridotta&amp;#039;&amp;#039;&amp;#039;. Maggiore disponibilità al pensiero destro (gestaltico, globale, intuitivo).&lt;br /&gt;
&lt;br /&gt;
La terza lettera — l&amp;#039;&amp;#039;&amp;#039;&amp;#039;ear preference&amp;#039;&amp;#039;&amp;#039; — modula questo quadro distinguendo l&amp;#039;&amp;#039;&amp;#039;&amp;#039;attenzione preferenziale alle parole&amp;#039;&amp;#039;&amp;#039; (D = orecchio destro = emisfero sinistro = estroverso, attento al contenuto verbale) dall&amp;#039;&amp;#039;&amp;#039;&amp;#039;attenzione preferenziale ai toni&amp;#039;&amp;#039;&amp;#039; (S = orecchio sinistro = emisfero destro = introverso, attento alla prosodia, all&amp;#039;emozione del messaggio).&lt;br /&gt;
&lt;br /&gt;
=== Canali rappresentazionali emergenti ===&lt;br /&gt;
&lt;br /&gt;
Ciascuna combinazione genera &amp;#039;&amp;#039;&amp;#039;canali rappresentazionali&amp;#039;&amp;#039;&amp;#039; specifici nel vocabolario PNL e PMA:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;-SS = K&amp;#039;&amp;#039;&amp;#039; (cinestesico predominante)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;SS- = K&amp;#039;&amp;#039;&amp;#039; (cinestesico predominante)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;-DD = V&amp;#039;&amp;#039;&amp;#039; (visivo predominante)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;DD- = V&amp;#039;&amp;#039;&amp;#039; (visivo predominante)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;-DS = A&amp;#039;&amp;#039;&amp;#039; (uditivo predominante)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;DS- = A&amp;#039;&amp;#039;&amp;#039; (uditivo predominante)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;-SD = K&amp;#039;&amp;#039;&amp;#039; (cinestesico con tonalità verbale)&lt;br /&gt;
&lt;br /&gt;
In aggiunta al canale di base, i tipi specifici producono i &amp;#039;&amp;#039;&amp;#039;canali compositi&amp;#039;&amp;#039;&amp;#039; della PMA:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;KV&amp;#039;&amp;#039;&amp;#039; — cinestesico-visivo (Idealista 2)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;KA&amp;#039;&amp;#039;&amp;#039; — cinestesico-uditivo (Sensitivo 4-9)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;VA&amp;#039;&amp;#039;&amp;#039; — visivo-uditivo (Narcisistico 1-6)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;VKA&amp;#039;&amp;#039;&amp;#039; — visivo-cinestesico-uditivo (Relazionale 7)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;AK / VK&amp;#039;&amp;#039;&amp;#039; — uditivo-cinestesico (Tribale 8-3)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;AV&amp;#039;&amp;#039;&amp;#039; — uditivo-visivo (Cartesiano 5)&lt;br /&gt;
&lt;br /&gt;
L&amp;#039;operatore esperto della Scuola &amp;#039;&amp;#039;&amp;#039;legge il canale dal gesto&amp;#039;&amp;#039;&amp;#039; e adatta la propria comunicazione di conseguenza.&lt;br /&gt;
&lt;br /&gt;
== III. I quattro stili di adattamento ==&lt;br /&gt;
&lt;br /&gt;
Una dimensione operativa cruciale del Moving Enneagram è la lettura dei &amp;#039;&amp;#039;&amp;#039;quattro stili di adattamento&amp;#039;&amp;#039;&amp;#039; ricavata dalle prime due lettere della sigla (arm folding × hand clasping):&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;D-S → Individualist&amp;#039;&amp;#039;&amp;#039; — riferimento interno, scarsa fiducia esterna, autonomia rivendicata. Ipnotizzabilità ridotta finché non si stabilisce un campo di rispetto e di autonomia. Coordinatori, stratega, autodidatti.&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;D-D → Autonomous&amp;#039;&amp;#039;&amp;#039; — autocontrollo, riferimento interno autonomo, fiducia in sé. Ipnotizzabilità via &amp;#039;&amp;#039;&amp;#039;self-induction&amp;#039;&amp;#039;&amp;#039; o porta paterna con calore ventrale. Decisori, leader, tipi che vanno per la loro strada.&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;S-D → Consensual&amp;#039;&amp;#039;&amp;#039; — controllo esterno accettato, riferimento sociale. Ipnotizzabilità tramite &amp;#039;&amp;#039;&amp;#039;porta paterna direttiva&amp;#039;&amp;#039;&amp;#039; o autorità riconosciuta. Buoni esecutori, organizzatori.&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;S-S → Depending&amp;#039;&amp;#039;&amp;#039; — fiducia, riferimento esterno ricettivo. Ipnotizzabilità tramite &amp;#039;&amp;#039;&amp;#039;porta materna&amp;#039;&amp;#039;&amp;#039; ricettiva, calore vagale ventrale.&lt;br /&gt;
&lt;br /&gt;
Questo quadro converge con il modello di &amp;#039;&amp;#039;&amp;#039;Herbert Spiegel&amp;#039;&amp;#039;&amp;#039; sui «pattern di induzione» e con quello di &amp;#039;&amp;#039;&amp;#039;John Kappas&amp;#039;&amp;#039;&amp;#039; sulla distinzione fra «emotional behavior pattern» (introverso, simile alla configurazione S-S) e «physical behavior pattern» (estroverso, simile alla configurazione D-D). La scelta della tecnica di induzione corretta per lo stile di adattamento &amp;#039;&amp;#039;&amp;#039;è la differenza fra successo e fallimento&amp;#039;&amp;#039;&amp;#039; dell&amp;#039;intervento ipnotico.&lt;br /&gt;
&lt;br /&gt;
== IV. I quattro orientamenti dell&amp;#039;intelligenza ==&lt;br /&gt;
&lt;br /&gt;
Le combinazioni emisferiche generano &amp;#039;&amp;#039;&amp;#039;quattro orientamenti dell&amp;#039;intelligenza&amp;#039;&amp;#039;&amp;#039; che Paret distingue:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Intelligenza Logica / Speculativa&amp;#039;&amp;#039;&amp;#039; (emisfero sinistro dominante) — tipi &amp;#039;&amp;#039;&amp;#039;Cartesiano (5)&amp;#039;&amp;#039;&amp;#039; SDS e &amp;#039;&amp;#039;&amp;#039;Narcisistico (1-6)&amp;#039;&amp;#039;&amp;#039; DDS. Pensiero analitico, deduttivo, categoriale. Forte sul linguaggio e sulla risoluzione di problemi formali.&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Intelligenza Interpersonale / Sociale&amp;#039;&amp;#039;&amp;#039; (emisfero sinistro + integrazione interemisferica) — tipi &amp;#039;&amp;#039;&amp;#039;Idealista (2)&amp;#039;&amp;#039;&amp;#039; SSD e &amp;#039;&amp;#039;&amp;#039;Tribale (3-8)&amp;#039;&amp;#039;&amp;#039; DSD. Letture relazionali, costruzione di gruppo, leadership sociale.&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Intelligenza Creatrice / Empirica&amp;#039;&amp;#039;&amp;#039; (emisfero destro dominante con integrazione) — tipi &amp;#039;&amp;#039;&amp;#039;Sensitivo (4-9)&amp;#039;&amp;#039;&amp;#039; SSS e &amp;#039;&amp;#039;&amp;#039;Creativo (4-5)&amp;#039;&amp;#039;&amp;#039; DSS. Pensiero per immagini, intuizione, creatività artistica e simbolica.&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Intelligenza Pratica / Funzionale&amp;#039;&amp;#039;&amp;#039; (emisfero destro con orientamento all&amp;#039;azione) — tipi &amp;#039;&amp;#039;&amp;#039;Challenger (3-7)&amp;#039;&amp;#039;&amp;#039; DDD e &amp;#039;&amp;#039;&amp;#039;Relazionale (7-2)&amp;#039;&amp;#039;&amp;#039; SDD. Pragmatismo, capacità di realizzazione, intelligenza emotiva pratica.&lt;br /&gt;
&lt;br /&gt;
Questo quadro è &amp;#039;&amp;#039;&amp;#039;compatibile con la teoria delle intelligenze multiple&amp;#039;&amp;#039;&amp;#039; di Howard Gardner e con la distinzione di Daniel Goleman fra intelligenza cognitiva e intelligenza emotiva, ma &amp;#039;&amp;#039;&amp;#039;la integra con la diagnostica neurolaterale&amp;#039;&amp;#039;&amp;#039; che permette di &amp;#039;&amp;#039;&amp;#039;riconoscere&amp;#039;&amp;#039;&amp;#039; il tipo di intelligenza prevalente in pochi secondi di osservazione.&lt;br /&gt;
&lt;br /&gt;
== V. I tipi specifici nel Moving Enneagram ==&lt;br /&gt;
&lt;br /&gt;
Si espongono di seguito i tipi nel quadro completo. Per ciascuno: configurazione laterale, MBTI prevalente, configurazione polivagale, canale PMA, gesto caratteristico, porta d&amp;#039;accesso ipnotica raccomandata.&lt;br /&gt;
&lt;br /&gt;
=== Tipo SDS — Cartesiano / Logico (Enneagramma 5) ===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Configurazione&amp;#039;&amp;#039;&amp;#039;: introverted thinking dominante (Ti-dom). Tono melanconico (47-50%) o flemmatico (29-36%). Configurazione polivagale: introversione con simpatico contenuto.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Canale PMA&amp;#039;&amp;#039;&amp;#039;: AV (uditivo-visivo, distante dal cinestesico). Gesti analitici, micromovimenti, self-adapters. Distanziamento posturale dal corpo dell&amp;#039;altro.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;MBTI&amp;#039;&amp;#039;&amp;#039;: INTJ, INTP, ISTJ, ISTP. Sub-tipologia: &amp;#039;&amp;#039;&amp;#039;Coordinator-Strategist&amp;#039;&amp;#039;&amp;#039; (INTJ), &amp;#039;&amp;#039;&amp;#039;Regulator-Administrator&amp;#039;&amp;#039;&amp;#039; (ISTJ), &amp;#039;&amp;#039;&amp;#039;Coordinator-Stratega&amp;#039;&amp;#039;&amp;#039; organizzativo.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Motivazione di fondo&amp;#039;&amp;#039;&amp;#039;: competenza attraverso la conoscenza. Sistema personale di logica basato sulla conoscenza accumulata.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Porta d&amp;#039;accesso ipnotica&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;&amp;#039;mentale&amp;#039;&amp;#039;&amp;#039; non intrusiva. Lavoro per simbolo, per ragionamento, mai per imposizione. La porta materna risulta sospetta, la paterna direttiva genera resistenza.&lt;br /&gt;
&lt;br /&gt;
=== Tipo SSS — Sensitivo (Enneagramma 4-9) ===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Configurazione&amp;#039;&amp;#039;&amp;#039;: introverted feeling dominante (Fi-dom). Tono melanconico (65-66%) con quote flemmatiche. Cinestesica profonda.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Canale PMA&amp;#039;&amp;#039;&amp;#039;: KA (cinestesico-uditivo). Gesti contenuti, micromovimenti, espressività ridotta esternamente ma &amp;#039;&amp;#039;&amp;#039;intensità interna alta&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;MBTI&amp;#039;&amp;#039;&amp;#039;: INFJ, INFP, ISFJ, ISFP. Sub-tipologia: &amp;#039;&amp;#039;&amp;#039;Counselor-Guiding&amp;#039;&amp;#039;&amp;#039; (INFJ), &amp;#039;&amp;#039;&amp;#039;Healer-Conciliating&amp;#039;&amp;#039;&amp;#039; (INFP).&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Motivazione di fondo&amp;#039;&amp;#039;&amp;#039;: autenticità rispetto ai propri valori personali. Apprendimento della propria unicità per portare pace al proprio mondo interiore (tipo 4). Aspirazione alla totalità e alla pace (tipo 9).&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Porta d&amp;#039;accesso ipnotica&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;&amp;#039;materna ricettiva&amp;#039;&amp;#039;&amp;#039; con linguaggio simbolico. Voce prosodica calda, ritmo lento, contenimento. Eventualmente &amp;#039;&amp;#039;&amp;#039;mentale&amp;#039;&amp;#039;&amp;#039; simbolica per i tipi 4 con forte canale visivo.&lt;br /&gt;
&lt;br /&gt;
=== Tipo DSS — Creativo (Enneagramma 4-5) ===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Configurazione&amp;#039;&amp;#039;&amp;#039;: introverted intuition dominante (Ni-dom). Tono melanconico (47-67%).&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Canale PMA&amp;#039;&amp;#039;&amp;#039;: cinestesico-intuitivo, gesti irregolari, espressività non lineare.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;MBTI&amp;#039;&amp;#039;&amp;#039;: INFJ-INTJ-INFP-INTP. Sub-tipologia: &amp;#039;&amp;#039;&amp;#039;Autodidacte&amp;#039;&amp;#039;&amp;#039; (INFP-4), &amp;#039;&amp;#039;&amp;#039;Concepteur&amp;#039;&amp;#039;&amp;#039; (INFJ-4), &amp;#039;&amp;#039;&amp;#039;Realisateur&amp;#039;&amp;#039;&amp;#039; (INTJ con tipo 7-5), &amp;#039;&amp;#039;&amp;#039;Improvisateur&amp;#039;&amp;#039;&amp;#039; (INTP-5).&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Motivazione di fondo&amp;#039;&amp;#039;&amp;#039;: comprendere la situazione da ogni angolatura possibile (Ni), creare e realizzare visioni interiori. Vive i propri sogni come crociate.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Porta d&amp;#039;accesso ipnotica&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;&amp;#039;mentale simbolica&amp;#039;&amp;#039;&amp;#039; con margine per l&amp;#039;auto-induzione. Linguaggio per immagini archetipiche. Risuona con tradizione ermetica, alchemica, immaginale.&lt;br /&gt;
&lt;br /&gt;
=== Tipo DDS — Narcisistico (Enneagramma 1-6) ===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Configurazione&amp;#039;&amp;#039;&amp;#039;: introverted sensation dominante (Si-dom). Tono melanconico (50-57%).&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Canale PMA&amp;#039;&amp;#039;&amp;#039;: VA-VA (visivo-uditivo doppio). Postura controllata, gesti precisi e ripetuti.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;MBTI&amp;#039;&amp;#039;&amp;#039;: ISTJ, ISFJ, ISTP, ISFP. Sub-tipologia: &amp;#039;&amp;#039;&amp;#039;Seduttore artigiano&amp;#039;&amp;#039;&amp;#039; (ISTJ-1), &amp;#039;&amp;#039;&amp;#039;Seduttore attore&amp;#039;&amp;#039;&amp;#039; (ISFP), &amp;#039;&amp;#039;&amp;#039;Proselita-Negoziatore&amp;#039;&amp;#039;&amp;#039; (ISFJ-2).&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Motivazione di fondo&amp;#039;&amp;#039;&amp;#039;: sicurezza attraverso strutture e routine familiari (Si). Senso di sicurezza nella prevedibilità (tipo 6). Perfezionamento (tipo 1 quando il giudizio è prevalente).&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Porta d&amp;#039;accesso ipnotica&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;&amp;#039;paterna strutturata&amp;#039;&amp;#039;&amp;#039; con dettagli concreti e indicatori di successo. La porta materna senza struttura li rende insicuri; la mentale simbolica può destabilizzarli.&lt;br /&gt;
&lt;br /&gt;
=== Tipo DSD — Tribale (Enneagramma 8-3) ===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Configurazione&amp;#039;&amp;#039;&amp;#039;: extroverted thinking dominante (Te-dom). Tono colerico (38-64%) o sanguigno.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Canale PMA&amp;#039;&amp;#039;&amp;#039;: AK-VK (uditivo-cinestesico, visivo-cinestesico). &amp;#039;&amp;#039;&amp;#039;Tipi tattili&amp;#039;&amp;#039;&amp;#039;: il tocco è strumento di convinzione e di costruzione del legame. Postura assertiva, gesti ampi e diretti.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;MBTI&amp;#039;&amp;#039;&amp;#039;: ESTJ, ENTJ, ESTP, ENTP. Sub-tipologia: &amp;#039;&amp;#039;&amp;#039;Supervisor-Enforcing&amp;#039;&amp;#039;&amp;#039; (ESTJ), &amp;#039;&amp;#039;&amp;#039;Fieldmarshal-Mobilizing&amp;#039;&amp;#039;&amp;#039; (ENTJ), &amp;#039;&amp;#039;&amp;#039;Promoter-Persuading&amp;#039;&amp;#039;&amp;#039; (ESTP), &amp;#039;&amp;#039;&amp;#039;Inventor-Devising&amp;#039;&amp;#039;&amp;#039; (ENTP).&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Motivazione di fondo&amp;#039;&amp;#039;&amp;#039;: controllo dell&amp;#039;ambiente esterno in modo pragmatico (Te). Autosufficienza (tipo 8). Ambizione e realizzazione (tipo 3).&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Tratti caratteristici&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;&amp;#039;Ambizione, autonomia, carisma, autostima, decisione, eclettismo, senso degli affari e della famiglia, organizzazione concreta, amore per i follower, lavoro sul campo&amp;#039;&amp;#039;&amp;#039;. Anti-teorici, pratici, non amano i ragionamenti astratti.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Porta d&amp;#039;accesso ipnotica&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;&amp;#039;paterna autorevole&amp;#039;&amp;#039;&amp;#039; con riconoscimento del loro potere. Mai porta materna pura (la percepiscono come passività). Tocco strategico: la stretta di mano forte, il tocco sulla spalla.&lt;br /&gt;
&lt;br /&gt;
=== Tipo SSD — Idealista (Enneagramma 2) ===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Configurazione&amp;#039;&amp;#039;&amp;#039;: extroverted feeling dominante (Fe-dom). Tono sanguigno alto (53-70%).&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Canale PMA&amp;#039;&amp;#039;&amp;#039;: KV (cinestesico-visivo). Gestualità ampia, espressiva, contattante. &amp;#039;&amp;#039;&amp;#039;Mani parlano molto&amp;#039;&amp;#039;&amp;#039;. Espressione facciale mobile e ricca.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;MBTI&amp;#039;&amp;#039;&amp;#039;: ENFJ, ENFP, ESFJ, ESFP. Sub-tipologia: &amp;#039;&amp;#039;&amp;#039;Provider-Supplying&amp;#039;&amp;#039;&amp;#039; (ESFJ), &amp;#039;&amp;#039;&amp;#039;Performer-Demonstrating&amp;#039;&amp;#039;&amp;#039; (ESFP), &amp;#039;&amp;#039;&amp;#039;Rivelatore&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;Democrate&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Motivazione di fondo&amp;#039;&amp;#039;&amp;#039;: mantenere l&amp;#039;armonia sociale, essere accettati. Paura di fondo: non essere amati per il proprio valore (tipo 2). Hanno «amore da vendere», cercano riconoscimento attraverso l&amp;#039;aiuto.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Porta d&amp;#039;accesso ipnotica&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;&amp;#039;materna ricettiva&amp;#039;&amp;#039;&amp;#039; calda, oppure &amp;#039;&amp;#039;&amp;#039;paterna gentile&amp;#039;&amp;#039;&amp;#039; con riconoscimento esplicito. Il tocco affettuoso funziona; il tocco strumentale o freddo li chiude.&lt;br /&gt;
&lt;br /&gt;
=== Tipo DDD — Challenger (Enneagramma 7 o 2-3-7-8) ===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Configurazione&amp;#039;&amp;#039;&amp;#039;: extroverted sensation dominante (Se-dom). Tono sanguigno (62%) o colerico.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Canale PMA&amp;#039;&amp;#039;&amp;#039;: V (visivo) e gesto fisico ampio. &amp;#039;&amp;#039;&amp;#039;Estremamente facciale-espressivi&amp;#039;&amp;#039;&amp;#039; o &amp;#039;&amp;#039;&amp;#039;corporeo-espressivi&amp;#039;&amp;#039;&amp;#039;. Usano braccia e corpo nel discorso.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;MBTI&amp;#039;&amp;#039;&amp;#039;: ESTP, ESFP (più direttamente di Se), ESTJ, ESFJ. Sub-tipologia: &amp;#039;&amp;#039;&amp;#039;Promoter&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;Performer&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;Animatore&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Motivazione di fondo&amp;#039;&amp;#039;&amp;#039;: intenso bisogno di stimolazione (tipo 7), forte ingaggio con l&amp;#039;ambiente esterno. Mente irrequieta, paura di essere intrappolati da routine.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Porta d&amp;#039;accesso ipnotica&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;&amp;#039;paterna giocosa&amp;#039;&amp;#039;&amp;#039; o &amp;#039;&amp;#039;&amp;#039;cinestetica&amp;#039;&amp;#039;&amp;#039; attiva. Tecniche statiche tradizionali falliscono spesso. Funzionano l&amp;#039;induzione rapida, il movimento, la fascinazione attiva.&lt;br /&gt;
&lt;br /&gt;
=== Tipo SDD — Relazionale (Enneagramma 7-2) ===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Configurazione&amp;#039;&amp;#039;&amp;#039;: extroverted intuition dominante (Ne-dom). Tono sanguigno (48-70%).&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Canale PMA&amp;#039;&amp;#039;&amp;#039;: VKA (visivo-cinestesico-uditivo, multimodale). Gestualità ampia, sguardo che apre la relazione, postura inclusiva.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;MBTI&amp;#039;&amp;#039;&amp;#039;: ENFJ, ENFP, ENTJ, ENTP. Sub-tipologia: &amp;#039;&amp;#039;&amp;#039;Teacher-Educating&amp;#039;&amp;#039;&amp;#039; (ENFJ), &amp;#039;&amp;#039;&amp;#039;Champion-Motivating&amp;#039;&amp;#039;&amp;#039; (ENFP), &amp;#039;&amp;#039;&amp;#039;Inventor-Devising&amp;#039;&amp;#039;&amp;#039; (ENTP).&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Motivazione di fondo&amp;#039;&amp;#039;&amp;#039;: nuove esperienze, possibilità (Ne). Eccellenti &amp;#039;&amp;#039;&amp;#039;pedagogisti&amp;#039;&amp;#039;&amp;#039; per natura. Tipo 7 puro nella sua versione relazionale.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Tratti caratteristici&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;&amp;#039;Adattabile, amico, animatore, affascinante, comunicativo, cooperativo, democratico, dialogante, diplomatico, edonista, ottimista, reattivo, sociabile, lavoratore&amp;#039;&amp;#039;&amp;#039;. Cervello creativo destro, &amp;#039;&amp;#039;&amp;#039;get medio&amp;#039;&amp;#039;&amp;#039; alto (capacità di ottenere il consenso).&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Porta d&amp;#039;accesso ipnotica&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;&amp;#039;materna o paterna calorosa&amp;#039;&amp;#039;&amp;#039; con elementi di gioco. Eccellente per induzioni narrative, metaforiche, conversazionali.&lt;br /&gt;
&lt;br /&gt;
== VI. Le valenze magnetiche e i pollici ==&lt;br /&gt;
&lt;br /&gt;
Una dimensione operativa specifica del Moving Enneagram è la lettura delle &amp;#039;&amp;#039;&amp;#039;valenze magnetiche&amp;#039;&amp;#039;&amp;#039; attraverso il pollice dominante nell&amp;#039;hand clasping:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Pollice destro sopra&amp;#039;&amp;#039;&amp;#039; — &amp;#039;&amp;#039;&amp;#039;approccio elettrico&amp;#039;&amp;#039;&amp;#039;. Emisfero sinistro più attivo. Tendenza a &amp;#039;&amp;#039;&amp;#039;inibire le emozioni&amp;#039;&amp;#039;&amp;#039; attraverso il controllo razionale (Bakan 1976, Galin 1974). Configurazione «più nevrotica» nella nomenclatura tradizionale. Tipi DDS, DDD, DSD, DSS.&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Pollice sinistro sopra&amp;#039;&amp;#039;&amp;#039; — &amp;#039;&amp;#039;&amp;#039;approccio magnetico&amp;#039;&amp;#039;&amp;#039;. Emisfero destro più attivo. &amp;#039;&amp;#039;&amp;#039;Espressività emotiva&amp;#039;&amp;#039;&amp;#039; più libera. Configurazione «sanguigna» o «linfatica». Tipi SSS, SSD, SDS, SDD.&lt;br /&gt;
&lt;br /&gt;
Combinazioni con l&amp;#039;ear preference:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Estroverso (orecchio D) + pollice S sopra&amp;#039;&amp;#039;&amp;#039; → &amp;#039;&amp;#039;&amp;#039;elettromagnetico-sanguigno&amp;#039;&amp;#039;&amp;#039; (mobilizzazione regolata)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Estroverso + pollice D sopra&amp;#039;&amp;#039;&amp;#039; → &amp;#039;&amp;#039;&amp;#039;elettrico-colerico&amp;#039;&amp;#039;&amp;#039; (mobilizzazione direttiva)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Introverso (orecchio S) + pollice S sopra&amp;#039;&amp;#039;&amp;#039; → &amp;#039;&amp;#039;&amp;#039;magnetico-linfatico&amp;#039;&amp;#039;&amp;#039; (ricettività profonda)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Introverso + pollice D sopra&amp;#039;&amp;#039;&amp;#039; → &amp;#039;&amp;#039;&amp;#039;diamagnetico-melanconico&amp;#039;&amp;#039;&amp;#039; (ritiro controllato)&lt;br /&gt;
&lt;br /&gt;
Questo vocabolario, apparentemente metaforico, &amp;#039;&amp;#039;&amp;#039;corrisponde a configurazioni autonomiche&amp;#039;&amp;#039;&amp;#039; che la teoria polivagale ridescrive con precisione: &amp;#039;&amp;#039;&amp;#039;elettrico/colerico&amp;#039;&amp;#039;&amp;#039; = simpatico dominante con tono ventrale moderato; &amp;#039;&amp;#039;&amp;#039;magnetico/linfatico&amp;#039;&amp;#039;&amp;#039; = ventrale dominante; &amp;#039;&amp;#039;&amp;#039;elettromagnetico/sanguigno&amp;#039;&amp;#039;&amp;#039; = ventrale + simpatico in V+S; &amp;#039;&amp;#039;&amp;#039;diamagnetico/melanconico&amp;#039;&amp;#039;&amp;#039; = dorsale dominante.&lt;br /&gt;
&lt;br /&gt;
== VII. Postura, respiro e direzione del pensiero ==&lt;br /&gt;
&lt;br /&gt;
A completamento del quadro tipologico, il Moving Enneagram integra:&lt;br /&gt;
&lt;br /&gt;
=== Postura caratteristica ===&lt;br /&gt;
&lt;br /&gt;
Lo studio di Canales et al. (2010) e ricerche correlate hanno documentato che:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Postura ideale o lordosico-cifotica&amp;#039;&amp;#039;&amp;#039; → predominanza estroversa&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Sway back / flat back&amp;#039;&amp;#039;&amp;#039; → predominanza introversa&lt;br /&gt;
&lt;br /&gt;
Questo si combina con l&amp;#039;asse di movimento PMA (forward / backward / sinking / upper) per generare un quadro posturale specifico per ciascun tipo.&lt;br /&gt;
&lt;br /&gt;
=== Respiro alta vs respiro basso ===&lt;br /&gt;
&lt;br /&gt;
Un &amp;#039;&amp;#039;&amp;#039;test addizionale&amp;#039;&amp;#039;&amp;#039; della Scuola distingue, fra gli estroversi:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Respiro alto e tensione del collo&amp;#039;&amp;#039;&amp;#039; → tipo &amp;#039;&amp;#039;&amp;#039;più direttivo&amp;#039;&amp;#039;&amp;#039; (DSD, DDD, DDS estrovertito)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Respiro basso&amp;#039;&amp;#039;&amp;#039; → tipo &amp;#039;&amp;#039;&amp;#039;più influenzante&amp;#039;&amp;#039;&amp;#039; / consensuale (SSD, SDD)&lt;br /&gt;
&lt;br /&gt;
Questo test rapido permette di distinguere fra estroversi di tipo Tribale e di tipo Idealista/Relazionale in pochi secondi.&lt;br /&gt;
&lt;br /&gt;
=== Direzione del pensiero ===&lt;br /&gt;
&lt;br /&gt;
Il pensiero dei diversi tipi si orienta in modi specifici:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Active express&amp;#039;&amp;#039;&amp;#039; (azione espressiva) — DSD Tribale, DDS Narcisistico&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Receive and react&amp;#039;&amp;#039;&amp;#039; (ricezione e risposta) — SSD Idealista, SDD Relazionale&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Reflection&amp;#039;&amp;#039;&amp;#039; (riflessione interna) — SDS Cartesiano, SSS Sensitivo&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Active intuitive&amp;#039;&amp;#039;&amp;#039; (intuizione attiva) — DSS Creativo, DDD Challenger&lt;br /&gt;
&lt;br /&gt;
== VIII. Direzioni di comunicazione e compatibilità ==&lt;br /&gt;
&lt;br /&gt;
Ogni tipo ha un &amp;#039;&amp;#039;&amp;#039;approccio comunicativo&amp;#039;&amp;#039;&amp;#039; caratteristico:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Interrogativo-oggettivo&amp;#039;&amp;#039;&amp;#039; — Cartesiano, Creativo (intelligenza logica/creatrice)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Empatico-collaborativo&amp;#039;&amp;#039;&amp;#039; — Idealista, Sensitivo (intelligenza interpersonale)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Direttivo&amp;#039;&amp;#039;&amp;#039; — Tribale, Challenger (intelligenza sociale/pratica)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Esplorativo-narrativo&amp;#039;&amp;#039;&amp;#039; — Relazionale, Narcisistico (intelligenza pratica con dimensione speculativa)&lt;br /&gt;
&lt;br /&gt;
Questo quadro ha applicazione diretta nella &amp;#039;&amp;#039;&amp;#039;profilazione di compatibilità&amp;#039;&amp;#039;&amp;#039; della PMA: la compatibilità di coppia, di team, di rapporto cliente-operatore può essere letta dalla combinazione dei tipi e dalla compatibilità delle direzioni comunicative.&lt;br /&gt;
&lt;br /&gt;
Le combinazioni più armoniche tendono a essere:&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Tribale (DSD) + Idealista (SSD)&amp;#039;&amp;#039;&amp;#039; — direttività + empatia, struttura + calore&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Cartesiano (SDS) + Relazionale (SDD)&amp;#039;&amp;#039;&amp;#039; — analisi + comunicazione&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Sensitivo (SSS) + Challenger (DDD)&amp;#039;&amp;#039;&amp;#039; — profondità + azione (con rischio di asimmetria)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Narcisistico (DDS) + Creativo (DSS)&amp;#039;&amp;#039;&amp;#039; — struttura + immaginazione&lt;br /&gt;
&lt;br /&gt;
Le combinazioni più conflittuali sono spesso quelle &amp;#039;&amp;#039;&amp;#039;speculari sulla stessa dimensione&amp;#039;&amp;#039;&amp;#039; (es. due tipi DDD competitivi, due tipi SSS depressivi-fusi).&lt;br /&gt;
&lt;br /&gt;
== IX. Lo stato integrato come «settima/nona configurazione» ==&lt;br /&gt;
&lt;br /&gt;
Come la pagina &amp;#039;&amp;#039;&amp;#039;[[I sei tipi caratteriali nella mappa polivagale]]&amp;#039;&amp;#039;&amp;#039; espone per la versione semplificata, lo &amp;#039;&amp;#039;&amp;#039;[[Stato integrato|stato integrato]]&amp;#039;&amp;#039;&amp;#039; non è una nona casa fissa fra le otto del Moving Enneagram: è la &amp;#039;&amp;#039;&amp;#039;configurazione di passaggio fluido&amp;#039;&amp;#039;&amp;#039; fra tutte le case, organizzata dal vago ventrale come principio coordinatore. Le otto case rappresentano le &amp;#039;&amp;#039;&amp;#039;trance abituali&amp;#039;&amp;#039;&amp;#039; — modi prevalenti, talvolta rigidi, di stare nel mondo.&lt;br /&gt;
&lt;br /&gt;
Lo stato integrato corrisponde a quello che la tradizione alchemico-ermetica chiama &amp;#039;&amp;#039;&amp;#039;[[Mercurio Filosofico]]&amp;#039;&amp;#039;&amp;#039; o &amp;#039;&amp;#039;&amp;#039;Quintessenza&amp;#039;&amp;#039;&amp;#039;, l&amp;#039;esicasmo chiama &amp;#039;&amp;#039;&amp;#039;apatheia&amp;#039;&amp;#039;&amp;#039; (libertà dai &amp;#039;&amp;#039;&amp;#039;[[Logismoi|logismoi]]&amp;#039;&amp;#039;&amp;#039;), il [[Il Gruppo di UR-KRUR|Gruppo di UR-KRUR]] chiama nella pagina &amp;#039;&amp;#039;&amp;#039;[[La Presenza (tradizione ermetica)|La Presenza]]&amp;#039;&amp;#039;&amp;#039; il «comando-presenza», e che la Scuola allena operativamente attraverso la &amp;#039;&amp;#039;&amp;#039;[[Presenza Integrale|Presenza Integrale™]]&amp;#039;&amp;#039;&amp;#039;. Tutte le pagine della triade della presenza convergono qui: &amp;#039;&amp;#039;&amp;#039;lo stato integrato è la libertà dalle otto trance tipologiche&amp;#039;&amp;#039;&amp;#039;, non la loro abolizione ma la loro disponibilità come strumenti del momento anziché identità fisse.&lt;br /&gt;
&lt;br /&gt;
== X. Il Moving Enneagram nel quadro del Paret Method ==&lt;br /&gt;
&lt;br /&gt;
Il Moving Enneagram è &amp;#039;&amp;#039;&amp;#039;lo strumento tipologico più completo&amp;#039;&amp;#039;&amp;#039; della Scuola e si situa fra:&lt;br /&gt;
&lt;br /&gt;
* la &amp;#039;&amp;#039;&amp;#039;[[Paret Movement Analysis]]&amp;#039;&amp;#039;&amp;#039; (PMA) — il sistema di osservazione di cui è la sintesi tipologica&lt;br /&gt;
* la &amp;#039;&amp;#039;&amp;#039;[[I sei tipi caratteriali nella mappa polivagale|tipologia polivagale-paracelsiana]]&amp;#039;&amp;#039;&amp;#039; — la sua versione semplificata&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;[[Touch e sistema nervoso autonomo]]&amp;#039;&amp;#039;&amp;#039; — il dossier neurobiologico che lo fonda&lt;br /&gt;
* la &amp;#039;&amp;#039;&amp;#039;[[Tria Prima]]&amp;#039;&amp;#039;&amp;#039; alchemica — la sua radice storica&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;[[Stato integrato]]&amp;#039;&amp;#039;&amp;#039; e &amp;#039;&amp;#039;&amp;#039;[[Presenza Integrale|Presenza Integrale™]]&amp;#039;&amp;#039;&amp;#039; — la sua meta operativa&lt;br /&gt;
&lt;br /&gt;
La Scuola insegna che la tipologia &amp;#039;&amp;#039;&amp;#039;non è un&amp;#039;etichetta&amp;#039;&amp;#039;&amp;#039;: è &amp;#039;&amp;#039;&amp;#039;una lente di riconoscimento della propria trance abituale&amp;#039;&amp;#039;&amp;#039; per poterla attraversare. Il valore del Moving Enneagram non è classificatorio — è &amp;#039;&amp;#039;&amp;#039;operativo&amp;#039;&amp;#039;&amp;#039;: permette all&amp;#039;allievo di &amp;#039;&amp;#039;&amp;#039;riconoscersi&amp;#039;&amp;#039;&amp;#039;, riconoscere l&amp;#039;altro, scegliere la porta d&amp;#039;accesso giusta, calibrare il tocco e la fascinazione, e infine attraversare la propria configurazione abituale verso lo stato integrato.&lt;br /&gt;
&lt;br /&gt;
== Vedi anche ==&lt;br /&gt;
&lt;br /&gt;
=== Sistema PMA e tipologie ===&lt;br /&gt;
&lt;br /&gt;
* [[Paret Movement Analysis]] — il sistema di osservazione di cui questa pagina è la sintesi tipologica&lt;br /&gt;
* [[I sei tipi caratteriali nella mappa polivagale]] — versione semplificata polivagale-paracelsiana&lt;br /&gt;
* [[Touch e sistema nervoso autonomo]] — il dossier neurobiologico&lt;br /&gt;
* [[Tria Prima]] — radice alchemica&lt;br /&gt;
* [[Mercurio Filosofico]] — lo stato integrato come configurazione fluida&lt;br /&gt;
&lt;br /&gt;
=== Parte neurologica ===&lt;br /&gt;
&lt;br /&gt;
* [[Paret Method]]&lt;br /&gt;
* [[Ipnosi, Teoria Polivagale e Liberazione Somatica]]&lt;br /&gt;
* [[Teoria polivagale]]&lt;br /&gt;
* [[Stephen Porges]]&lt;br /&gt;
* [[Stato integrato]]&lt;br /&gt;
* [[Presenza Integrale|Presenza Integrale™]]&lt;br /&gt;
* [[Movimento autonomo della crisi]]&lt;br /&gt;
* [[Logismoi]]&lt;br /&gt;
* [[Default Mode Network]]&lt;br /&gt;
&lt;br /&gt;
=== Parte magnetica ===&lt;br /&gt;
&lt;br /&gt;
* [[Crisi Mesmerica]]&lt;br /&gt;
* [[Caduceo ermetico]]&lt;br /&gt;
* [[Allineamento Magnetico (mano nuca-sacro)]]&lt;br /&gt;
* [[Tummo]]&lt;br /&gt;
* [[Franz Anton Mesmer]]&lt;br /&gt;
* [[Donato — Il Padre della Fascinazione]]&lt;br /&gt;
* [[Alchimia e Magnetismo]] — pagina-asse del cluster&lt;br /&gt;
&lt;br /&gt;
=== Parte sulla presenza ===&lt;br /&gt;
&lt;br /&gt;
* [[La Presenza (tradizione ermetica)]]&lt;br /&gt;
* [[Il Risveglio]]&lt;br /&gt;
&lt;br /&gt;
== Fonti ==&lt;br /&gt;
&lt;br /&gt;
=== Pubblicazioni della Scuola ===&lt;br /&gt;
&lt;br /&gt;
* Marco Paret, &amp;#039;&amp;#039;The Moving Enneagram and the Paret Movement Analysis&amp;#039;&amp;#039; (materiali didattici ISI-CNV).&lt;br /&gt;
* Marco Paret, &amp;#039;&amp;#039;Le Flux Magnétique et les Savoirs Anciens&amp;#039;&amp;#039; (2017).&lt;br /&gt;
* Marco Paret, &amp;#039;&amp;#039;Hypnosis, Polyvagal Theory, and Somatic Liberation&amp;#039;&amp;#039; (capitolo Springer, in preparazione).&lt;br /&gt;
&lt;br /&gt;
=== Lateralizzazione cerebrale ===&lt;br /&gt;
&lt;br /&gt;
* P. Bakan, «The Right Brain Is the Dreamer», &amp;#039;&amp;#039;Psychology Today&amp;#039;&amp;#039;, 1976.&lt;br /&gt;
* D. Galin, «Implications for psychiatry of left and right cerebral specialization», &amp;#039;&amp;#039;Archives of General Psychiatry&amp;#039;&amp;#039;, 31, 1974.&lt;br /&gt;
* A. R. Luria, &amp;#039;&amp;#039;Higher Cortical Functions in Man&amp;#039;&amp;#039;, 1966/1980.&lt;br /&gt;
* P. Flor-Henry, «Lateralized temporal-limbic dysfunction», &amp;#039;&amp;#039;Annals of NYAS&amp;#039;&amp;#039;, 280, 1976.&lt;br /&gt;
* M. Behrmann, D. Plaut, «Distributed circuits, not circumscribed centers, mediate visual recognition», &amp;#039;&amp;#039;Annals of NYAS&amp;#039;&amp;#039;, 2013.&lt;br /&gt;
* R. J. Davidson, «Affective style and affective disorders», &amp;#039;&amp;#039;Cognition &amp;amp; Emotion&amp;#039;&amp;#039;, 12(3), 1998.&lt;br /&gt;
&lt;br /&gt;
=== Arm folding, hand clasping ===&lt;br /&gt;
&lt;br /&gt;
* C. Porac, S. Coren, &amp;#039;&amp;#039;Lateral Preferences and Human Behavior&amp;#039;&amp;#039;, Springer, 1981.&lt;br /&gt;
* Ricerche su arm folding, hand clasping e «latent left-handedness» (Luria).&lt;br /&gt;
&lt;br /&gt;
=== Tipologie convergenti ===&lt;br /&gt;
&lt;br /&gt;
* C. G. Jung, &amp;#039;&amp;#039;Psychologische Typen&amp;#039;&amp;#039;, 1921.&lt;br /&gt;
* I. Briggs Myers, &amp;#039;&amp;#039;Gifts Differing&amp;#039;&amp;#039;, Davies-Black, 1980.&lt;br /&gt;
* D. Keirsey, &amp;#039;&amp;#039;Please Understand Me II&amp;#039;&amp;#039;, 1998.&lt;br /&gt;
* Don Riso, Russ Hudson, &amp;#039;&amp;#039;The Wisdom of the Enneagram&amp;#039;&amp;#039;, 1999.&lt;br /&gt;
* H. Spiegel, D. Spiegel, &amp;#039;&amp;#039;Trance and Treatment&amp;#039;&amp;#039;, American Psychiatric Press, 2004.&lt;br /&gt;
* J. G. Kappas, &amp;#039;&amp;#039;Professional Hypnotism Manual&amp;#039;&amp;#039;, Panorama Publishing, 1999.&lt;br /&gt;
* Hippocrates, &amp;#039;&amp;#039;De temperamentis&amp;#039;&amp;#039;; Galenus, scritti sui temperamenti.&lt;br /&gt;
&lt;br /&gt;
=== Tradizione alchemica ===&lt;br /&gt;
&lt;br /&gt;
* Paracelso, &amp;#039;&amp;#039;Opus Paramirum&amp;#039;&amp;#039;.&lt;br /&gt;
* Oswald Wirth, &amp;#039;&amp;#039;Le Symbolisme hermétique dans ses rapports avec l&amp;#039;alchimie et la franc-maçonnerie&amp;#039;&amp;#039;, Dervy, 1909/2009.&lt;br /&gt;
&lt;br /&gt;
=== Postura, respiro, lateralizzazione del gesto ===&lt;br /&gt;
&lt;br /&gt;
* J. Riskind, C. Gotay, «Physical posture: Could it have regulatory or feedback effects on motivation and emotion?», &amp;#039;&amp;#039;Motivation and Emotion&amp;#039;&amp;#039;, 6(3), 1982.&lt;br /&gt;
* P. Briñol, R. Petty, B. Wagner, «Body posture effects on self-evaluation», &amp;#039;&amp;#039;European Journal of Social Psychology&amp;#039;&amp;#039;, 39(6), 2009.&lt;br /&gt;
* K. Argyriou et al., «Mouth asymmetry in metaphor explanation», &amp;#039;&amp;#039;Brain and Language&amp;#039;&amp;#039;, 2015.&lt;br /&gt;
* S. Kita, A. Lausberg, «Generation of co-speech gestures based on spatial imagery from the right-hemisphere», &amp;#039;&amp;#039;Cortex&amp;#039;&amp;#039;, 44(2), 2008.&lt;br /&gt;
&lt;br /&gt;
[[Categoria:Paret Method]]&lt;br /&gt;
[[Categoria:Tipologie]]&lt;br /&gt;
[[Categoria:Comunicazione non verbale]]&lt;br /&gt;
[[Categoria:Lateralizzazione cerebrale]]&lt;br /&gt;
[[Categoria:Enneagramma]]&lt;/div&gt;</summary>
		<author><name>WikiBot</name></author>
	</entry>
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