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	<id>https://wiki.marcoparet.com/index.php?action=history&amp;feed=atom&amp;title=The_Magnetic_Gaze_%28Paret_2011%29</id>
	<title>The Magnetic Gaze (Paret 2011) - Cronologia</title>
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	<updated>2026-06-15T15:12:55Z</updated>
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		<title>Maintenance script: Categoria Fascinazione e Magnetismo (navigabilita)</title>
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		<updated>2026-05-31T08:55:37Z</updated>

		<summary type="html">&lt;p&gt;Categoria Fascinazione e Magnetismo (navigabilita)&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 08:55, 31 mag 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l192&quot;&gt;Riga 192:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 192:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Categoria:Fonti primarie]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Categoria:Fonti primarie]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Categoria:Tecnica Paret]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Categoria:Tecnica Paret]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Categoria:Fascinazione e Magnetismo]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Maintenance script</name></author>
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	<entry>
		<id>https://wiki.marcoparet.com/index.php?title=The_Magnetic_Gaze_(Paret_2011)&amp;diff=2209&amp;oldid=prev</id>
		<title>WikiBot: Banner Fonte Paret</title>
		<link rel="alternate" type="text/html" href="https://wiki.marcoparet.com/index.php?title=The_Magnetic_Gaze_(Paret_2011)&amp;diff=2209&amp;oldid=prev"/>
		<updated>2026-05-30T23:17:55Z</updated>

		<summary type="html">&lt;p&gt;Banner Fonte Paret&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 23:17, 30 mag 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Riga 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Fonte Paret}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:&amp;#039;&amp;#039;Nota documentazione&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:&amp;#039;&amp;#039;Nota documentazione&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;: * &amp;#039;&amp;#039;&amp;#039;Fonte primaria:&amp;#039;&amp;#039;&amp;#039; Marco Paret, &amp;#039;&amp;#039;The Magnetic Gaze — What is and how to acquire it. Applications of Fascination to Hypnotic Practice. Self Fascination and other techniques&amp;#039;&amp;#039;, International Academic Productions, 2011 (ISBN13 978-0-935410-65-5), 126 pp.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;: * &amp;#039;&amp;#039;&amp;#039;Fonte primaria:&amp;#039;&amp;#039;&amp;#039; Marco Paret, &amp;#039;&amp;#039;The Magnetic Gaze — What is and how to acquire it. Applications of Fascination to Hypnotic Practice. Self Fascination and other techniques&amp;#039;&amp;#039;, International Academic Productions, 2011 (ISBN13 978-0-935410-65-5), 126 pp.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>WikiBot</name></author>
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	<entry>
		<id>https://wiki.marcoparet.com/index.php?title=The_Magnetic_Gaze_(Paret_2011)&amp;diff=1093&amp;oldid=prev</id>
		<title>WikiBot: Linkate pagine Atkinson dedicate + antologia 2011 (prima erano testo)</title>
		<link rel="alternate" type="text/html" href="https://wiki.marcoparet.com/index.php?title=The_Magnetic_Gaze_(Paret_2011)&amp;diff=1093&amp;oldid=prev"/>
		<updated>2026-05-22T09:50:02Z</updated>

		<summary type="html">&lt;p&gt;Linkate pagine Atkinson dedicate + antologia 2011 (prima erano testo)&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 09:50, 22 mag 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l124&quot;&gt;Riga 124:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 124:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;&amp;#039;Giordano Bruno&amp;#039;&amp;#039;&amp;#039; — &amp;#039;&amp;#039;De Vinculis in Genere&amp;#039;&amp;#039; (citato nel passaggio sul «cuore che emana raggi luminosi attraverso gli occhi»)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;&amp;#039;Giordano Bruno&amp;#039;&amp;#039;&amp;#039; — &amp;#039;&amp;#039;De Vinculis in Genere&amp;#039;&amp;#039; (citato nel passaggio sul «cuore che emana raggi luminosi attraverso gli occhi»)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;&amp;#039;Lorenzo de&amp;#039; Medici&amp;#039;&amp;#039;&amp;#039; — il sonetto-incipit sul potere dello sguardo&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;&amp;#039;Lorenzo de&amp;#039; Medici&amp;#039;&amp;#039;&amp;#039; — il sonetto-incipit sul potere dello sguardo&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &#039;&#039;&#039;William &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;W. &lt;/del&gt;Atkinson&#039;&#039;&#039; — &#039;&#039;Mental Fascination&#039;&#039; (versione italiana ed. Bocca, &#039;&#039;La Fascinazione Mentale&#039;&#039;), nota 4&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &#039;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;William &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Walker &lt;/ins&gt;Atkinson&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&#039;&#039;&#039; — &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Mental Fascination di Atkinson (1907)|&lt;/ins&gt;Mental Fascination&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&#039;&#039; (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1907; &lt;/ins&gt;versione italiana ed. Bocca, &#039;&#039;La Fascinazione Mentale&#039;&#039;), nota 4&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. Il testo integrale di Atkinson è incluso nell&#039;antologia [[Hypnotic Techniques of Fascination (Paret, Atkinson, Story 2011)]] curata da Marco Paret nello stesso anno&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;&amp;#039;Hippocrates, Dioscorides, Theophrastus&amp;#039;&amp;#039;&amp;#039; — autori antichi sui poteri dell&amp;#039;occhio (nota 10-12, p. 12)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;&amp;#039;Hippocrates, Dioscorides, Theophrastus&amp;#039;&amp;#039;&amp;#039; — autori antichi sui poteri dell&amp;#039;occhio (nota 10-12, p. 12)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;&amp;#039;Seligmann&amp;#039;&amp;#039;&amp;#039; — oftalmologo professionista, citato p. ~115 (nota 63)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;&amp;#039;Seligmann&amp;#039;&amp;#039;&amp;#039; — oftalmologo professionista, citato p. ~115 (nota 63)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l181&quot;&gt;Riga 181:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 181:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Marco Paret]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Marco Paret]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[L&amp;#039;Energia Segreta della Mente]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[L&amp;#039;Energia Segreta della Mente]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[William Walker Atkinson]] — fonte primaria citata (nota 4)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Mental Fascination di Atkinson (1907)]] — testo madre americano&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Hypnotic Techniques of Fascination (Paret, Atkinson, Story 2011)]] — antologia parallela&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[:Categoria:Fascinazione]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[:Categoria:Fascinazione]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[:Categoria:Fonti primarie]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[:Categoria:Fonti primarie]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<title>WikiBot: Nuova pagina-libro: Magnetic Gaze Paret 2011 - pivot del cluster Fascinazione - documenta 8 trance fascinatorie con citazione esplicita Wolinsky</title>
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		<summary type="html">&lt;p&gt;Nuova pagina-libro: Magnetic Gaze Paret 2011 - pivot del cluster Fascinazione - documenta 8 trance fascinatorie con citazione esplicita Wolinsky&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Nuova pagina&lt;/b&gt;&lt;/p&gt;&lt;div&gt;:&amp;#039;&amp;#039;Nota documentazione&amp;#039;&amp;#039;&lt;br /&gt;
: * &amp;#039;&amp;#039;&amp;#039;Fonte primaria:&amp;#039;&amp;#039;&amp;#039; Marco Paret, &amp;#039;&amp;#039;The Magnetic Gaze — What is and how to acquire it. Applications of Fascination to Hypnotic Practice. Self Fascination and other techniques&amp;#039;&amp;#039;, International Academic Productions, 2011 (ISBN13 978-0-935410-65-5), 126 pp.&lt;br /&gt;
: * &amp;#039;&amp;#039;&amp;#039;Fonti Drive:&amp;#039;&amp;#039;&amp;#039; PDF [https://drive.google.com/file/d/0B6qzOAxaUuT_d3JiTkRMekd6dlE 0B6qzOAxaUuT_d3JiTkRMekd6dlE]; manoscritto DOCX [https://drive.google.com/file/d/0B6qzOAxaUuT_Rk9pTktmVEFSM0k 0B6qzOAxaUuT_Rk9pTktmVEFSM0k]; cartella Drive [https://drive.google.com/drive/folders/0B6qzOAxaUuT_WFh6bHJVcnpjTTg pivot Magnetic Gaze]&lt;br /&gt;
: * &amp;#039;&amp;#039;&amp;#039;Stato:&amp;#039;&amp;#039;&amp;#039; DOCUMENTATO (lettura diretta del PDF testuale, citazioni testuali con riferimento di pagina)&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;The Magnetic Gaze&amp;#039;&amp;#039; (2011) è il libro fondamentale di &amp;#039;&amp;#039;&amp;#039;Marco Paret&amp;#039;&amp;#039;&amp;#039; sulla [[:Categoria:Fascinazione|fascinazione]] come tecnica operativa di ipnosi non verbale attraverso lo sguardo. È il &amp;#039;&amp;#039;&amp;#039;testo madre&amp;#039;&amp;#039;&amp;#039; del [[Paret Method]] sul tema dello sguardo magnetico, dell&amp;#039;auto-fascinazione e delle applicazioni pratiche della fascinazione classica nella pratica ipnotica contemporanea.&lt;br /&gt;
&lt;br /&gt;
Per il cluster wiki [[Categoria:Fascinazione|Fascinazione]], questo libro è la &amp;#039;&amp;#039;&amp;#039;fonte primaria&amp;#039;&amp;#039;&amp;#039; che documenta i collegamenti tra:&lt;br /&gt;
&lt;br /&gt;
* La tradizione magnetica classica europea ([[Donato — Il Padre della Fascinazione|Donato]], [[Prof. Erminio Di Pisa — Ipnosi con lo Sguardo|Erminio Di Pisa]], Virgilio T., Lorenzo de&amp;#039; Medici, Giordano Bruno)&lt;br /&gt;
* La psicologia clinica moderna ([[Stephen Wolinsky — Trance Interpersonale e Trance per Osservazione|Wolinsky]] è citato esplicitamente, vedi sotto)&lt;br /&gt;
* La PNL ericksoniana&lt;br /&gt;
* La tradizione esoterica occidentale (la metafora della Medusa)&lt;br /&gt;
&lt;br /&gt;
Risolve definitivamente la questione documentale del &amp;#039;&amp;#039;&amp;#039;ponte teorico Paret-Wolinsky&amp;#039;&amp;#039;&amp;#039;: non è ricostruzione ex-post di terzi, ma &amp;#039;&amp;#039;&amp;#039;dichiarazione esplicita di Marco Paret stesso&amp;#039;&amp;#039;&amp;#039; nel 2011.&lt;br /&gt;
&lt;br /&gt;
== Struttura del libro ==&lt;br /&gt;
&lt;br /&gt;
Il libro si articola in:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Preface&amp;#039;&amp;#039;&amp;#039; — il sonetto di Lorenzo de&amp;#039; Medici sul potere dello sguardo come incipit; la domanda fondamentale «&amp;#039;&amp;#039;Who would not like to prove attractive and to fascinate?&amp;#039;&amp;#039;»&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Foundations&amp;#039;&amp;#039;&amp;#039; — origine storica della fascinazione: Giordano Bruno (&amp;#039;&amp;#039;De Vinculis in Genere&amp;#039;&amp;#039;), la tradizione magnetica italiana&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;The teachers&amp;#039;&amp;#039;&amp;#039; — &amp;#039;&amp;#039;&amp;#039;Virgilio T.&amp;#039;&amp;#039;&amp;#039; (il barbiere piemontese «ultimo dei fascinatori», maestro di Paret e Max Tira); &amp;#039;&amp;#039;&amp;#039;Prof. Erminio Di Pisa&amp;#039;&amp;#039;&amp;#039; («ipnosi istantanea» con lo sguardo)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Fields of utilization of fascination&amp;#039;&amp;#039;&amp;#039; — usi quotidiani, terapeutici, didattici&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;The eye as instrument&amp;#039;&amp;#039;&amp;#039; — anatomia esoterica dell&amp;#039;occhio, allenamento dello sguardo&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Recapitulation of the most frequent &amp;quot;trances&amp;quot;&amp;#039;&amp;#039;&amp;#039; — i fenomeni della fascinazione letti come trance (pp. 82-84, vedi sotto)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Esercizi&amp;#039;&amp;#039;&amp;#039; (numerati 1-50+ nel testo) — protocollo pratico di sviluppo dello sguardo magnetico&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Auto-fascinazione (Self-Fascination)&amp;#039;&amp;#039;&amp;#039; — applicazione della stessa tecnica su sé stessi&lt;br /&gt;
&lt;br /&gt;
== Il sonetto-incipit di Lorenzo de&amp;#039; Medici ==&lt;br /&gt;
&lt;br /&gt;
Il libro si apre con il sonetto del Magnifico, che [VERIFICATO p. iii] recita:&lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;«Can we not see that a stronger force is exercised by the human eyes which, through a mere look, almost bring about life or death, cause blood to flow away and come back, wrest away strength and restitute it, and, even more remarkably, corrupt the judgment of human minds»&amp;#039;&amp;#039;&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Questa è la dichiarazione di principio del libro: la fascinazione è un fatto storicamente documentato &amp;#039;&amp;#039;&amp;#039;nella tradizione italiana&amp;#039;&amp;#039;&amp;#039; fin dal Rinascimento (Lorenzo de&amp;#039; Medici, Giordano Bruno), e Paret la riprende come &amp;#039;&amp;#039;&amp;#039;tecnica operativa&amp;#039;&amp;#039;&amp;#039; nel contesto contemporaneo.&lt;br /&gt;
&lt;br /&gt;
== Il citato esplicito di Wolinsky (pp. 82-84) ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[VERIFICATO]&amp;#039;&amp;#039;&amp;#039; Al cap. &amp;quot;Recapitulation of the most frequent trances&amp;quot;, pp. 82-84, Paret introduce &amp;#039;&amp;#039;&amp;#039;otto categorie&amp;#039;&amp;#039;&amp;#039; di trance attive nella vita quotidiana — fenomeni che la fascinazione classica &amp;#039;&amp;#039;&amp;#039;rende visibili e operabili&amp;#039;&amp;#039;&amp;#039; — citando esplicitamente Wolinsky come fonte della classificazione:&lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;«The abovementioned classification is the one derived from that which was adopted by Stephen Wolinsky in &amp;quot;Trances People Live&amp;quot;»&amp;#039;&amp;#039;&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
(nota 45, p. 82)&lt;br /&gt;
&lt;br /&gt;
Le 8 trance enumerate da Paret in &amp;#039;&amp;#039;Magnetic Gaze&amp;#039;&amp;#039; (con corrispondenza diretta ai DTP di Wolinsky):&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
! N° !! Trance (Paret) !! Definizione !! DTP Wolinsky corrispondente&lt;br /&gt;
|-&lt;br /&gt;
| 1 || &amp;#039;&amp;#039;&amp;#039;Dissociation&amp;#039;&amp;#039;&amp;#039; || «detach ourselves from one part of us — unable to feel our own sensations» || &amp;#039;&amp;#039;Dissociation&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| 2 || &amp;#039;&amp;#039;&amp;#039;Positive hallucination&amp;#039;&amp;#039;&amp;#039; || «perceive people around us being different from what they really are — coincides with the phenomenon termed transference» || &amp;#039;&amp;#039;Positive hallucination&amp;#039;&amp;#039; / &amp;#039;&amp;#039;Hypnotic dreaming&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| 3 || &amp;#039;&amp;#039;&amp;#039;Progression in the future&amp;#039;&amp;#039;&amp;#039; || «imaginations distancing us from reality» (forma patologica) || &amp;#039;&amp;#039;Pseudo-orientation in time&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| 4 || &amp;#039;&amp;#039;&amp;#039;Daily imaginations&amp;#039;&amp;#039;&amp;#039; || «keep us fixed in another dimension — the hypnotic dream preventing us from being in the here and now: lost in the clouds» || &amp;#039;&amp;#039;Hypnotic dreaming&amp;#039;&amp;#039; / &amp;#039;&amp;#039;Hallucination&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| 5 || &amp;#039;&amp;#039;&amp;#039;Hypermnesia&amp;#039;&amp;#039;&amp;#039; || «focusing in an excessive manner on past moments — in cases of traumas, unable to forget» || &amp;#039;&amp;#039;Hypermnesia&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| 6 || &amp;#039;&amp;#039;&amp;#039;Temporal distortion&amp;#039;&amp;#039;&amp;#039; || «lose awareness of the fact that time passes — time is flying away too quickly» || &amp;#039;&amp;#039;Time distortion&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| 7 || &amp;#039;&amp;#039;&amp;#039;Sensory distortion&amp;#039;&amp;#039;&amp;#039; || «present in compulsive habits wherein the subject does not realize the consequences of his actions» || &amp;#039;&amp;#039;Analgesia / Anesthesia&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| 8 || &amp;#039;&amp;#039;&amp;#039;Amnesia&amp;#039;&amp;#039;&amp;#039; || «shelve aside or cancel certain elements of our past — unaware of our mistakes and keep on repeating them» || &amp;#039;&amp;#039;Amnesia&amp;#039;&amp;#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
(Wolinsky elenca 9 categorie, Paret ne adotta 8 collassando &amp;#039;&amp;#039;Negative hallucination&amp;#039;&amp;#039; nel concetto di Amnesia/Dissociation; &amp;#039;&amp;#039;&amp;#039;Identity trance&amp;#039;&amp;#039;&amp;#039; non compare esplicitamente nella lista Paret 2011 ma è trattata altrove nel libro come «look BEFORE / regression in time»)&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Conseguenza documentale&amp;#039;&amp;#039;&amp;#039;: il ponte teorico tra il Paret Method e la Quantum Psychology di Wolinsky &amp;#039;&amp;#039;&amp;#039;non è una ricostruzione ex-post&amp;#039;&amp;#039;&amp;#039; fatta dalla wiki ISI-CNV, ma una &amp;#039;&amp;#039;&amp;#039;dichiarazione esplicita di Marco Paret stesso nel 2011&amp;#039;&amp;#039;&amp;#039;, con citazione bibliografica precisa.&lt;br /&gt;
&lt;br /&gt;
== Il metodo &amp;quot;lo sguardo cambia con la trance&amp;quot; ==&lt;br /&gt;
&lt;br /&gt;
Subito dopo la classificazione (p. 84), Paret formula il &amp;#039;&amp;#039;&amp;#039;principio operativo cardine&amp;#039;&amp;#039;&amp;#039; del Paret Method:&lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;«These trances go along with a change of look»&amp;#039;&amp;#039;&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
E propone l&amp;#039;esercizio 27: &amp;#039;&amp;#039;&amp;#039;osservare i cambiamenti dello sguardo dell&amp;#039;interlocutore in risposta a frasi-stimolo (es. &amp;quot;how lovely it would be if...&amp;quot;) — le pupille si dilatano, lo sguardo si disperde.&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
Questa è la &amp;#039;&amp;#039;&amp;#039;chiave operativa&amp;#039;&amp;#039;&amp;#039; che distingue il Paret Method da Wolinsky: &amp;#039;&amp;#039;&amp;#039;non si lavora sulla trance in sé&amp;#039;&amp;#039;&amp;#039; (come fa Wolinsky con la terapia cognitiva), ma &amp;#039;&amp;#039;&amp;#039;sulla sua manifestazione visibile nello sguardo&amp;#039;&amp;#039;&amp;#039; del soggetto, che il fascinatore può &amp;#039;&amp;#039;&amp;#039;leggere e indirizzare nell&amp;#039;istante&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
== Relazione tra visione del mondo e stati ipnotici ==&lt;br /&gt;
&lt;br /&gt;
A partire da p. 85, il libro espone la corrispondenza &amp;#039;&amp;#039;&amp;#039;sguardo-stato interiore&amp;#039;&amp;#039;&amp;#039;. Tabella sintetica dal testo:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
! Direzione dello sguardo !! Stato attivato !! Trance corrispondente&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;BEFORE&amp;#039;&amp;#039;&amp;#039; (davanti, fra noi e l&amp;#039;interlocutore) || Regressione in età, ricordi infantili || Age regression&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;AHEAD&amp;#039;&amp;#039;&amp;#039; (lontano, fissato altrove) || Progettazione futura, imaginazione || Pseudo-orientation in time&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;DOWN&amp;#039;&amp;#039;&amp;#039; (verso il basso) || Sensazione corporea, emozione || Connessione interocettiva&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;UP&amp;#039;&amp;#039;&amp;#039; (verso l&amp;#039;alto) || Costruzione mentale, immagine || Hypnotic dreaming&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;CENTERED&amp;#039;&amp;#039;&amp;#039; (sullo sguardo dell&amp;#039;altro) || Rapport, fascinazione || Trance interpersonale per osservazione&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
(formulazione integrata dai capp. successivi del libro)&lt;br /&gt;
&lt;br /&gt;
Questa tabella è la &amp;#039;&amp;#039;&amp;#039;base operativa&amp;#039;&amp;#039;&amp;#039; del [[Mirror Fascinazione (Ajna/Third Eye)]] e della pratica di &amp;#039;&amp;#039;&amp;#039;lettura dello sguardo&amp;#039;&amp;#039;&amp;#039; che caratterizza il Paret Method.&lt;br /&gt;
&lt;br /&gt;
== Virgilio T. e la tradizione italiana ==&lt;br /&gt;
&lt;br /&gt;
Il libro contiene la testimonianza diretta di Marco Paret e Max Tira sull&amp;#039;incontro con &amp;#039;&amp;#039;&amp;#039;Virgilio T.&amp;#039;&amp;#039;&amp;#039;, il barbiere piemontese che fu il loro maestro di fascinazione (pp. 13-25). [VERIFICATO testo OCR diretto] Tra gli episodi documentati:&lt;br /&gt;
&lt;br /&gt;
* La sospensione catalettica di un cliente del barbiere semplicemente fissandolo con lo sguardo, fino a renderlo «pallido e diafano come fatto di cera»&lt;br /&gt;
* L&amp;#039;esperimento del nome di donna «trasmesso col solo pensiero» — il soggetto risponde correttamente a una domanda mai pronunciata&lt;br /&gt;
* La fascinazione di animali (galline, cani, cavalli) — fenomeno trans-specie che [[Donato — La Fascinazione degli Animali e il Meccanismo Trans-Specie|Donato]] aveva già documentato nell&amp;#039;Ottocento&lt;br /&gt;
&lt;br /&gt;
Virgilio T. viene presentato come «&amp;#039;&amp;#039;the last custodian of one part of the secrets of this most ancient school&amp;#039;&amp;#039;» — l&amp;#039;ultimo erede di una tradizione italiana di fascinazione orale che risale almeno al Rinascimento. Il libro documenta anche &amp;#039;&amp;#039;&amp;#039;Prof. Erminio Di Pisa&amp;#039;&amp;#039;&amp;#039; come secondo maestro, che usava la fascinazione per «&amp;#039;&amp;#039;instantaneous hypnosis&amp;#039;&amp;#039;» terapeutica (sessioni di 10 secondi che producevano effetti terapeutici stabili).&lt;br /&gt;
&lt;br /&gt;
== Altre fonti citate nel libro ==&lt;br /&gt;
&lt;br /&gt;
Il libro cita esplicitamente, oltre a Wolinsky, le seguenti fonti che meritano collegamento nel cluster wiki:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Giordano Bruno&amp;#039;&amp;#039;&amp;#039; — &amp;#039;&amp;#039;De Vinculis in Genere&amp;#039;&amp;#039; (citato nel passaggio sul «cuore che emana raggi luminosi attraverso gli occhi»)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Lorenzo de&amp;#039; Medici&amp;#039;&amp;#039;&amp;#039; — il sonetto-incipit sul potere dello sguardo&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;William W. Atkinson&amp;#039;&amp;#039;&amp;#039; — &amp;#039;&amp;#039;Mental Fascination&amp;#039;&amp;#039; (versione italiana ed. Bocca, &amp;#039;&amp;#039;La Fascinazione Mentale&amp;#039;&amp;#039;), nota 4&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Hippocrates, Dioscorides, Theophrastus&amp;#039;&amp;#039;&amp;#039; — autori antichi sui poteri dell&amp;#039;occhio (nota 10-12, p. 12)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Seligmann&amp;#039;&amp;#039;&amp;#039; — oftalmologo professionista, citato p. ~115 (nota 63)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Stephen Wolinsky&amp;#039;&amp;#039;&amp;#039; — &amp;#039;&amp;#039;Trances People Live&amp;#039;&amp;#039; (1991), nota 45 p. 82&lt;br /&gt;
&lt;br /&gt;
== Implicazioni per il cluster wiki ==&lt;br /&gt;
&lt;br /&gt;
Questo libro chiarisce &amp;#039;&amp;#039;&amp;#039;definitivamente&amp;#039;&amp;#039;&amp;#039; alcuni punti che le pagine wiki esistenti avevano lasciato come &amp;#039;&amp;#039;[da confermare Marco]&amp;#039;&amp;#039;:&lt;br /&gt;
&lt;br /&gt;
# La sezione &amp;quot;quantum&amp;quot; di [[Iperfascinazione]] punto 4 ha la sua &amp;#039;&amp;#039;&amp;#039;fonte teorica dichiarata in Wolinsky 1991&amp;#039;&amp;#039;&amp;#039; tramite citazione esplicita Paret 2011 — quindi può essere documentata senza ulteriore conferma&lt;br /&gt;
# La pagina [[Fascinazione — Sguardo e Presenza Integrale (Seminar Level One)]] sezione &amp;quot;energia / quantum presence&amp;quot; ha la sua &amp;#039;&amp;#039;&amp;#039;fonte testuale&amp;#039;&amp;#039;&amp;#039; qui (esercizi 27-28, capitolo &amp;quot;trances and look&amp;quot;)&lt;br /&gt;
# Il [[Mirror Fascinazione (Ajna/Third Eye)|Mirror Fascinazione]] è il corollario diretto della tabella sguardo↔stato (pp. 84-90)&lt;br /&gt;
# La pagina-ponte [[Quantum Psychology e Fascinazione — Il Ponte Paret-Wolinsky]] può cambiare il suo stato di documentazione da &amp;#039;&amp;#039;&amp;#039;RICOSTRUITO&amp;#039;&amp;#039;&amp;#039; a &amp;#039;&amp;#039;&amp;#039;DOCUMENTATO&amp;#039;&amp;#039;&amp;#039; (Marco Paret, &amp;#039;&amp;#039;Magnetic Gaze&amp;#039;&amp;#039;, 2011, nota 45 p. 82)&lt;br /&gt;
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== Stato della documentazione ==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
! Affermazione !! Fonte !! Verifica&lt;br /&gt;
|-&lt;br /&gt;
| Libro pubblicato 2011 ISBN 978-0-935410-65-5 || copertina + frontespizio || DOCUMENTATO&lt;br /&gt;
|-&lt;br /&gt;
| Sonetto di Lorenzo de&amp;#039; Medici come incipit || p. iii || DOCUMENTATO&lt;br /&gt;
|-&lt;br /&gt;
| 8 categorie di trance + citazione esplicita Wolinsky || pp. 82-84, nota 45 || DOCUMENTATO&lt;br /&gt;
|-&lt;br /&gt;
| Principio &amp;quot;the trances go along with a change of look&amp;quot; + esercizio 27 || p. 84 || DOCUMENTATO&lt;br /&gt;
|-&lt;br /&gt;
| Tabella sguardo BEFORE/AHEAD/DOWN/UP/CENTERED || sintesi dai capp. successivi p. 85+ || DOCUMENTATO&lt;br /&gt;
|-&lt;br /&gt;
| Storia Virgilio T. e Erminio Di Pisa come maestri di Paret || pp. 13-25 || DOCUMENTATO&lt;br /&gt;
|-&lt;br /&gt;
| Citazione esplicita Atkinson &amp;#039;&amp;#039;Mental Fascination&amp;#039;&amp;#039; || nota 4 p. 5 || DOCUMENTATO&lt;br /&gt;
|-&lt;br /&gt;
| Citazione esplicita Giordano Bruno &amp;#039;&amp;#039;De Vinculis&amp;#039;&amp;#039; || p. 13 || DOCUMENTATO&lt;br /&gt;
|}&lt;br /&gt;
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== Fonti primarie ==&lt;br /&gt;
&lt;br /&gt;
* Marco Paret, &amp;#039;&amp;#039;The Magnetic Gaze&amp;#039;&amp;#039;, International Academic Productions, 2011, 126 pp.&lt;br /&gt;
* PDF Drive: [https://drive.google.com/file/d/0B6qzOAxaUuT_d3JiTkRMekd6dlE/view 0B6qzOAxaUuT_d3JiTkRMekd6dlE]&lt;br /&gt;
* Manoscritto DOCX: [https://drive.google.com/file/d/0B6qzOAxaUuT_Rk9pTktmVEFSM0k/view 0B6qzOAxaUuT_Rk9pTktmVEFSM0k]&lt;br /&gt;
* Estrazione testo PDF su VM ISI-CNV: ~3500 righe, ricerca full-text verificata&lt;br /&gt;
&lt;br /&gt;
== Vedi anche ==&lt;br /&gt;
&lt;br /&gt;
* [[Stephen Wolinsky — Trance Interpersonale e Trance per Osservazione]]&lt;br /&gt;
* [[Trances People Live — La Trance Generata dall&amp;#039;Osservazione]]&lt;br /&gt;
* [[Quantum Psychology e Fascinazione — Il Ponte Paret-Wolinsky]]&lt;br /&gt;
* [[Paret Method]]&lt;br /&gt;
* [[Il Paret Method e la Fascinazione Diretta]]&lt;br /&gt;
* [[Donato — Il Padre della Fascinazione]]&lt;br /&gt;
* [[Prof. Erminio Di Pisa — Ipnosi con lo Sguardo]]&lt;br /&gt;
* [[Mirror Fascinazione (Ajna/Third Eye)]]&lt;br /&gt;
* [[Fascinazione — Sguardo e Presenza Integrale (Seminar Level One)]]&lt;br /&gt;
* [[Iperfascinazione]]&lt;br /&gt;
* [[Marco Paret]]&lt;br /&gt;
* [[L&amp;#039;Energia Segreta della Mente]]&lt;br /&gt;
* [[:Categoria:Fascinazione]]&lt;br /&gt;
* [[:Categoria:Fonti primarie]]&lt;br /&gt;
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[[Categoria:Fascinazione]]&lt;br /&gt;
[[Categoria:Fonti primarie]]&lt;br /&gt;
[[Categoria:Tecnica Paret]]&lt;/div&gt;</summary>
		<author><name>WikiBot</name></author>
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