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		<summary type="html">&lt;p&gt;KG import&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 06:39, 17 giu 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Riga 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Avviso|Pagina &#039;&#039;&#039;essenziale&#039;&#039;&#039; su &#039;&#039;&#039;&lt;/del&gt;Paul-Georges Sansonetti&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039; — studioso francese della cavalleria iniziatica medievale, dell&#039;alchimia, e delle tradizioni indo-europee. Riferimento dottrinale principale del cluster wiki sulla &#039;&#039;&#039;[[La tradizione cavalleresca come via delluomo al rosso|tradizione cavalleresca]]&#039;&#039;&#039;. Pagina sintetica focalizzata su &#039;&#039;&#039;opere&#039;&#039;&#039; e &#039;&#039;&#039;temi-chiave&#039;&#039;&#039;, senza biografia espansa.}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;= &lt;/ins&gt;Paul-Georges Sansonetti &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Paul-Georges Sansonetti&#039;&#039;&#039; è uno studioso &lt;/del&gt;francese &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;di letteratura comparata, mitologia&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;alchimia e tradizioni iniziatiche medievali. Ha insegnato all&#039;&#039;&#039;École Pratique des Hautes Études&#039;&#039;&#039; (EPHE) &lt;/del&gt;di &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Parigi, sezione delle Sciences Religieuses, dove ha pubblicato regolarmente conferenze sulla cavalleria arturiana e la simbolica del &lt;/del&gt;Graal &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fra il 1987 e il 1990. La sua opera lega tre quadri metodologici: le &#039;&#039;&#039;Strutture Antropologiche dell&#039;Immaginario&#039;&#039;&#039; di &#039;&#039;&#039;Gilbert Durand&#039;&#039;&#039; (sotto la cui direzione Sansonetti ha discusso la sua tesi di dottorato a Grenoble nel 1980)&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;il &#039;&#039;&#039;pensiero alchemico&#039;&#039;&#039;, e le &#039;&#039;&#039;tradizioni indo-europee&#039;&#039;&#039; (in particolare celtica, germano-scandinava e indo&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;iranica via Henry Corbin)&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ricercatore esoterico &lt;/ins&gt;francese, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;autore &lt;/ins&gt;di Graal &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;et Alchimie&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sviluppatore della metodologia image&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;reflet&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sansonetti pubblica principalmente presso le &lt;/del&gt;&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Éditions ARMA-Édire&lt;/del&gt;&#039;&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;di Mentone — la stessa casa editrice di &lt;/del&gt;&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[La Doctrine du Corps Immortel|Robert Giudicelli]]&lt;/del&gt;&#039;&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;e di parte del lavoro di &#039;&#039;&#039;Rémi Boyer&#039;&#039;&#039;. Costituisce con loro la &#039;&#039;&#039;corrente Édire-ARMA&#039;&#039;&#039; della tradizione iniziatica francofona contemporanea (cfr. &#039;&#039;&#039;[[La tradizione cavalleresca come via delluomo al rosso]]&#039;&#039;&#039; sez. XIII).&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Tipo:&lt;/ins&gt;&#039;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;author · &lt;/ins&gt;&#039;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Stato:&lt;/ins&gt;&#039;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;discovered&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== Opere principali ==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;&#039;&#039;Chevalerie du Graal et Lumière de Gloire&#039;&#039;&#039;&#039;&#039; (Éditions Édire-ARMA, Mentone, 2002) — opera maggiore. Rielaborazione della tesi di dottorato 1980 (Università di Grenoble, jury: Gilbert Durand, Simone Vierne, Jacques Ribard). Studio sistematico del &#039;&#039;&#039;&#039;&#039;Perceval&#039;&#039; di Chrétien de Troyes&#039;&#039;&#039; (1180 ca.) attraverso la doppia chiave delle Strutture Antropologiche dell&#039;Immaginario di Durand e del pensiero alchemico. Cinque capitoli: I. &#039;&#039;Vision du Vermeil&#039;&#039; — II. &#039;&#039;La Lumière et l&#039;Épée&#039;&#039; — III. &#039;&#039;Perception d&#039;un autre corps&#039;&#039; — IV. &#039;&#039;Formes et Puissances&#039;&#039; — V. &#039;&#039;Genèse d&#039;un destin&#039;&#039;. Trattazione estesa nella pagina del cluster &#039;&#039;&#039;&lt;/del&gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;La tradizione cavalleresca come via delluomo al rosso]]&#039;&#039;&#039; sez. XI&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Anneville Knowledge Base&lt;/ins&gt;|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;← Indice&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;&#039;&#039;Graal e Alchimia&#039;&#039;&#039;&#039;&#039; (Iduna Edizioni, edizione italiana con prefazione di Gilbert Durand) — versione italiana del nucleo dottrinale che stabilisce il &#039;&#039;&#039;parallelo Graal-athanor&#039;&#039;&#039; come &#039;&#039;&#039;dispositivi che contengono lo stesso Principio&#039;&#039;&#039; (le sette forze primordiali, il &#039;&#039;&#039;Mercurio dei filosofi&#039;&#039;&#039;). Trattazione nella pagina &#039;&#039;&#039;[[La tradizione cavalleresca come via delluomo al rosso]]&#039;&#039;&#039; sez. XIV&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;&#039;&#039;Les Runes et la Tradition Primordiale&#039;&#039;&#039;&#039;&#039; — studio della runologia esoterica come traccia testuale del fondo indo-europeo arcaico. Sansonetti lega le rune ai &#039;&#039;&#039;quattro elementi&#039;&#039;&#039;, al &#039;&#039;&#039;ciclo solare&#039;&#039;&#039; e alla &#039;&#039;&#039;cavalleria iniziatica&#039;&#039;&#039; (rune incise su spade, mantelli, paramenti). &#039;&#039;&#039;Non&#039;&#039;&#039; segue le riduzioni razziali o nazional-romantiche della runologia tedesca tardo-ottocentesca&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;&#039;&#039;L&#039;Hyperborée&#039;&#039;&#039;&#039;&#039; — saggio sul tema iperboreo come matrice originaria delle tradizioni indo-europee. Convergente con le tesi di Evola nel &#039;&#039;&#039;[[Il Mistero del Graal secondo Evola]]&#039;&#039;&#039; sul Graal come mistero iperboreo&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== I tre saggi all&#039;EPHE (1987-1990) ==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sansonetti tiene conferenze annuali all&#039;&#039;&#039;École Pratique des Hautes Études&#039;&#039;&#039; (sezione Sciences Religieuses) e ne pubblica gli atti negli &#039;&#039;Annuaire&#039;&#039;. Tre saggi-chiave disponibili su Persée:&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;«Yvain ou le chevalier au Lion»&#039;&#039;&#039; (Annuaire EPHE Tomo 96, 1987-88) — la &#039;&#039;&#039;fontana di Barenton&#039;&#039;&#039; nella foresta di Brocéliande come &#039;&#039;&#039;Axis Mundi&#039;&#039;&#039;. Il bacino d&#039;oro e la dalle smeraldina vuota congiunti alla fontana = &#039;&#039;&#039;Chaudron Bruyant&#039;&#039;&#039; della cosmogonia scandinava (&#039;&#039;Gylfaginning&#039;&#039; cap. 4). &#039;&#039;&#039;Divenire signore della fontana&#039;&#039;&#039; = essere detentore di &#039;&#039;&#039;uno stato superiore di coscienza e di civiltà&#039;&#039;&#039;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;«Or du Graal»&#039;&#039;&#039; (Annuaire EPHE Tomo 103, 1989-90) — l&#039;oro del Graal in correlazione con la tradizione arturiana e il «berceau boréal» iperboreo. Riferimento alla tomba dell&#039;imperatore Massimiliano a Innsbruck con la statua di re Artù tra le grandi figure della cristianità — &#039;&#039;&#039;Artù come modello&#039;&#039;&#039; di cavalleria nel Sacro Romano Impero. Le &#039;&#039;&#039;Tuatha de Danann&#039;&#039;&#039; della tradizione irlandese come ricordo della culla boreale del popolo indo-europeo&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;«Sang Lumière»&#039;&#039;&#039; (Annuaire EPHE Tomo 102, 1989-90) — il &#039;&#039;&#039;sangue luminoso&#039;&#039;&#039; nelle leggende cavalleresche: dalla goccia di sangue sulla neve contemplata da Perceval, al sangue dalla lancia, al sangue del Re Pescatore. Il sangue diventa luminoso quando l&#039;iniziato è &#039;&#039;&#039;pronto&#039;&#039;&#039; a riceverlo — convergenza con la &#039;&#039;&#039;Lumière de Gloire&#039;&#039;&#039; del titolo del libro maggiore&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== Temi-chiave ==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== La «Lumière de Gloire» ===&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Il titolo dell&#039;opera maggiore — &#039;&#039;&#039;&#039;&#039;Chevalerie du Graal et Lumière de Gloire&#039;&#039;&#039;&#039;&#039; — esprime la tesi-cardine di Sansonetti: la &#039;&#039;&#039;Cerca del Graal&#039;&#039;&#039; e l&#039;apparizione della &#039;&#039;&#039;Lumière de Gloire&#039;&#039;&#039; sono &#039;&#039;&#039;lo stesso evento&#039;&#039;&#039; visto da due lati. Il cavaliere che raggiunge il Castello del Re Pescatore, riforgia la spada spezzata e ottiene la rivelazione del Graal &#039;&#039;&#039;diventa egli stesso luminoso&#039;&#039;&#039; — riceve la &#039;&#039;&#039;Lumière de Gloire&#039;&#039;&#039; che è la condizione propria del Re legittimo nella tradizione indo-iranica e celtica.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Il termine è &#039;&#039;&#039;Xvarnah&#039;&#039;&#039; iranica (studiata da &#039;&#039;&#039;Henry Corbin&#039;&#039;&#039; in &#039;&#039;En Islam iranien&#039;&#039;): l&#039;aura luminosa che &#039;&#039;&#039;riconosce&#039;&#039;&#039; il sovrano legittimo, identica al &#039;&#039;&#039;Glanz&#039;&#039;&#039; germanico, al &#039;&#039;&#039;nimbo regale&#039;&#039;&#039; bizantino, all&#039;aureola dei santi cristiani, alla &#039;&#039;&#039;gloria&#039;&#039;&#039; delle iconografie sacre. Sansonetti la lega operativamente al &#039;&#039;&#039;rubedo&#039;&#039;&#039; alchemico (cfr. &#039;&#039;&#039;[[Il Risveglio]]&#039;&#039;&#039; sez. VIII-bis) — l&#039;uomo al rosso &#039;&#039;&#039;irradia&#039;&#039;&#039;, non solo è presente.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== La doppia chiave: Durand + alchimia ===&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sansonetti applica al &#039;&#039;Perceval&#039;&#039; una lettura sistematica:&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;Strutture Antropologiche dell&#039;Immaginario di Durand&#039;&#039;&#039; — tre Regimi dell&#039;Immagine (Diurno-eroico, Notturno mistico, Notturno sintetico-drammatico) come griglia di classificazione delle immagini medievali&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;Pensiero alchemico&#039;&#039;&#039; — Perceval letto come testo cifrato della grande Opera, con la sua sequenza di colori (vermeil, blanc, rouge), prove, sostanze, stati di trasformazione&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;La doppia chiave permette a Sansonetti di &#039;&#039;&#039;non ridurre&#039;&#039;&#039; il &#039;&#039;Perceval&#039;&#039; né a folklore arcaico (lettura solo etnografica) né a allegoria moralistica (lettura solo cristiano-devozionale): mostra che il testo è &#039;&#039;&#039;operativo&#039;&#039;&#039; — descrive una pratica iniziatica realmente percorribile.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Le tre tradizioni indo-europee convergenti ===&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sansonetti documenta come il &#039;&#039;Perceval&#039;&#039; sintetizzi tre tradizioni:&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;Tradizione celtica&#039;&#039;&#039; — ciclo arturiano britannico, Caccia Selvaggia, Terra Sterile, Castello incantato, Donna delle Acque, Tuatha de Danann&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;Tradizione germano-scandinava&#039;&#039;&#039; — &#039;&#039;hamr&#039;&#039; (forma sottile), &#039;&#039;hamingja&#039;&#039; (spirito personale), &#039;&#039;fylgja&#039;&#039; (doppio guida femminile), Valkyrie, runes-spada, Yggdrasill come Axis Mundi&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;Simbolismo cristiano&#039;&#039;&#039; — Graal come calice eucaristico nella versione di Robert de Boron, sangue del Cristo cosmocrator come fonte della vita rigenerata&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A queste si aggiunge la mediazione di &#039;&#039;&#039;Henry Corbin&#039;&#039;&#039; per i temi indo-iranici (Xvarnah, Lumière de Gloire, cavalleria celeste persiana).&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== Sansonetti nel cluster wiki ==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sansonetti è &#039;&#039;&#039;fonte dottrinale principale&#039;&#039;&#039; della pagina &#039;&#039;&#039;[[La tradizione cavalleresca come via delluomo al rosso]]&#039;&#039;&#039;, citato nelle sezioni:&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;XI&#039;&#039;&#039; — Sansonetti e la lettura alchemico-imaginale di Perceval&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;XIV&#039;&#039;&#039; — Gli altri lavori e i grandi temi (Graal e Alchimia, Runes, Hyperborée, i tre saggi EPHE)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;XIII&#039;&#039;&#039; — La corrente Édire-ARMA (Sansonetti + Giudicelli + Boyer)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Per la trattazione estesa dei temi qui solo nominati, vedere quella pagina.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== Fonti ==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Paul-Georges Sansonetti, &#039;&#039;Chevalerie du Graal et Lumière de Gloire&#039;&#039;, Éditions Édire-ARMA, Mentone, 2002&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Paul-Georges Sansonetti, &#039;&#039;Graal e Alchimia&#039;&#039;, Iduna Edizioni (prefazione di Gilbert Durand)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Paul-Georges Sansonetti, &#039;&#039;Les Runes et la Tradition Primordiale&#039;&#039;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Paul-Georges Sansonetti, &#039;&#039;L&#039;Hyperborée&#039;&#039;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Paul-Georges Sansonetti, «Yvain ou le chevalier au Lion», in &#039;&#039;Annuaire EPHE&#039;&#039; tomo 96, 1987-88, pp. 350-353 ([https://www.persee.fr/doc/ephe_0000-0002_1987_num_100_96_14096 Persée])&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Paul-Georges Sansonetti, «Or du Graal», in &#039;&#039;Annuaire EPHE&#039;&#039; tomo 103, 1989-90, pp. 420-422 ([https://www.persee.fr/doc/ephe_0000-0002_1990_num_103_99_14496 Persée])&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Paul-Georges Sansonetti, «Sang Lumière», in &#039;&#039;Annuaire EPHE&#039;&#039; tomo 102, 1989-90 ([https://www.persee.fr/doc/ephe_0000-0002_1989_num_102_98_14355 Persée])&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Gilbert Durand, &#039;&#039;Les Structures anthropologiques de l&#039;imaginaire&#039;&#039;, PUF, 1960 — fonte metodologica fondamentale per Sansonetti&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Gilbert Durand, &#039;&#039;L&#039;Imagination symbolique&#039;&#039;, PUF — testo introduttivo consigliato dallo stesso Sansonetti&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Henry Corbin, &#039;&#039;En Islam iranien&#039;&#039;, 4 voll., Gallimard, Paris, 1971-72 — fonte per la categoria di Xvarnah / Lumière de Gloire&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== Vedi anche ==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Il Martinismo]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[La tradizione cavalleresca come via delluomo al rosso|La tradizione cavalleresca]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Il Mistero del Graal secondo Evola]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[I Fedeli dAmore&lt;/del&gt;|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;I Fedeli d&#039;Amore]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Stretta Osservanza Templare]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Neo-Chevalerie nel XIX secolo]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[La Doctrine du Corps Immortel]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Il Lavoro sui Quattro Corpi dellUomo|Il Lavoro sui Quattro Corpi dell&#039;Uomo]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Il Risveglio]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Alchimia e Magnetismo]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Athanasius Kircher SJ alchimista e magnetista]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Evola e Reghini e la Tradizione Ermetica]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Portale della Tradizione Ermetica]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Portale della Tradizione Magnetica]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Categoria:Autori]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Categoria:Corrente Édire-ARMA]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Categoria:Cavalleria]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Categoria:Studi indo-europei&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>WikiBot</name></author>
	</entry>
	<entry>
		<id>https://wiki.marcoparet.com/index.php?title=Paul-Georges_Sansonetti&amp;diff=1211&amp;oldid=prev</id>
		<title>WikiBot: Aggiunto wikilink al Portale della Tradizione Magnetica - gemello del Portale Ermetica per comunicazione bidirezionale wiki ermetica-magnetica</title>
		<link rel="alternate" type="text/html" href="https://wiki.marcoparet.com/index.php?title=Paul-Georges_Sansonetti&amp;diff=1211&amp;oldid=prev"/>
		<updated>2026-05-24T17:29:14Z</updated>

		<summary type="html">&lt;p&gt;Aggiunto wikilink al Portale della Tradizione Magnetica - gemello del Portale Ermetica per comunicazione bidirezionale wiki ermetica-magnetica&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 17:29, 24 mag 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l87&quot;&gt;Riga 87:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 87:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Evola e Reghini e la Tradizione Ermetica]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Evola e Reghini e la Tradizione Ermetica]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Portale della Tradizione Ermetica]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Portale della Tradizione Ermetica]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Portale della Tradizione Magnetica]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Categoria:Autori]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Categoria:Autori]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>WikiBot</name></author>
	</entry>
	<entry>
		<id>https://wiki.marcoparet.com/index.php?title=Paul-Georges_Sansonetti&amp;diff=1158&amp;oldid=prev</id>
		<title>WikiBot: Collegata pagina Il Martinismo</title>
		<link rel="alternate" type="text/html" href="https://wiki.marcoparet.com/index.php?title=Paul-Georges_Sansonetti&amp;diff=1158&amp;oldid=prev"/>
		<updated>2026-05-23T09:04:01Z</updated>

		<summary type="html">&lt;p&gt;Collegata pagina Il Martinismo&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 09:04, 23 mag 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l73&quot;&gt;Riga 73:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 73:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Vedi anche ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Vedi anche ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Il Martinismo]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[La tradizione cavalleresca come via delluomo al rosso|La tradizione cavalleresca]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[La tradizione cavalleresca come via delluomo al rosso|La tradizione cavalleresca]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>WikiBot</name></author>
	</entry>
	<entry>
		<id>https://wiki.marcoparet.com/index.php?title=Paul-Georges_Sansonetti&amp;diff=1141&amp;oldid=prev</id>
		<title>WikiBot: Creazione pagina essenziale Paul-Georges Sansonetti - opere principali (Chevalerie du Graal et Lumiere de Gloire 2002, Graal e Alchimia, Runes, Hyperboree, 3 saggi EPHE 1987-90) - temi chiave (Lumiere de Gloire/Xvarnah - doppia chiave Durand+alchimia - 3 tradizioni indo-europee convergenti) - rimando pagina cavalleria per trattazione estesa</title>
		<link rel="alternate" type="text/html" href="https://wiki.marcoparet.com/index.php?title=Paul-Georges_Sansonetti&amp;diff=1141&amp;oldid=prev"/>
		<updated>2026-05-23T08:55:44Z</updated>

		<summary type="html">&lt;p&gt;Creazione pagina essenziale Paul-Georges Sansonetti - opere principali (Chevalerie du Graal et Lumiere de Gloire 2002, Graal e Alchimia, Runes, Hyperboree, 3 saggi EPHE 1987-90) - temi chiave (Lumiere de Gloire/Xvarnah - doppia chiave Durand+alchimia - 3 tradizioni indo-europee convergenti) - rimando pagina cavalleria per trattazione estesa&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Nuova pagina&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Avviso|Pagina &amp;#039;&amp;#039;&amp;#039;essenziale&amp;#039;&amp;#039;&amp;#039; su &amp;#039;&amp;#039;&amp;#039;Paul-Georges Sansonetti&amp;#039;&amp;#039;&amp;#039; — studioso francese della cavalleria iniziatica medievale, dell&amp;#039;alchimia, e delle tradizioni indo-europee. Riferimento dottrinale principale del cluster wiki sulla &amp;#039;&amp;#039;&amp;#039;[[La tradizione cavalleresca come via delluomo al rosso|tradizione cavalleresca]]&amp;#039;&amp;#039;&amp;#039;. Pagina sintetica focalizzata su &amp;#039;&amp;#039;&amp;#039;opere&amp;#039;&amp;#039;&amp;#039; e &amp;#039;&amp;#039;&amp;#039;temi-chiave&amp;#039;&amp;#039;&amp;#039;, senza biografia espansa.}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Paul-Georges Sansonetti&amp;#039;&amp;#039;&amp;#039; è uno studioso francese di letteratura comparata, mitologia, alchimia e tradizioni iniziatiche medievali. Ha insegnato all&amp;#039;&amp;#039;&amp;#039;École Pratique des Hautes Études&amp;#039;&amp;#039;&amp;#039; (EPHE) di Parigi, sezione delle Sciences Religieuses, dove ha pubblicato regolarmente conferenze sulla cavalleria arturiana e la simbolica del Graal fra il 1987 e il 1990. La sua opera lega tre quadri metodologici: le &amp;#039;&amp;#039;&amp;#039;Strutture Antropologiche dell&amp;#039;Immaginario&amp;#039;&amp;#039;&amp;#039; di &amp;#039;&amp;#039;&amp;#039;Gilbert Durand&amp;#039;&amp;#039;&amp;#039; (sotto la cui direzione Sansonetti ha discusso la sua tesi di dottorato a Grenoble nel 1980), il &amp;#039;&amp;#039;&amp;#039;pensiero alchemico&amp;#039;&amp;#039;&amp;#039;, e le &amp;#039;&amp;#039;&amp;#039;tradizioni indo-europee&amp;#039;&amp;#039;&amp;#039; (in particolare celtica, germano-scandinava e indo-iranica via Henry Corbin).&lt;br /&gt;
&lt;br /&gt;
Sansonetti pubblica principalmente presso le &amp;#039;&amp;#039;&amp;#039;Éditions ARMA-Édire&amp;#039;&amp;#039;&amp;#039; di Mentone — la stessa casa editrice di &amp;#039;&amp;#039;&amp;#039;[[La Doctrine du Corps Immortel|Robert Giudicelli]]&amp;#039;&amp;#039;&amp;#039; e di parte del lavoro di &amp;#039;&amp;#039;&amp;#039;Rémi Boyer&amp;#039;&amp;#039;&amp;#039;. Costituisce con loro la &amp;#039;&amp;#039;&amp;#039;corrente Édire-ARMA&amp;#039;&amp;#039;&amp;#039; della tradizione iniziatica francofona contemporanea (cfr. &amp;#039;&amp;#039;&amp;#039;[[La tradizione cavalleresca come via delluomo al rosso]]&amp;#039;&amp;#039;&amp;#039; sez. XIII).&lt;br /&gt;
&lt;br /&gt;
== Opere principali ==&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Chevalerie du Graal et Lumière de Gloire&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (Éditions Édire-ARMA, Mentone, 2002) — opera maggiore. Rielaborazione della tesi di dottorato 1980 (Università di Grenoble, jury: Gilbert Durand, Simone Vierne, Jacques Ribard). Studio sistematico del &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Perceval&amp;#039;&amp;#039; di Chrétien de Troyes&amp;#039;&amp;#039;&amp;#039; (1180 ca.) attraverso la doppia chiave delle Strutture Antropologiche dell&amp;#039;Immaginario di Durand e del pensiero alchemico. Cinque capitoli: I. &amp;#039;&amp;#039;Vision du Vermeil&amp;#039;&amp;#039; — II. &amp;#039;&amp;#039;La Lumière et l&amp;#039;Épée&amp;#039;&amp;#039; — III. &amp;#039;&amp;#039;Perception d&amp;#039;un autre corps&amp;#039;&amp;#039; — IV. &amp;#039;&amp;#039;Formes et Puissances&amp;#039;&amp;#039; — V. &amp;#039;&amp;#039;Genèse d&amp;#039;un destin&amp;#039;&amp;#039;. Trattazione estesa nella pagina del cluster &amp;#039;&amp;#039;&amp;#039;[[La tradizione cavalleresca come via delluomo al rosso]]&amp;#039;&amp;#039;&amp;#039; sez. XI&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Graal e Alchimia&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (Iduna Edizioni, edizione italiana con prefazione di Gilbert Durand) — versione italiana del nucleo dottrinale che stabilisce il &amp;#039;&amp;#039;&amp;#039;parallelo Graal-athanor&amp;#039;&amp;#039;&amp;#039; come &amp;#039;&amp;#039;&amp;#039;dispositivi che contengono lo stesso Principio&amp;#039;&amp;#039;&amp;#039; (le sette forze primordiali, il &amp;#039;&amp;#039;&amp;#039;Mercurio dei filosofi&amp;#039;&amp;#039;&amp;#039;). Trattazione nella pagina &amp;#039;&amp;#039;&amp;#039;[[La tradizione cavalleresca come via delluomo al rosso]]&amp;#039;&amp;#039;&amp;#039; sez. XIV&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Les Runes et la Tradition Primordiale&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; — studio della runologia esoterica come traccia testuale del fondo indo-europeo arcaico. Sansonetti lega le rune ai &amp;#039;&amp;#039;&amp;#039;quattro elementi&amp;#039;&amp;#039;&amp;#039;, al &amp;#039;&amp;#039;&amp;#039;ciclo solare&amp;#039;&amp;#039;&amp;#039; e alla &amp;#039;&amp;#039;&amp;#039;cavalleria iniziatica&amp;#039;&amp;#039;&amp;#039; (rune incise su spade, mantelli, paramenti). &amp;#039;&amp;#039;&amp;#039;Non&amp;#039;&amp;#039;&amp;#039; segue le riduzioni razziali o nazional-romantiche della runologia tedesca tardo-ottocentesca&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;L&amp;#039;Hyperborée&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; — saggio sul tema iperboreo come matrice originaria delle tradizioni indo-europee. Convergente con le tesi di Evola nel &amp;#039;&amp;#039;&amp;#039;[[Il Mistero del Graal secondo Evola]]&amp;#039;&amp;#039;&amp;#039; sul Graal come mistero iperboreo&lt;br /&gt;
&lt;br /&gt;
== I tre saggi all&amp;#039;EPHE (1987-1990) ==&lt;br /&gt;
&lt;br /&gt;
Sansonetti tiene conferenze annuali all&amp;#039;&amp;#039;&amp;#039;École Pratique des Hautes Études&amp;#039;&amp;#039;&amp;#039; (sezione Sciences Religieuses) e ne pubblica gli atti negli &amp;#039;&amp;#039;Annuaire&amp;#039;&amp;#039;. Tre saggi-chiave disponibili su Persée:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;«Yvain ou le chevalier au Lion»&amp;#039;&amp;#039;&amp;#039; (Annuaire EPHE Tomo 96, 1987-88) — la &amp;#039;&amp;#039;&amp;#039;fontana di Barenton&amp;#039;&amp;#039;&amp;#039; nella foresta di Brocéliande come &amp;#039;&amp;#039;&amp;#039;Axis Mundi&amp;#039;&amp;#039;&amp;#039;. Il bacino d&amp;#039;oro e la dalle smeraldina vuota congiunti alla fontana = &amp;#039;&amp;#039;&amp;#039;Chaudron Bruyant&amp;#039;&amp;#039;&amp;#039; della cosmogonia scandinava (&amp;#039;&amp;#039;Gylfaginning&amp;#039;&amp;#039; cap. 4). &amp;#039;&amp;#039;&amp;#039;Divenire signore della fontana&amp;#039;&amp;#039;&amp;#039; = essere detentore di &amp;#039;&amp;#039;&amp;#039;uno stato superiore di coscienza e di civiltà&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;«Or du Graal»&amp;#039;&amp;#039;&amp;#039; (Annuaire EPHE Tomo 103, 1989-90) — l&amp;#039;oro del Graal in correlazione con la tradizione arturiana e il «berceau boréal» iperboreo. Riferimento alla tomba dell&amp;#039;imperatore Massimiliano a Innsbruck con la statua di re Artù tra le grandi figure della cristianità — &amp;#039;&amp;#039;&amp;#039;Artù come modello&amp;#039;&amp;#039;&amp;#039; di cavalleria nel Sacro Romano Impero. Le &amp;#039;&amp;#039;&amp;#039;Tuatha de Danann&amp;#039;&amp;#039;&amp;#039; della tradizione irlandese come ricordo della culla boreale del popolo indo-europeo&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;«Sang Lumière»&amp;#039;&amp;#039;&amp;#039; (Annuaire EPHE Tomo 102, 1989-90) — il &amp;#039;&amp;#039;&amp;#039;sangue luminoso&amp;#039;&amp;#039;&amp;#039; nelle leggende cavalleresche: dalla goccia di sangue sulla neve contemplata da Perceval, al sangue dalla lancia, al sangue del Re Pescatore. Il sangue diventa luminoso quando l&amp;#039;iniziato è &amp;#039;&amp;#039;&amp;#039;pronto&amp;#039;&amp;#039;&amp;#039; a riceverlo — convergenza con la &amp;#039;&amp;#039;&amp;#039;Lumière de Gloire&amp;#039;&amp;#039;&amp;#039; del titolo del libro maggiore&lt;br /&gt;
&lt;br /&gt;
== Temi-chiave ==&lt;br /&gt;
&lt;br /&gt;
=== La «Lumière de Gloire» ===&lt;br /&gt;
&lt;br /&gt;
Il titolo dell&amp;#039;opera maggiore — &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Chevalerie du Graal et Lumière de Gloire&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; — esprime la tesi-cardine di Sansonetti: la &amp;#039;&amp;#039;&amp;#039;Cerca del Graal&amp;#039;&amp;#039;&amp;#039; e l&amp;#039;apparizione della &amp;#039;&amp;#039;&amp;#039;Lumière de Gloire&amp;#039;&amp;#039;&amp;#039; sono &amp;#039;&amp;#039;&amp;#039;lo stesso evento&amp;#039;&amp;#039;&amp;#039; visto da due lati. Il cavaliere che raggiunge il Castello del Re Pescatore, riforgia la spada spezzata e ottiene la rivelazione del Graal &amp;#039;&amp;#039;&amp;#039;diventa egli stesso luminoso&amp;#039;&amp;#039;&amp;#039; — riceve la &amp;#039;&amp;#039;&amp;#039;Lumière de Gloire&amp;#039;&amp;#039;&amp;#039; che è la condizione propria del Re legittimo nella tradizione indo-iranica e celtica.&lt;br /&gt;
&lt;br /&gt;
Il termine è &amp;#039;&amp;#039;&amp;#039;Xvarnah&amp;#039;&amp;#039;&amp;#039; iranica (studiata da &amp;#039;&amp;#039;&amp;#039;Henry Corbin&amp;#039;&amp;#039;&amp;#039; in &amp;#039;&amp;#039;En Islam iranien&amp;#039;&amp;#039;): l&amp;#039;aura luminosa che &amp;#039;&amp;#039;&amp;#039;riconosce&amp;#039;&amp;#039;&amp;#039; il sovrano legittimo, identica al &amp;#039;&amp;#039;&amp;#039;Glanz&amp;#039;&amp;#039;&amp;#039; germanico, al &amp;#039;&amp;#039;&amp;#039;nimbo regale&amp;#039;&amp;#039;&amp;#039; bizantino, all&amp;#039;aureola dei santi cristiani, alla &amp;#039;&amp;#039;&amp;#039;gloria&amp;#039;&amp;#039;&amp;#039; delle iconografie sacre. Sansonetti la lega operativamente al &amp;#039;&amp;#039;&amp;#039;rubedo&amp;#039;&amp;#039;&amp;#039; alchemico (cfr. &amp;#039;&amp;#039;&amp;#039;[[Il Risveglio]]&amp;#039;&amp;#039;&amp;#039; sez. VIII-bis) — l&amp;#039;uomo al rosso &amp;#039;&amp;#039;&amp;#039;irradia&amp;#039;&amp;#039;&amp;#039;, non solo è presente.&lt;br /&gt;
&lt;br /&gt;
=== La doppia chiave: Durand + alchimia ===&lt;br /&gt;
&lt;br /&gt;
Sansonetti applica al &amp;#039;&amp;#039;Perceval&amp;#039;&amp;#039; una lettura sistematica:&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Strutture Antropologiche dell&amp;#039;Immaginario di Durand&amp;#039;&amp;#039;&amp;#039; — tre Regimi dell&amp;#039;Immagine (Diurno-eroico, Notturno mistico, Notturno sintetico-drammatico) come griglia di classificazione delle immagini medievali&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Pensiero alchemico&amp;#039;&amp;#039;&amp;#039; — Perceval letto come testo cifrato della grande Opera, con la sua sequenza di colori (vermeil, blanc, rouge), prove, sostanze, stati di trasformazione&lt;br /&gt;
&lt;br /&gt;
La doppia chiave permette a Sansonetti di &amp;#039;&amp;#039;&amp;#039;non ridurre&amp;#039;&amp;#039;&amp;#039; il &amp;#039;&amp;#039;Perceval&amp;#039;&amp;#039; né a folklore arcaico (lettura solo etnografica) né a allegoria moralistica (lettura solo cristiano-devozionale): mostra che il testo è &amp;#039;&amp;#039;&amp;#039;operativo&amp;#039;&amp;#039;&amp;#039; — descrive una pratica iniziatica realmente percorribile.&lt;br /&gt;
&lt;br /&gt;
=== Le tre tradizioni indo-europee convergenti ===&lt;br /&gt;
&lt;br /&gt;
Sansonetti documenta come il &amp;#039;&amp;#039;Perceval&amp;#039;&amp;#039; sintetizzi tre tradizioni:&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Tradizione celtica&amp;#039;&amp;#039;&amp;#039; — ciclo arturiano britannico, Caccia Selvaggia, Terra Sterile, Castello incantato, Donna delle Acque, Tuatha de Danann&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Tradizione germano-scandinava&amp;#039;&amp;#039;&amp;#039; — &amp;#039;&amp;#039;hamr&amp;#039;&amp;#039; (forma sottile), &amp;#039;&amp;#039;hamingja&amp;#039;&amp;#039; (spirito personale), &amp;#039;&amp;#039;fylgja&amp;#039;&amp;#039; (doppio guida femminile), Valkyrie, runes-spada, Yggdrasill come Axis Mundi&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Simbolismo cristiano&amp;#039;&amp;#039;&amp;#039; — Graal come calice eucaristico nella versione di Robert de Boron, sangue del Cristo cosmocrator come fonte della vita rigenerata&lt;br /&gt;
&lt;br /&gt;
A queste si aggiunge la mediazione di &amp;#039;&amp;#039;&amp;#039;Henry Corbin&amp;#039;&amp;#039;&amp;#039; per i temi indo-iranici (Xvarnah, Lumière de Gloire, cavalleria celeste persiana).&lt;br /&gt;
&lt;br /&gt;
== Sansonetti nel cluster wiki ==&lt;br /&gt;
&lt;br /&gt;
Sansonetti è &amp;#039;&amp;#039;&amp;#039;fonte dottrinale principale&amp;#039;&amp;#039;&amp;#039; della pagina &amp;#039;&amp;#039;&amp;#039;[[La tradizione cavalleresca come via delluomo al rosso]]&amp;#039;&amp;#039;&amp;#039;, citato nelle sezioni:&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;XI&amp;#039;&amp;#039;&amp;#039; — Sansonetti e la lettura alchemico-imaginale di Perceval&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;XIV&amp;#039;&amp;#039;&amp;#039; — Gli altri lavori e i grandi temi (Graal e Alchimia, Runes, Hyperborée, i tre saggi EPHE)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;XIII&amp;#039;&amp;#039;&amp;#039; — La corrente Édire-ARMA (Sansonetti + Giudicelli + Boyer)&lt;br /&gt;
&lt;br /&gt;
Per la trattazione estesa dei temi qui solo nominati, vedere quella pagina.&lt;br /&gt;
&lt;br /&gt;
== Fonti ==&lt;br /&gt;
&lt;br /&gt;
* Paul-Georges Sansonetti, &amp;#039;&amp;#039;Chevalerie du Graal et Lumière de Gloire&amp;#039;&amp;#039;, Éditions Édire-ARMA, Mentone, 2002&lt;br /&gt;
* Paul-Georges Sansonetti, &amp;#039;&amp;#039;Graal e Alchimia&amp;#039;&amp;#039;, Iduna Edizioni (prefazione di Gilbert Durand)&lt;br /&gt;
* Paul-Georges Sansonetti, &amp;#039;&amp;#039;Les Runes et la Tradition Primordiale&amp;#039;&amp;#039;&lt;br /&gt;
* Paul-Georges Sansonetti, &amp;#039;&amp;#039;L&amp;#039;Hyperborée&amp;#039;&amp;#039;&lt;br /&gt;
* Paul-Georges Sansonetti, «Yvain ou le chevalier au Lion», in &amp;#039;&amp;#039;Annuaire EPHE&amp;#039;&amp;#039; tomo 96, 1987-88, pp. 350-353 ([https://www.persee.fr/doc/ephe_0000-0002_1987_num_100_96_14096 Persée])&lt;br /&gt;
* Paul-Georges Sansonetti, «Or du Graal», in &amp;#039;&amp;#039;Annuaire EPHE&amp;#039;&amp;#039; tomo 103, 1989-90, pp. 420-422 ([https://www.persee.fr/doc/ephe_0000-0002_1990_num_103_99_14496 Persée])&lt;br /&gt;
* Paul-Georges Sansonetti, «Sang Lumière», in &amp;#039;&amp;#039;Annuaire EPHE&amp;#039;&amp;#039; tomo 102, 1989-90 ([https://www.persee.fr/doc/ephe_0000-0002_1989_num_102_98_14355 Persée])&lt;br /&gt;
* Gilbert Durand, &amp;#039;&amp;#039;Les Structures anthropologiques de l&amp;#039;imaginaire&amp;#039;&amp;#039;, PUF, 1960 — fonte metodologica fondamentale per Sansonetti&lt;br /&gt;
* Gilbert Durand, &amp;#039;&amp;#039;L&amp;#039;Imagination symbolique&amp;#039;&amp;#039;, PUF — testo introduttivo consigliato dallo stesso Sansonetti&lt;br /&gt;
* Henry Corbin, &amp;#039;&amp;#039;En Islam iranien&amp;#039;&amp;#039;, 4 voll., Gallimard, Paris, 1971-72 — fonte per la categoria di Xvarnah / Lumière de Gloire&lt;br /&gt;
&lt;br /&gt;
== Vedi anche ==&lt;br /&gt;
&lt;br /&gt;
* [[La tradizione cavalleresca come via delluomo al rosso|La tradizione cavalleresca]]&lt;br /&gt;
* [[Il Mistero del Graal secondo Evola]]&lt;br /&gt;
* [[I Fedeli dAmore|I Fedeli d&amp;#039;Amore]]&lt;br /&gt;
* [[Stretta Osservanza Templare]]&lt;br /&gt;
* [[Neo-Chevalerie nel XIX secolo]]&lt;br /&gt;
* [[La Doctrine du Corps Immortel]]&lt;br /&gt;
* [[Il Lavoro sui Quattro Corpi dellUomo|Il Lavoro sui Quattro Corpi dell&amp;#039;Uomo]]&lt;br /&gt;
* [[Il Risveglio]]&lt;br /&gt;
* [[Alchimia e Magnetismo]]&lt;br /&gt;
* [[Athanasius Kircher SJ alchimista e magnetista]]&lt;br /&gt;
* [[Evola e Reghini e la Tradizione Ermetica]]&lt;br /&gt;
* [[Portale della Tradizione Ermetica]]&lt;br /&gt;
&lt;br /&gt;
[[Categoria:Autori]]&lt;br /&gt;
[[Categoria:Corrente Édire-ARMA]]&lt;br /&gt;
[[Categoria:Cavalleria]]&lt;br /&gt;
[[Categoria:Studi indo-europei]]&lt;/div&gt;</summary>
		<author><name>WikiBot</name></author>
	</entry>
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