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	<title>Paret Movement Analysis - Cronologia</title>
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		<title>WikiBot: Integrazione fonti aggiuntive transcript 25 maggio: Action Types Marquet During Lussiana INSEP + Marsman + Messinger + Coren + Sullivan-Porges 2018 + Rolf + Feldenkrais + Berceli + Spiegel HIP</title>
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		<updated>2026-05-30T21:40:37Z</updated>

		<summary type="html">&lt;p&gt;Integrazione fonti aggiuntive transcript 25 maggio: Action Types Marquet During Lussiana INSEP + Marsman + Messinger + Coren + Sullivan-Porges 2018 + Rolf + Feldenkrais + Berceli + Spiegel HIP&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 21:40, 30 mag 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l145&quot;&gt;Riga 145:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 145:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Questa profilazione di compatibilità è una delle applicazioni più caratteristiche della PMA nei contesti di &amp;#039;&amp;#039;&amp;#039;formazione e coaching&amp;#039;&amp;#039;&amp;#039; della Scuola, e si applica &amp;#039;&amp;#039;&amp;#039;sia nel rapporto operatore-soggetto in ipnosi, sia nelle dinamiche relazionali&amp;#039;&amp;#039;&amp;#039; generali.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Questa profilazione di compatibilità è una delle applicazioni più caratteristiche della PMA nei contesti di &amp;#039;&amp;#039;&amp;#039;formazione e coaching&amp;#039;&amp;#039;&amp;#039; della Scuola, e si applica &amp;#039;&amp;#039;&amp;#039;sia nel rapporto operatore-soggetto in ipnosi, sia nelle dinamiche relazionali&amp;#039;&amp;#039;&amp;#039; generali.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== XI. La PMA nel quadro della tradizione magnetica e della scienza contemporanea ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== XI&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. Il ponte accademico contemporaneo: Action Types, Marsman, Messinger ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;La Paret Movement Analysis dialoga con alcune linee di ricerca contemporanee che hanno &#039;&#039;&#039;formalizzato accademicamente&#039;&#039;&#039; aspetti che la pratica magnetica europea ha sempre conosciuto operativamente. Tre filoni sono particolarmente rilevanti.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Action Types e preferenze motrici (Marquet, Hippolyte, Bertrand During, INSEP) ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;La scuola francese di &#039;&#039;&#039;Action Types&#039;&#039;&#039; — fondata da &#039;&#039;&#039;Ralph Hippolyte&#039;&#039;&#039;, sistematizzata da &#039;&#039;&#039;Bertrand During&#039;&#039;&#039; (Sorbonne) e applicata all&#039;alta prestazione sportiva dall&#039;&#039;&#039;&#039;INSEP&#039;&#039;&#039; (Institut National du Sport, de l&#039;Expertise et de la Performance) di Parigi — ha sviluppato un modello tipologico fondato sulle &#039;&#039;&#039;preferenze motrici&#039;&#039;&#039; come &#039;&#039;&#039;neuro-predisposizioni stabili&#039;&#039;&#039; osservabili nella gestualità, nella postura, nella respirazione.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Il libro fondativo è &#039;&#039;[[Marquet]] — &#039;&#039;&#039;À chacun son cerveau, sa réussite&#039;&#039;&#039;&#039;&#039; (2013), che presenta un modello di &#039;&#039;&#039;profili motori&#039;&#039;&#039; lateralizzati e organizzati attorno ad assi corporei: &#039;&#039;&#039;asse pelvi-spalla&#039;&#039;&#039;, &#039;&#039;&#039;mobilità prossimale vs distale&#039;&#039;&#039;, &#039;&#039;&#039;appoggio piede-mano dominante&#039;&#039;&#039;, &#039;&#039;&#039;ritmo respiratorio&#039;&#039;&#039;. La &#039;&#039;&#039;tesi accademica di Lussiana&#039;&#039;&#039; (2016, Université de Franche-Comté) ha fornito ulteriore validazione sperimentale al modello, e numerosi documenti dell&#039;INSEP applicano il sistema agli sport di prestazione.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Particolarmente interessante per la PMA è la terminologia usata nello &#039;&#039;&#039;studio del swing nel golf&#039;&#039;&#039;: &#039;&#039;&#039;«Profil Terrien ou Aérien dans le swing»&#039;&#039;&#039; — la distinzione fra giocatori «terrestri» (radicati, lenti, potenti, asse pelvi-piedi dominante) e «aerei» (mobili, ritmici, leggeri, asse pelvi-spalla dominante). Questa nomenclatura &#039;&#039;&#039;coincide&#039;&#039;&#039; precisamente con la tipologia &#039;&#039;&#039;Terra/Aria/Acqua/Fuoco&#039;&#039;&#039; che la Scuola usa nei suoi documenti interni di analisi non-verbale. Action Types fornisce dunque alla PMA &#039;&#039;&#039;una conferma accademica francese contemporanea&#039;&#039;&#039; di una distinzione che la tradizione magnetica europea ha sempre praticato.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;La PMA della Scuola si distingue da Action Types per la sua dimensione &#039;&#039;&#039;iniziatica e magnetica&#039;&#039;&#039; (Action Types resta nello sport e nella performance), ma il &#039;&#039;&#039;lessico tipologico&#039;&#039;&#039; è in larga parte sovrapponibile, e i due sistemi possono dialogare proficuamente.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Méthode Marsman e biomeccanica posturale ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;La &#039;&#039;&#039;Méthode Marsman&#039;&#039;&#039; di &#039;&#039;&#039;Pieter Marsman&#039;&#039;&#039; (medicina manuale, biocinematica) ha sviluppato un sistema di &#039;&#039;&#039;analisi posturale dinamica&#039;&#039;&#039; che integra:&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;Asse pelvi-cingolo scapolare&#039;&#039;&#039; come asse primario di coordinazione motoria&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;Catene muscolari ascendenti e discendenti&#039;&#039;&#039; come pattern di compensazione&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;Lettura ophtalmologica&#039;&#039;&#039; (test oculari di Marsman) come indicatore di lateralizzazione posturale globale&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;I lavori di Marsman documentati nella «&#039;&#039;Revue de médecine manuelle&#039;&#039;» (articolo metodologico) e gli aggiornamenti &#039;&#039;Biocinématique 2018&#039;&#039; e &#039;&#039;Ophtalm 2009&#039;&#039; forniscono alla PMA &#039;&#039;&#039;la base biomeccanica&#039;&#039;&#039; della lettura posturale: come la postura non sia semplicemente «aspetto estetico» ma &#039;&#039;&#039;espressione neuromuscolare integrata&#039;&#039;&#039; di stati autonomici e psichici. Marsman documenta in particolare come la &#039;&#039;&#039;gamba pilastro&#039;&#039;&#039; (la gamba portante in stazione eretta neutra) sia un &#039;&#039;&#039;marcatore di lateralizzazione cerebrale&#039;&#039;&#039; affidabile, integrabile direttamente nella diagnostica PMA.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Joseph Messinger e il lessico codificato dei gesti ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;L&#039;opera di &#039;&#039;&#039;Joseph Messinger&#039;&#039;&#039;, autore di numerosi volumi divulgativi sulla comunicazione non verbale — fra cui &#039;&#039;Le langage des gestes pour les nuls&#039;&#039;, &#039;&#039;La grammaire des gestes&#039;&#039;, &#039;&#039;Ces gestes qui parlent à votre place&#039;&#039; — ha sistematizzato un &#039;&#039;&#039;lessico gestuale codificato&#039;&#039;&#039; di oltre 1500 micro-gesti con la loro lettura tipica nel contesto relazionale francese. Messinger non è un autore accademico ma &#039;&#039;&#039;un divulgatore esperto&#039;&#039;&#039; che ha raccolto in modo enciclopedico le osservazioni della tradizione semiologica francese (Birdwhistell, Cosnier, Calbris) applicate alla pratica relazionale quotidiana.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Per la PMA della Scuola, Messinger fornisce un &#039;&#039;&#039;dizionario di riferimento&#039;&#039;&#039; — non come autorità interpretativa ultima (la PMA mantiene la propria griglia originale incrociata con polivagale, lateralizzazione e tipologia alchemica) ma come &#039;&#039;&#039;catalogo descrittivo&#039;&#039;&#039; utile nell&#039;addestramento dell&#039;allievo al riconoscimento del particolare gestuale.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Lateral preferences (Coren) ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;L&#039;opera classica di &#039;&#039;&#039;Stanley Coren&#039;&#039;&#039; e Clare Porac &#039;&#039;Lateral Preferences and Human Behavior&#039;&#039; (Springer, 1981) — citata nella sezione V di questa pagina — resta &#039;&#039;&#039;il manuale di riferimento&#039;&#039;&#039; per la diagnostica laterale della PMA. Coren documenta sistematicamente la distribuzione statistica delle preferenze laterali nella popolazione, le loro correlazioni con personalità, performance cognitiva, salute, e la stabilità transculturale dei pattern. Il dato statistico di Coren è &#039;&#039;&#039;la base epidemiologica&#039;&#039;&#039; su cui la PMA costruisce la propria tipologia ottuplice.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Le tradizioni somatiche del Novecento ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sul versante della pratica corporea, la PMA dialoga inoltre con tre tradizioni novecentesche che hanno lavorato l&#039;integrazione corpo-mente-postura:&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;Ida Rolf&#039;&#039;&#039; e l&#039;&#039;&#039;&#039;integrazione strutturale&#039;&#039;&#039; (Rolfing, anni 1950-1970) — ha sistematizzato il lavoro sulla «linea verticale del corpo nella gravità», concetto di grande rilevanza per il principio di &#039;&#039;&#039;asse verticale&#039;&#039;&#039; della Presenza Integrale™.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;Moshe Feldenkrais&#039;&#039;&#039; e l&#039;&#039;&#039;&#039;Awareness Through Movement&#039;&#039;&#039; — ha lavorato sulla riorganizzazione della &#039;&#039;&#039;lateralità funzionale&#039;&#039;&#039; e dello schema corporeo, fornendo strumenti pratici complementari alla diagnostica PMA.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;David Berceli&#039;&#039;&#039; e il &#039;&#039;&#039;TRE (Trauma Releasing Exercises)&#039;&#039;&#039; — ha codificato a inizio anni 2000 una sequenza di posture che innescano &#039;&#039;&#039;tremore neurogenico spontaneo&#039;&#039;&#039;, fenomenologia che ricalca quella della &#039;&#039;&#039;[[Crisi Mesmerica|crisi mesmerica]]&#039;&#039;&#039; e dell&#039;esercizio della bicicletta di &#039;&#039;&#039;[[Wilhelm Reich|Reich]]&#039;&#039;&#039;. Il TRE è discusso in dettaglio nella pagina &#039;&#039;&#039;[[Movimento autonomo della crisi]]&#039;&#039;&#039;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Spiegel HIP (Hypnotic Induction Profile) ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;L&#039;opera di &#039;&#039;&#039;Herbert Spiegel&#039;&#039;&#039; e David Spiegel &#039;&#039;Trance and Treatment&#039;&#039; (1978, riv. 2004) ha codificato l&#039;&#039;&#039;&#039;Hypnotic Induction Profile (HIP)&#039;&#039;&#039; — un sistema diagnostico breve (5-10 minuti) che valuta &#039;&#039;&#039;l&#039;ipnotizzabilità&#039;&#039;&#039; attraverso indicatori semplici: il «roll eye sign» (il modo in cui gli occhi ruotano verso l&#039;alto), la sensibilità del braccio, la disponibilità alla sospensione. Lo Spiegel ha distinto tre profili principali — &#039;&#039;&#039;Apollonian, Odyssean, Dionysian&#039;&#039;&#039; — che corrispondono a configurazioni laterale-tipologiche compatibili con la griglia della PMA.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Per l&#039;operatore della Scuola, lo Spiegel HIP è uno &#039;&#039;&#039;strumento di screening rapido&#039;&#039;&#039; che si integra bene con la diagnostica PMA: dove la PMA legge il tipo prevalente attraverso lateralizzazione e gesto, lo Spiegel legge la disponibilità ipnotica attraverso indicatori oculari e cinestesici.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== XII&lt;/ins&gt;. La PMA nel quadro della tradizione magnetica e della scienza contemporanea ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;La Paret Movement Analysis è il &amp;#039;&amp;#039;&amp;#039;rifrasamento contemporaneo&amp;#039;&amp;#039;&amp;#039; di una disciplina antica. La tradizione magnetica europea — da [[Franz Anton Mesmer|Mesmer]] attraverso [[Marquis de Puységur|Puységur]], [[Charles Lafontaine|Lafontaine]], [[Donato — Il Padre della Fascinazione|Donato]], [[Maestro Dante Caravelli|Caravelli]], [[Prof. Erminio Di Pisa — Ipnosi con lo Sguardo|Di Pisa]] — ha sempre praticato una lettura del corpo che oggi la PMA codifica esplicitamente. La novità di Paret è &amp;#039;&amp;#039;&amp;#039;l&amp;#039;integrazione sistematica&amp;#039;&amp;#039;&amp;#039; di questa lettura con:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;La Paret Movement Analysis è il &amp;#039;&amp;#039;&amp;#039;rifrasamento contemporaneo&amp;#039;&amp;#039;&amp;#039; di una disciplina antica. La tradizione magnetica europea — da [[Franz Anton Mesmer|Mesmer]] attraverso [[Marquis de Puységur|Puységur]], [[Charles Lafontaine|Lafontaine]], [[Donato — Il Padre della Fascinazione|Donato]], [[Maestro Dante Caravelli|Caravelli]], [[Prof. Erminio Di Pisa — Ipnosi con lo Sguardo|Di Pisa]] — ha sempre praticato una lettura del corpo che oggi la PMA codifica esplicitamente. La novità di Paret è &amp;#039;&amp;#039;&amp;#039;l&amp;#039;integrazione sistematica&amp;#039;&amp;#039;&amp;#039; di questa lettura con:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l234&quot;&gt;Riga 234:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 282:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* A. N. Schore, &amp;#039;&amp;#039;Affect Regulation and the Origin of the Self&amp;#039;&amp;#039;, Erlbaum, 1994.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* A. N. Schore, &amp;#039;&amp;#039;Affect Regulation and the Origin of the Self&amp;#039;&amp;#039;, Erlbaum, 1994.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* A. N. Schore, &amp;#039;&amp;#039;Right Brain Psychotherapy&amp;#039;&amp;#039;, Norton, 2019.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* A. N. Schore, &amp;#039;&amp;#039;Right Brain Psychotherapy&amp;#039;&amp;#039;, Norton, 2019.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* D. Berceli, &#039;&#039;The Revolutionary Trauma Release Process&#039;&#039;, Namaste Publishing, 2008.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Action Types e preferenze motrici ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* R. Hippolyte, B. During, &#039;&#039;Action Types: La science des préférences motrices&#039;&#039;, Éditions Amphora, 2009.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* B. Marquet, &#039;&#039;À chacun son cerveau, sa réussite&#039;&#039;, Le Cherche Midi, 2013.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* L. Lussiana, &#039;&#039;Préférences motrices et performance sportive&#039;&#039; (tesi di dottorato), Université de Franche-Comté, 2016.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Documentazione INSEP (Institut National du Sport, de l&#039;Expertise et de la Performance), Parigi, vari anni.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Posturologia e biomeccanica clinica ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* P. Marsman et al., «La méthode Marsman», &#039;&#039;Revue de médecine manuelle&#039;&#039;, 2017.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* P. Marsman, &#039;&#039;Biocinématique&#039;&#039; (manuale interno), 2018.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* P. Marsman, &#039;&#039;Ophtalmologie posturale&#039;&#039;, 2009.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* J. Messinger, &#039;&#039;Le langage des gestes pour les nuls&#039;&#039;, First Éditions, 2008.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* J. Messinger, &#039;&#039;La grammaire des gestes&#039;&#039;, Flammarion, 2006.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* J. Messinger, &#039;&#039;Ces gestes qui parlent à votre place&#039;&#039;, First Éditions, 2010.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* S. Coren, C. Porac, &#039;&#039;Lateral Preferences and Human Behavior&#039;&#039;, Springer, 1981.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Tradizioni somatiche del Novecento ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* I. P. Rolf, &#039;&#039;Rolfing: The Integration of Human Structures&#039;&#039;, Harper &amp;amp; Row, 1977.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* M. Feldenkrais, &#039;&#039;Awareness Through Movement&#039;&#039;, Harper &amp;amp; Row, 1972.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* M. Feldenkrais, &#039;&#039;The Potent Self&#039;&#039;, Harper &amp;amp; Row, 1985.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Ipnosi e induzione ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* H. Spiegel, D. Spiegel, &#039;&#039;Trance and Treatment: Clinical Uses of Hypnosis&#039;&#039;, American Psychiatric Press, 1978/2004.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* M. H. Erickson, E. L. Rossi, &#039;&#039;Hypnotic Realities&#039;&#039;, Irvington, 1976.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Yoga e teoria polivagale ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* M. B. Sullivan, M. Erb, L. Schmalzl, S. Moonaz, J. N. Taylor, S. W. Porges, «Yoga therapy and polyvagal theory: The convergence of traditional wisdom and contemporary neuroscience for self-regulation and resilience», &#039;&#039;Frontiers in Human Neuroscience&#039;&#039;, 12:67, 2018 (PMC5835127).&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Teoria polivagale e neurofisiologia ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Teoria polivagale e neurofisiologia ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>WikiBot</name></author>
	</entry>
	<entry>
		<id>https://wiki.marcoparet.com/index.php?title=Paret_Movement_Analysis&amp;diff=2135&amp;oldid=prev</id>
		<title>WikiBot: Integrazione 13 fonti: McGilchrist + C-tactile (McGlone) + Schore + Stern + Levine + van der Kolk + Damasio + Gallese + Naranjo + Sheldon + Crabtree + Ellenberger + Lakoff</title>
		<link rel="alternate" type="text/html" href="https://wiki.marcoparet.com/index.php?title=Paret_Movement_Analysis&amp;diff=2135&amp;oldid=prev"/>
		<updated>2026-05-30T21:29:52Z</updated>

		<summary type="html">&lt;p&gt;Integrazione 13 fonti: McGilchrist + C-tactile (McGlone) + Schore + Stern + Levine + van der Kolk + Damasio + Gallese + Naranjo + Sheldon + Crabtree + Ellenberger + Lakoff&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 21:29, 30 mag 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot;&gt;Riga 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Questo principio non è esclusivo del Paret Method — risuona con la tradizione reichiana, con la teoria polivagale, con la fenomenologia somatica — ma riceve nel Paret Method una sistemazione tecnica originale che incrocia &amp;#039;&amp;#039;&amp;#039;osservazione del gesto&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;lettura della lateralizzazione&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;diagnosi tipologica&amp;#039;&amp;#039;&amp;#039; e &amp;#039;&amp;#039;&amp;#039;scelta tecnica della porta d&amp;#039;accesso ipnotica&amp;#039;&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Questo principio non è esclusivo del Paret Method — risuona con la tradizione reichiana, con la teoria polivagale, con la fenomenologia somatica — ma riceve nel Paret Method una sistemazione tecnica originale che incrocia &amp;#039;&amp;#039;&amp;#039;osservazione del gesto&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;lettura della lateralizzazione&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;diagnosi tipologica&amp;#039;&amp;#039;&amp;#039; e &amp;#039;&amp;#039;&amp;#039;scelta tecnica della porta d&amp;#039;accesso ipnotica&amp;#039;&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sul piano neuroscientifico, il principio paretiano trova il suo fondamento in due teorie complementari della cognizione contemporanea. La teoria dei &#039;&#039;&#039;marcatori somatici&#039;&#039;&#039; di &#039;&#039;&#039;Antonio Damasio&#039;&#039;&#039; (&#039;&#039;Descartes&#039; Error&#039;&#039;, 1994) mostra che le decisioni cognitive sono modulate da &#039;&#039;&#039;segnali corporei automatici&#039;&#039;&#039; che il cervello legge prima della razionalizzazione cosciente — il corpo, letteralmente, &#039;&#039;&#039;sa prima della mente&#039;&#039;&#039; ed esprime questa conoscenza attraverso configurazioni autonomiche, posturali e gestuali leggibili dall&#039;osservatore esperto. La teoria della &#039;&#039;&#039;embodied simulation&#039;&#039;&#039; di &#039;&#039;&#039;Vittorio Gallese&#039;&#039;&#039; e dei &#039;&#039;&#039;neuroni specchio&#039;&#039;&#039; (Rizzolatti e Gallese dal 1996 in poi) mostra che &#039;&#039;&#039;il cervello dell&#039;osservatore simula motoriamente il gesto osservato&#039;&#039;&#039; — riconoscere il gesto di un altro è, neurologicamente, &#039;&#039;&#039;eseguirlo internamente&#039;&#039;&#039;, e da qui la comprensione affettiva immediata e diretta. La PMA è in questo senso &#039;&#039;&#039;una disciplina di simulazione embodied addestrata&#039;&#039;&#039;: il magnetizzatore allenato non interpreta da fuori, &#039;&#039;&#039;riproduce dentro&#039;&#039;&#039; la configurazione dell&#039;altro e da lì la comprende. La pagina &#039;&#039;&#039;[[Iain McGilchrist e la dualità emisferica]]&#039;&#039;&#039; espone il quadro filosofico più ampio in cui questa lettura embodied si situa — la dominanza relativa dei due emisferi cerebrali come &#039;&#039;&#039;due modi diversi di abitare il mondo&#039;&#039;&#039; e di esprimerlo nel corpo.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== II. Le tre categorie fondamentali del gesto ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== II. Le tre categorie fondamentali del gesto ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l60&quot;&gt;Riga 60:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 62:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Le combinazioni di queste tre dominanze generano le &amp;#039;&amp;#039;&amp;#039;otto sigle tipologiche&amp;#039;&amp;#039;&amp;#039; (DSS, SDS, DDS, SSS, DSD, SSD, DDD, SDD) che Paret incrocia con l&amp;#039;enneagramma, il MBTI e i temperamenti antichi nella &amp;#039;&amp;#039;&amp;#039;[[The Moving Enneagram of Paret]]&amp;#039;&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Le combinazioni di queste tre dominanze generano le &amp;#039;&amp;#039;&amp;#039;otto sigle tipologiche&amp;#039;&amp;#039;&amp;#039; (DSS, SDS, DDS, SSS, DSD, SSD, DDD, SDD) che Paret incrocia con l&amp;#039;enneagramma, il MBTI e i temperamenti antichi nella &amp;#039;&amp;#039;&amp;#039;[[The Moving Enneagram of Paret]]&amp;#039;&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Il quadro filosofico-neuroscientifico più ampio in cui questa diagnostica si situa è quello esposto dallo psichiatra e filosofo &#039;&#039;&#039;Iain McGilchrist&#039;&#039;&#039; nella pagina &#039;&#039;&#039;[[Iain McGilchrist e la dualità emisferica]]&#039;&#039;&#039;. Secondo McGilchrist, i due emisferi non differiscono nei &#039;&#039;contenuti&#039;&#039; (la vecchia dicotomia popolare linguaggio/immagini è scientificamente superata) ma &#039;&#039;&#039;nei modi di prestare attenzione&#039;&#039;&#039; — l&#039;emisfero sinistro («Emissary») esercita un&#039;attenzione ristretta, manipolativa, categoriale; l&#039;emisfero destro («Master») un&#039;attenzione ampia, contestuale, relazionale. La PMA è dunque, in questa lettura, &#039;&#039;&#039;la disciplina del riconoscimento di quale parte governa&#039;&#039;&#039; nel soggetto osservato — e correlativamente, della scelta tecnica della porta d&#039;accesso che &#039;&#039;&#039;ristabilisca il rapporto&#039;&#039;&#039; fra le due parti.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== I quattro stili di adattamento ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== I quattro stili di adattamento ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l100&quot;&gt;Riga 100:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 104:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Il decodificatore Hertenstein delle &amp;#039;&amp;#039;&amp;#039;otto emozioni distinte comunicabili attraverso il tocco&amp;#039;&amp;#039;&amp;#039; (anger, fear, happiness, sadness, disgust, love, gratitude, sympathy) è integrato nella PMA come griglia operativa: ciascuna emozione ha la sua &amp;#039;&amp;#039;&amp;#039;zona del corpo&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;intensità&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;pattern di movimento&amp;#039;&amp;#039;&amp;#039; e &amp;#039;&amp;#039;&amp;#039;durata&amp;#039;&amp;#039;&amp;#039; specifici.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Il decodificatore Hertenstein delle &amp;#039;&amp;#039;&amp;#039;otto emozioni distinte comunicabili attraverso il tocco&amp;#039;&amp;#039;&amp;#039; (anger, fear, happiness, sadness, disgust, love, gratitude, sympathy) è integrato nella PMA come griglia operativa: ciascuna emozione ha la sua &amp;#039;&amp;#039;&amp;#039;zona del corpo&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;intensità&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;pattern di movimento&amp;#039;&amp;#039;&amp;#039; e &amp;#039;&amp;#039;&amp;#039;durata&amp;#039;&amp;#039;&amp;#039; specifici.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sul piano del substrato neuronale, la PMA integra la scoperta delle &#039;&#039;&#039;fibre C-tactile&#039;&#039;&#039; (McGlone, Olausson, Morrison 2014; Walker et al. 2017) — la classe di afferenti non mielinizzati specifici per il tocco affettuoso lento (3 cm/s, 32°C) che attivano selettivamente la corteccia insulare posteriore e mediano il rilascio di ossitocina, descritti in dettaglio nella pagina &#039;&#039;&#039;[[Touch e sistema nervoso autonomo]]&#039;&#039;&#039;. Questo dato è &#039;&#039;&#039;cruciale per l&#039;addestramento&#039;&#039;&#039;: la tecnica del tocco magnetico non è generica — &#039;&#039;&#039;è precisa nella velocità, nel ritmo, nella temperatura, nella localizzazione&#039;&#039;&#039;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sul piano clinico, il quadro del &#039;&#039;&#039;somatic experiencing&#039;&#039;&#039; di &#039;&#039;&#039;Peter Levine&#039;&#039;&#039; (&#039;&#039;Waking the Tiger&#039;&#039;, 1997; &#039;&#039;In an Unspoken Voice&#039;&#039;, 2010) e il lavoro di &#039;&#039;&#039;Bessel van der Kolk&#039;&#039;&#039; (&#039;&#039;The Body Keeps the Score&#039;&#039;, 2014) forniscono il vocabolario contemporaneo per descrivere ciò che la tradizione magnetica ha sempre operato: &#039;&#039;&#039;il completamento di risposte difensive interrotte&#039;&#039;&#039; attraverso il tocco e il contenimento relazionale — fenomeno descritto nella pagina &#039;&#039;&#039;[[Movimento autonomo della crisi]]&#039;&#039;&#039;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== VIII. Eye movements, gaze, blinking ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== VIII. Eye movements, gaze, blinking ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l156&quot;&gt;Riga 156:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 164:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[I sei tipi caratteriali nella mappa polivagale]] — la versione polivagale-paracelsiana della stessa tipologia&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[I sei tipi caratteriali nella mappa polivagale]] — la versione polivagale-paracelsiana della stessa tipologia&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Touch e sistema nervoso autonomo]] — il dossier neurobiologico del tocco&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Touch e sistema nervoso autonomo]] — il dossier neurobiologico del tocco&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Iain McGilchrist e la dualità emisferica]] — il quadro filosofico-neuroscientifico della lateralizzazione&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Tria Prima]] — radice alchemica della tipologia&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Tria Prima]] — radice alchemica della tipologia&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Mercurio Filosofico]] — lo stato integrato come settima configurazione&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Mercurio Filosofico]] — lo stato integrato come settima configurazione&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l197&quot;&gt;Riga 197:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 206:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* A. R. Luria, &amp;#039;&amp;#039;Higher Cortical Functions in Man&amp;#039;&amp;#039; (1966/1980); &amp;#039;&amp;#039;The Working Brain&amp;#039;&amp;#039; (1973).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* A. R. Luria, &amp;#039;&amp;#039;Higher Cortical Functions in Man&amp;#039;&amp;#039; (1966/1980); &amp;#039;&amp;#039;The Working Brain&amp;#039;&amp;#039; (1973).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* P. Flor-Henry, «Lateralized temporal–limbic dysfunction and psychopathology», &amp;#039;&amp;#039;Annals of the New York Academy of Sciences&amp;#039;&amp;#039;, 280, 1976.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* P. Flor-Henry, «Lateralized temporal–limbic dysfunction and psychopathology», &amp;#039;&amp;#039;Annals of the New York Academy of Sciences&amp;#039;&amp;#039;, 280, 1976.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* I. McGilchrist, &#039;&#039;The Master and His Emissary: The Divided Brain and the Making of the Western World&#039;&#039;, Yale University Press, 2009.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* I. McGilchrist, &#039;&#039;The Matter With Things: Our Brains, Our Delusions, and the Unmaking of the World&#039;&#039;, 2 vol., Perspectiva Press, 2021.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Embodied cognition e neuroni specchio ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* A. Damasio, &#039;&#039;Descartes&#039; Error: Emotion, Reason, and the Human Brain&#039;&#039;, Putnam, 1994.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* A. Damasio, &#039;&#039;The Feeling of What Happens&#039;&#039;, Harcourt, 1999.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* A. Damasio, &#039;&#039;Self Comes to Mind&#039;&#039;, Pantheon, 2010.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* V. Gallese, «The &quot;shared manifold&quot; hypothesis», &#039;&#039;Journal of Consciousness Studies&#039;&#039;, 8, 2001.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* G. Rizzolatti, C. Sinigaglia, &#039;&#039;Mirrors in the Brain: How Our Minds Share Actions and Emotions&#039;&#039;, Oxford University Press, 2008.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* G. Lakoff, M. Johnson, &#039;&#039;Philosophy in the Flesh&#039;&#039;, Basic Books, 1999.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Tocco e comunicazione non verbale ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Tocco e comunicazione non verbale ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l204&quot;&gt;Riga 204:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 224:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* R. Feldman, «Parent–infant synchrony and the construction of shared timing», &amp;#039;&amp;#039;Journal of Child Psychology and Psychiatry&amp;#039;&amp;#039;, 48(3-4), 2007.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* R. Feldman, «Parent–infant synchrony and the construction of shared timing», &amp;#039;&amp;#039;Journal of Child Psychology and Psychiatry&amp;#039;&amp;#039;, 48(3-4), 2007.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* M. Mahmoud, T. Baltrušaitis, P. Robinson, L. Riek, «3D corpus of spontaneous complex mental states» (hand-over-face), ACII 2011.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* M. Mahmoud, T. Baltrušaitis, P. Robinson, L. Riek, «3D corpus of spontaneous complex mental states» (hand-over-face), ACII 2011.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* F. McGlone, J. Wessberg, H. Olausson, «Discriminative and affective touch», &#039;&#039;Neuron&#039;&#039;, 82(4), 2014.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* S. C. Walker et al., «C-tactile afferents: Cutaneous mediators of oxytocin release», &#039;&#039;Neuropeptides&#039;&#039;, 64, 2017.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Trauma somatico e completamento difensivo ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* P. A. Levine, &#039;&#039;Waking the Tiger: Healing Trauma&#039;&#039;, North Atlantic Books, 1997.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* P. A. Levine, &#039;&#039;In an Unspoken Voice&#039;&#039;, North Atlantic Books, 2010.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* B. van der Kolk, &#039;&#039;The Body Keeps the Score&#039;&#039;, Viking, 2014.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* A. N. Schore, &#039;&#039;Affect Regulation and the Origin of the Self&#039;&#039;, Erlbaum, 1994.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* A. N. Schore, &#039;&#039;Right Brain Psychotherapy&#039;&#039;, Norton, 2019.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Teoria polivagale e neurofisiologia ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Teoria polivagale e neurofisiologia ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>WikiBot</name></author>
	</entry>
	<entry>
		<id>https://wiki.marcoparet.com/index.php?title=Paret_Movement_Analysis&amp;diff=1500&amp;oldid=prev</id>
		<title>WikiBot: Pagine neurologiche: PMA, Touch ANS, Moving Enneagram + cucitura sei tipi</title>
		<link rel="alternate" type="text/html" href="https://wiki.marcoparet.com/index.php?title=Paret_Movement_Analysis&amp;diff=1500&amp;oldid=prev"/>
		<updated>2026-05-25T23:15:20Z</updated>

		<summary type="html">&lt;p&gt;Pagine neurologiche: PMA, Touch ANS, Moving Enneagram + cucitura sei tipi&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Nuova pagina&lt;/b&gt;&lt;/p&gt;&lt;div&gt;La &amp;#039;&amp;#039;&amp;#039;Paret Movement Analysis&amp;#039;&amp;#039;&amp;#039; (PMA) è il &amp;#039;&amp;#039;&amp;#039;sistema di osservazione non-verbale&amp;#039;&amp;#039;&amp;#039; sviluppato da &amp;#039;&amp;#039;&amp;#039;Marco Paret&amp;#039;&amp;#039;&amp;#039; come strumento diagnostico e operativo della Scuola del &amp;#039;&amp;#039;&amp;#039;[[Paret Method]]&amp;#039;&amp;#039;&amp;#039;. Integra in un unico quadro la lettura del gesto, della postura, dell&amp;#039;asimmetria laterale, del tocco e degli stati autonomici sottostanti, fornendo all&amp;#039;operatore — magnetizzatore, ipnotista, formatore, terapeuta — una &amp;#039;&amp;#039;&amp;#039;griglia di lettura della trance abituale&amp;#039;&amp;#039;&amp;#039; della persona e una &amp;#039;&amp;#039;&amp;#039;guida operativa&amp;#039;&amp;#039;&amp;#039; alla scelta della tecnica appropriata.&lt;br /&gt;
&lt;br /&gt;
Sul piano teorico, la PMA si situa all&amp;#039;incrocio tra la &amp;#039;&amp;#039;&amp;#039;tradizione magnetica europea&amp;#039;&amp;#039;&amp;#039; (la lettura del corpo come campo magnetico e diagnostica della fascinazione), la &amp;#039;&amp;#039;&amp;#039;[[Teoria polivagale]]&amp;#039;&amp;#039;&amp;#039; di [[Stephen Porges]] (la grammatica fisiologica degli stati autonomici), il &amp;#039;&amp;#039;&amp;#039;[[I sei tipi caratteriali nella mappa polivagale|sistema dei sei tipi caratteriali]]&amp;#039;&amp;#039;&amp;#039; della Scuola, e una vasta letteratura contemporanea sul tocco, la lateralizzazione cerebrale e la comunicazione non verbale. Sul piano operativo, è &amp;#039;&amp;#039;&amp;#039;ciò che l&amp;#039;operatore guarda&amp;#039;&amp;#039;&amp;#039; quando entra in relazione con la persona — il primo gesto della pratica magnetica, prima di qualsiasi induzione o tecnica.&lt;br /&gt;
&lt;br /&gt;
== I. Il principio: il corpo non mente ==&lt;br /&gt;
&lt;br /&gt;
Il principio fondante della PMA è espresso da Paret in una formula essenziale: &amp;#039;&amp;#039;&amp;#039;«il corpo non mente»&amp;#039;&amp;#039;&amp;#039;. Mentre la mente razionale è governata da valori introiettati, sensi di colpa, regole sociali e adattamenti che possono mascherare lo stato reale, &amp;#039;&amp;#039;&amp;#039;ogni gesto esprime una potenzialità&amp;#039;&amp;#039;&amp;#039; che l&amp;#039;operatore addestrato deve saper cogliere. La PMA è la disciplina di questa lettura: leggere &amp;#039;&amp;#039;dietro&amp;#039;&amp;#039; il discorso, attraverso il movimento, la postura, il respiro, il tono muscolare e il tocco.&lt;br /&gt;
&lt;br /&gt;
Questo principio non è esclusivo del Paret Method — risuona con la tradizione reichiana, con la teoria polivagale, con la fenomenologia somatica — ma riceve nel Paret Method una sistemazione tecnica originale che incrocia &amp;#039;&amp;#039;&amp;#039;osservazione del gesto&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;lettura della lateralizzazione&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;diagnosi tipologica&amp;#039;&amp;#039;&amp;#039; e &amp;#039;&amp;#039;&amp;#039;scelta tecnica della porta d&amp;#039;accesso ipnotica&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
== II. Le tre categorie fondamentali del gesto ==&lt;br /&gt;
&lt;br /&gt;
Paret distingue tre famiglie di gesti che corrispondono a tre modalità relazionali fondamentali e a tre sistemi rappresentazionali primari.&lt;br /&gt;
&lt;br /&gt;
=== Volitional Gesture (V) — il gesto volontario ===&lt;br /&gt;
&lt;br /&gt;
Il &amp;#039;&amp;#039;&amp;#039;gesto volontario&amp;#039;&amp;#039;&amp;#039; è un movimento intenzionale, diretto, orientato all&amp;#039;esterno. Comprende il &amp;#039;&amp;#039;&amp;#039;pointing&amp;#039;&amp;#039;&amp;#039; (puntare), l&amp;#039;&amp;#039;&amp;#039;offering&amp;#039;&amp;#039; (offrire), il &amp;#039;&amp;#039;&amp;#039;cut&amp;#039;&amp;#039;&amp;#039; (taglio della mano nello spazio), e in generale tutti i gesti che &amp;#039;&amp;#039;&amp;#039;costruiscono lo spazio relazionale&amp;#039;&amp;#039;&amp;#039; o &amp;#039;&amp;#039;&amp;#039;dirigono l&amp;#039;attenzione&amp;#039;&amp;#039;&amp;#039; verso un punto preciso. Sul piano sensoriale è associato prevalentemente alla &amp;#039;&amp;#039;&amp;#039;modalità visiva&amp;#039;&amp;#039;&amp;#039; (V). Sul piano autonomico, corrisponde alla configurazione &amp;#039;&amp;#039;&amp;#039;V+S&amp;#039;&amp;#039;&amp;#039; della mappa polivagale — mobilizzazione simpatica regolata dall&amp;#039;ingaggio ventrale — ed è caratteristico dei tipi che la Scuola classifica come &amp;#039;&amp;#039;&amp;#039;attivi-relazionali&amp;#039;&amp;#039;&amp;#039; (Challenger, Tribale, Comunicativo).&lt;br /&gt;
&lt;br /&gt;
=== Analytical Arguing Gesture (A) — il gesto analitico ===&lt;br /&gt;
&lt;br /&gt;
Il &amp;#039;&amp;#039;&amp;#039;gesto analitico&amp;#039;&amp;#039;&amp;#039; è un movimento più riflessivo, spesso accompagnato da &amp;#039;&amp;#039;&amp;#039;self-adapters&amp;#039;&amp;#039;&amp;#039; (gesti di auto-aggiustamento: toccare il proprio viso, sistemare i capelli, tamburellare le dita). Comprende l&amp;#039;&amp;#039;&amp;#039;arch gesture&amp;#039;&amp;#039; (il gesto ad arco che accompagna l&amp;#039;argomentazione), i gesti vicini al corpo, i micromovimenti circolari. Sul piano sensoriale è associato prevalentemente alla &amp;#039;&amp;#039;&amp;#039;modalità auditiva&amp;#039;&amp;#039;&amp;#039; (A) e all&amp;#039;introspezione verbale. Sul piano autonomico, corrisponde a una configurazione &amp;#039;&amp;#039;&amp;#039;ventrale-introversa&amp;#039;&amp;#039;&amp;#039; con presenza di micro-attivazione simpatica contenuta, ed è caratteristico dei tipi &amp;#039;&amp;#039;&amp;#039;Cartesiano&amp;#039;&amp;#039;&amp;#039; (5) e &amp;#039;&amp;#039;&amp;#039;Narcisistico&amp;#039;&amp;#039;&amp;#039; (1-6).&lt;br /&gt;
&lt;br /&gt;
=== Caring/Cup Gesture (C) — il gesto curante ===&lt;br /&gt;
&lt;br /&gt;
Il &amp;#039;&amp;#039;&amp;#039;gesto curante&amp;#039;&amp;#039;&amp;#039; o &amp;#039;&amp;#039;&amp;#039;Cup Gesture&amp;#039;&amp;#039;&amp;#039; è la mano che si chiude a coppa, che accoglie, che contiene. Comprende l&amp;#039;&amp;#039;&amp;#039;&amp;#039;hug&amp;#039;&amp;#039;&amp;#039;, il &amp;#039;&amp;#039;&amp;#039;hold&amp;#039;&amp;#039;&amp;#039;, il &amp;#039;&amp;#039;&amp;#039;grab&amp;#039;&amp;#039;&amp;#039; affettuoso, le mani aperte rivolte verso l&amp;#039;alto in offerta. Sul piano sensoriale è associato prevalentemente alla &amp;#039;&amp;#039;&amp;#039;modalità cinestesica&amp;#039;&amp;#039;&amp;#039; (K). Sul piano autonomico, corrisponde alla configurazione &amp;#039;&amp;#039;&amp;#039;V&amp;#039;&amp;#039;&amp;#039; pura (ingaggio ventrale ricettivo) o &amp;#039;&amp;#039;&amp;#039;V+D&amp;#039;&amp;#039;&amp;#039; (quiete intima), ed è caratteristico dei tipi &amp;#039;&amp;#039;&amp;#039;Idealista&amp;#039;&amp;#039;&amp;#039; (2), &amp;#039;&amp;#039;&amp;#039;Sensitivo&amp;#039;&amp;#039;&amp;#039; (4-9), &amp;#039;&amp;#039;&amp;#039;Relazionale&amp;#039;&amp;#039;&amp;#039; (7-2 cinestesico).&lt;br /&gt;
&lt;br /&gt;
=== L&amp;#039;enneagramma in movimento ===&lt;br /&gt;
&lt;br /&gt;
Le combinazioni di queste tre famiglie generano la &amp;#039;&amp;#039;&amp;#039;griglia delle otto case posturali&amp;#039;&amp;#039;&amp;#039; che Paret chiama &amp;#039;&amp;#039;&amp;#039;Moving Enneagram&amp;#039;&amp;#039;&amp;#039; — &amp;#039;&amp;#039;&amp;#039;VA, CV, VC, CA, AV, VC, AK, CA&amp;#039;&amp;#039;&amp;#039; — ciascuna corrispondente a un tipo dell&amp;#039;enneagramma e a una configurazione di lateralizzazione cerebrale. Questa griglia è esposta in dettaglio nella pagina &amp;#039;&amp;#039;&amp;#039;[[The Moving Enneagram of Paret]]&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
== III. L&amp;#039;encoder posturale: assi del movimento ==&lt;br /&gt;
&lt;br /&gt;
Indipendentemente dalle tre famiglie di gesto, la PMA legge il &amp;#039;&amp;#039;&amp;#039;movimento globale del corpo&amp;#039;&amp;#039;&amp;#039; lungo quattro assi cardinali, ciascuno con valore diagnostico preciso.&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Forward&amp;#039;&amp;#039;&amp;#039; (avanti) — &amp;#039;&amp;#039;&amp;#039;iperattività&amp;#039;&amp;#039;&amp;#039;, orientamento collerico, predominanza ortosimpatica, tipo &amp;#039;&amp;#039;&amp;#039;fuoco-colerico&amp;#039;&amp;#039;&amp;#039; nella nomenclatura dei temperamenti antichi. Sul piano polivagale è la configurazione &amp;#039;&amp;#039;&amp;#039;Zolfo&amp;#039;&amp;#039;&amp;#039; della pagina &amp;#039;&amp;#039;&amp;#039;[[I sei tipi caratteriali nella mappa polivagale|sei tipi caratteriali]]&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Backward&amp;#039;&amp;#039;&amp;#039; (indietro) — &amp;#039;&amp;#039;&amp;#039;paura&amp;#039;&amp;#039;&amp;#039;, ritiro, predominanza parasimpatica difensiva. Polivagalmente corrisponde a un tono dorsale crescente con vigilanza simpatica.&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Sinking&amp;#039;&amp;#039;&amp;#039; (sprofondamento) — &amp;#039;&amp;#039;&amp;#039;tristezza&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;ipoattività&amp;#039;&amp;#039;&amp;#039;, predominanza acqua-linfatica, tipo &amp;#039;&amp;#039;&amp;#039;Sale&amp;#039;&amp;#039;&amp;#039; polivagale (vago dorsale conservativo).&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Upper Movement&amp;#039;&amp;#039;&amp;#039; (movimento verso l&amp;#039;alto) — &amp;#039;&amp;#039;&amp;#039;gioia&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;attivazione&amp;#039;&amp;#039;&amp;#039;, tipo &amp;#039;&amp;#039;&amp;#039;Sanguigno&amp;#039;&amp;#039;&amp;#039; nella nomenclatura ippocratica, configurazione &amp;#039;&amp;#039;&amp;#039;V+S&amp;#039;&amp;#039;&amp;#039; polivagale.&lt;br /&gt;
&lt;br /&gt;
A questi quattro assi cardinali si aggiungono modulatori secondari: movimenti &amp;#039;&amp;#039;&amp;#039;circolari&amp;#039;&amp;#039;&amp;#039; (continuità, fluidità mercuriale), &amp;#039;&amp;#039;&amp;#039;ritmici&amp;#039;&amp;#039;&amp;#039; (regolazione vagale), &amp;#039;&amp;#039;&amp;#039;micromovimenti&amp;#039;&amp;#039;&amp;#039; (introspezione, configurazione introversa), &amp;#039;&amp;#039;&amp;#039;pointing&amp;#039;&amp;#039;&amp;#039; vs &amp;#039;&amp;#039;&amp;#039;open palms&amp;#039;&amp;#039;&amp;#039; (direttività vs ricettività).&lt;br /&gt;
&lt;br /&gt;
== IV. Hand-over-face e stati mentali cognitivi ==&lt;br /&gt;
&lt;br /&gt;
Una sezione specifica della PMA è dedicata al &amp;#039;&amp;#039;&amp;#039;hand-over-face gesture&amp;#039;&amp;#039;&amp;#039; — i gesti della mano portata al volto — che secondo la ricerca contemporanea (Mahmoud et al., 2011) costituiscono un &amp;#039;&amp;#039;&amp;#039;indicatore affidabile di stati mentali cognitivi&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
L&amp;#039;osservazione sistematica distingue:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Gesti passivi&amp;#039;&amp;#039;&amp;#039; (appoggiare la mano aperta o chiusa sul volto, sostenere il mento) — associati a stati d&amp;#039;animo rilassati, raramente presenti in stati cognitivi attivi.&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Gesti attivi sul viso&amp;#039;&amp;#039;&amp;#039; (carezzare, picchiettare, toccare regioni facciali, specialmente con l&amp;#039;indice) — associati a &amp;#039;&amp;#039;&amp;#039;stati cognitivi&amp;#039;&amp;#039;&amp;#039; precisi: &amp;#039;&amp;#039;&amp;#039;pensare&amp;#039;&amp;#039;&amp;#039; (più frequente con indice che tocca la regione perioculare o la tempia), &amp;#039;&amp;#039;&amp;#039;dubbio o incertezza&amp;#039;&amp;#039;&amp;#039; (mano che tocca il mento, le labbra, la bocca).&lt;br /&gt;
&lt;br /&gt;
La distinzione fra hand-shape (forma della mano), azione (statica vs in movimento) e regione del viso toccata è un &amp;#039;&amp;#039;&amp;#039;cue diagnostico originale&amp;#039;&amp;#039;&amp;#039; che la PMA ha integrato dalla ricerca sull&amp;#039;affective computing e sulla lettura non verbale degli stati cognitivi.&lt;br /&gt;
&lt;br /&gt;
== V. Lateralizzazione e diagnosi tipologica ==&lt;br /&gt;
&lt;br /&gt;
Un livello più profondo della PMA — quello che la rende uno strumento &amp;#039;&amp;#039;&amp;#039;diagnostico&amp;#039;&amp;#039;&amp;#039; e non solo descrittivo — è la lettura della &amp;#039;&amp;#039;&amp;#039;lateralizzazione cerebrale&amp;#039;&amp;#039;&amp;#039; attraverso tre test rapidi che ogni persona esegue spontaneamente:&lt;br /&gt;
&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Arm folding test&amp;#039;&amp;#039;&amp;#039; (test dell&amp;#039;incrocio delle braccia) — quale avambraccio sta sopra quando la persona incrocia le braccia? Indica &amp;#039;&amp;#039;&amp;#039;l&amp;#039;adattabilità&amp;#039;&amp;#039;&amp;#039; (più o meno disponibile all&amp;#039;adattamento agli altri).&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Hand clasping&amp;#039;&amp;#039;&amp;#039; (test dell&amp;#039;intreccio delle mani) — quale pollice sta sopra quando la persona intreccia le dita? Indica il &amp;#039;&amp;#039;&amp;#039;controllo cognitivo sulle emozioni&amp;#039;&amp;#039;&amp;#039; (pollice destro sopra → emisfero sinistro più attivo nell&amp;#039;inibire le emozioni, configurazione più «neurotica» secondo Bakan 1976, Galin 1974).&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Ear preference&amp;#039;&amp;#039;&amp;#039; (orecchio preferito) — quale orecchio la persona avvicina spontaneamente al telefono o per ascoltare meglio? Indica l&amp;#039;&amp;#039;&amp;#039;attenzione prevalente ai toni&amp;#039;&amp;#039; (orecchio sinistro / emisfero destro / introverso) vs &amp;#039;&amp;#039;&amp;#039;attenzione alle parole&amp;#039;&amp;#039;&amp;#039; (orecchio destro / emisfero sinistro / estroverso).&lt;br /&gt;
&lt;br /&gt;
Le combinazioni di queste tre dominanze generano le &amp;#039;&amp;#039;&amp;#039;otto sigle tipologiche&amp;#039;&amp;#039;&amp;#039; (DSS, SDS, DDS, SSS, DSD, SSD, DDD, SDD) che Paret incrocia con l&amp;#039;enneagramma, il MBTI e i temperamenti antichi nella &amp;#039;&amp;#039;&amp;#039;[[The Moving Enneagram of Paret]]&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
=== I quattro stili di adattamento ===&lt;br /&gt;
&lt;br /&gt;
Combinando &amp;#039;&amp;#039;arm folding&amp;#039;&amp;#039; e &amp;#039;&amp;#039;hand clasping&amp;#039;&amp;#039;, la PMA distingue quattro &amp;#039;&amp;#039;&amp;#039;stili di adattamento&amp;#039;&amp;#039;&amp;#039; che hanno conseguenze dirette sull&amp;#039;ipnotizzabilità e sulla scelta della porta d&amp;#039;accesso:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Individualist&amp;#039;&amp;#039;&amp;#039; (D-S) — meno fiducia, riferimento interno, ipnotizzabilità minore se non si stabilisce prima un campo di rispetto e autonomia&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Autonomous&amp;#039;&amp;#039;&amp;#039; (D-D) — autocontrollo, riferimento interno autonomo, ipnotizzabilità tramite self-induction&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Consensual&amp;#039;&amp;#039;&amp;#039; (S-D) — controllo esterno, ipnotizzabilità tramite porta paterna direttiva&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Depending&amp;#039;&amp;#039;&amp;#039; (S-S) — fiducia, riferimento esterno, ipnotizzabilità tramite porta materna ricettiva&lt;br /&gt;
&lt;br /&gt;
Questa griglia ha applicazione clinica diretta: scegliere lo stile di induzione sbagliato per il tipo di adattamento &amp;#039;&amp;#039;&amp;#039;riduce drasticamente l&amp;#039;efficacia&amp;#039;&amp;#039;&amp;#039; dell&amp;#039;ipnosi e può attivare resistenze.&lt;br /&gt;
&lt;br /&gt;
== VI. Posture, temperamenti, valenza magnetica ==&lt;br /&gt;
&lt;br /&gt;
La PMA integra ulteriori indicatori posturali documentati dalla ricerca contemporanea (Riskind &amp;amp; Gotay 1982; Briñol, Petty &amp;amp; Wagner 2009; Canales et al. 2010):&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Postura ideale o lordosico-cifotica&amp;#039;&amp;#039;&amp;#039; — associata a estroversione, predominanza simpatica regolata&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Postura sway back / flat back&amp;#039;&amp;#039;&amp;#039; — associata a introversione, configurazioni di ritiro&lt;br /&gt;
&lt;br /&gt;
A questi indicatori la Scuola aggiunge il vocabolario classico della tradizione magnetica europea:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Valenza elettrica&amp;#039;&amp;#039;&amp;#039; — predominanza colerica, gesti diretti, pointing, ritmo rapido. Corrisponde al pollice destro sopra nell&amp;#039;hand clasping (emisfero sinistro dominante).&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Valenza magnetica&amp;#039;&amp;#039;&amp;#039; — predominanza linfatica, gesti accoglienti, cup, ritmo lento. Corrisponde al pollice sinistro sopra (emisfero destro dominante).&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Valenza elettromagnetica&amp;#039;&amp;#039;&amp;#039; — equilibrio sanguigno, mobilizzazione regolata.&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Valenza diamagnetica&amp;#039;&amp;#039;&amp;#039; — melanconia, ritiro, scarsa mobilizzazione.&lt;br /&gt;
&lt;br /&gt;
Questo vocabolario non è metaforico nella tradizione magnetica: descrive &amp;#039;&amp;#039;&amp;#039;configurazioni autonomiche&amp;#039;&amp;#039;&amp;#039; che la teoria polivagale oggi ridescrive nei termini di set point ventrale, simpatico, dorsale.&lt;br /&gt;
&lt;br /&gt;
== VII. Il tocco come dato diagnostico e terapeutico ==&lt;br /&gt;
&lt;br /&gt;
Una sezione vasta della PMA è dedicata alla &amp;#039;&amp;#039;&amp;#039;lettura del tocco&amp;#039;&amp;#039;&amp;#039; — sia il tocco che l&amp;#039;operatore usa, sia il tocco che la persona si dà a sé stessa (self-touch), sia il tocco osservato nella diade familiare. Questa sezione si appoggia integralmente alla ricerca documentata nella pagina &amp;#039;&amp;#039;&amp;#039;[[Touch e sistema nervoso autonomo]]&amp;#039;&amp;#039;&amp;#039;, che espone in dettaglio gli effetti neurobiologici, lo sviluppo evolutivo e le funzioni comunicative del tocco.&lt;br /&gt;
&lt;br /&gt;
In sintesi operativa, la PMA distingue:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Tipo di tocco&amp;#039;&amp;#039;&amp;#039; — affettuoso, strumentale, stimolatorio, intrusivo, ritmico, statico&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Localizzazione del self-touch&amp;#039;&amp;#039;&amp;#039; — la zona del corpo toccata e la mano usata, con valore diagnostico (laterality of self-touch correlata a stress materno prenatale, Reissland et al. 2015)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Frequenza e durata&amp;#039;&amp;#039;&amp;#039; — indici dello stato relazionale e dell&amp;#039;attaccamento&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Reciprocità&amp;#039;&amp;#039;&amp;#039; — il pattern di touch–response che rivela la qualità della relazione&lt;br /&gt;
&lt;br /&gt;
Il decodificatore Hertenstein delle &amp;#039;&amp;#039;&amp;#039;otto emozioni distinte comunicabili attraverso il tocco&amp;#039;&amp;#039;&amp;#039; (anger, fear, happiness, sadness, disgust, love, gratitude, sympathy) è integrato nella PMA come griglia operativa: ciascuna emozione ha la sua &amp;#039;&amp;#039;&amp;#039;zona del corpo&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;intensità&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;pattern di movimento&amp;#039;&amp;#039;&amp;#039; e &amp;#039;&amp;#039;&amp;#039;durata&amp;#039;&amp;#039;&amp;#039; specifici.&lt;br /&gt;
&lt;br /&gt;
== VIII. Eye movements, gaze, blinking ==&lt;br /&gt;
&lt;br /&gt;
Il quadro PMA si completa con l&amp;#039;osservazione dei &amp;#039;&amp;#039;&amp;#039;movimenti oculari&amp;#039;&amp;#039;&amp;#039; e dello &amp;#039;&amp;#039;&amp;#039;sguardo&amp;#039;&amp;#039;&amp;#039;:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Eye movements pattern&amp;#039;&amp;#039;&amp;#039; — frequenza di movimenti verso sinistra (associata a maggiore ipnotizzabilità, in soggetti non nevrotici; Bakan 1976)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Gaze avoiding&amp;#039;&amp;#039;&amp;#039; vs &amp;#039;&amp;#039;&amp;#039;gaze searching&amp;#039;&amp;#039;&amp;#039; — pattern associati a configurazioni introverse-nevrotiche vs ricettive&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Attrazione visiva preferenziale&amp;#039;&amp;#039;&amp;#039; — verso volti positivi (configurazioni sanguigne-stabili) vs verso volti negativi (configurazioni neurotiche, depressive, fobiche)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Blinking rate&amp;#039;&amp;#039;&amp;#039; — basso in alta concentrazione e in stati ipnotici emergenti, alto in stati di vigilanza ansiosa&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Foveal vs peripheral gaze&amp;#039;&amp;#039;&amp;#039; — sguardo focale ristretto (configurazioni di compito attentivo) vs sguardo morbido periferico (configurazioni di trance e presenza)&lt;br /&gt;
&lt;br /&gt;
Lo sguardo morbido periferico è uno dei principali indicatori dello stato di &amp;#039;&amp;#039;&amp;#039;[[Presenza Integrale|Presenza Integrale™]]&amp;#039;&amp;#039;&amp;#039; e della disponibilità a entrare in &amp;#039;&amp;#039;&amp;#039;fascinazione magnetica&amp;#039;&amp;#039;&amp;#039; nella tradizione di [[Donato — Il Padre della Fascinazione|Donato]], [[Maestro Dante Caravelli|Caravelli]] e [[Prof. Erminio Di Pisa — Ipnosi con lo Sguardo|Di Pisa]].&lt;br /&gt;
&lt;br /&gt;
== IX. La PMA come griglia per la scelta tecnica ==&lt;br /&gt;
&lt;br /&gt;
Il valore operativo della PMA non è nella classificazione fine a sé stessa, ma nella &amp;#039;&amp;#039;&amp;#039;guida alla scelta tecnica&amp;#039;&amp;#039;&amp;#039;. Una volta riconosciuto il tipo prevalente — attraverso i tre test di lateralizzazione, l&amp;#039;osservazione del gesto dominante (V, A, C), dell&amp;#039;asse posturale, del tocco e dello sguardo — l&amp;#039;operatore può scegliere:&lt;br /&gt;
&lt;br /&gt;
* la &amp;#039;&amp;#039;&amp;#039;porta d&amp;#039;accesso ipnotica&amp;#039;&amp;#039;&amp;#039; appropriata (materna, paterna, mentale), come descritto nella pagina &amp;#039;&amp;#039;&amp;#039;[[Ipnosi, Teoria Polivagale e Liberazione Somatica]]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* il &amp;#039;&amp;#039;&amp;#039;tipo di induzione&amp;#039;&amp;#039;&amp;#039; (verbale, non verbale, magnetica, fascinatoria, posturale)&lt;br /&gt;
* il &amp;#039;&amp;#039;&amp;#039;canale comunicativo&amp;#039;&amp;#039;&amp;#039; privilegiato (KV, KA, VA, AV, AK secondo la nomenclatura del Moving Enneagram)&lt;br /&gt;
* le &amp;#039;&amp;#039;&amp;#039;tecniche specifiche&amp;#039;&amp;#039;&amp;#039; del Paret Method più adatte al tipo: &amp;#039;&amp;#039;&amp;#039;[[Crisi Mesmerica]]&amp;#039;&amp;#039;&amp;#039; per i tipi con scarica autonomica bloccata, &amp;#039;&amp;#039;&amp;#039;[[Caduceo ermetico]]&amp;#039;&amp;#039;&amp;#039; per i tipi che hanno bisogno di immobilizzazione tonica posturale, &amp;#039;&amp;#039;&amp;#039;[[Allineamento Magnetico (mano nuca-sacro)|Allineamento Magnetico]]&amp;#039;&amp;#039;&amp;#039; per i tipi con disregolazione dell&amp;#039;asse nuca-sacro, &amp;#039;&amp;#039;&amp;#039;[[Tummo]]&amp;#039;&amp;#039;&amp;#039; per i tipi capaci di mobilizzazione contenuta autoregolata&lt;br /&gt;
&lt;br /&gt;
La PMA è in questo senso il &amp;#039;&amp;#039;&amp;#039;ponte operativo&amp;#039;&amp;#039;&amp;#039; fra l&amp;#039;osservazione iniziale del soggetto e la scelta della tecnica appropriata. Non è una teoria astratta — è &amp;#039;&amp;#039;&amp;#039;lo strumento che l&amp;#039;operatore della Scuola usa nei primi venti secondi di incontro&amp;#039;&amp;#039;&amp;#039; per orientare tutto ciò che segue.&lt;br /&gt;
&lt;br /&gt;
== X. Profilazione e compatibilità ==&lt;br /&gt;
&lt;br /&gt;
Un ultimo elemento operativo della PMA è la &amp;#039;&amp;#039;&amp;#039;profilazione di compatibilità&amp;#039;&amp;#039;&amp;#039; fra due persone (per esempio in coppia, in coaching aziendale, in dinamiche di gruppo). La procedura è:&lt;br /&gt;
&lt;br /&gt;
# Osservare i &amp;#039;&amp;#039;&amp;#039;tre incroci di base&amp;#039;&amp;#039;&amp;#039; (arm folding, hand clasping, ear preference) — determinare la sigla a tre lettere&lt;br /&gt;
# Osservare la &amp;#039;&amp;#039;&amp;#039;figura delle mani giunte&amp;#039;&amp;#039;&amp;#039; (palmi paralleli vs sovrapposti, intreccio cooperativo vs competitivo)&lt;br /&gt;
# Determinare la &amp;#039;&amp;#039;&amp;#039;posizione posturale dominante&amp;#039;&amp;#039;&amp;#039; (sinking-paura, up-collerico, ecc.)&lt;br /&gt;
# Osservare i &amp;#039;&amp;#039;&amp;#039;movimenti delle mani&amp;#039;&amp;#039;&amp;#039; nello scambio&lt;br /&gt;
# Valutare la &amp;#039;&amp;#039;&amp;#039;posizione nel tempo&amp;#039;&amp;#039;&amp;#039; (orientamento al passato, presente, futuro nei gesti)&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Adottare la figura di compatibilità&amp;#039;&amp;#039;&amp;#039; — l&amp;#039;operatore può consciamente assumere la postura speculare o complementare per facilitare l&amp;#039;ingaggio&lt;br /&gt;
&lt;br /&gt;
Questa profilazione di compatibilità è una delle applicazioni più caratteristiche della PMA nei contesti di &amp;#039;&amp;#039;&amp;#039;formazione e coaching&amp;#039;&amp;#039;&amp;#039; della Scuola, e si applica &amp;#039;&amp;#039;&amp;#039;sia nel rapporto operatore-soggetto in ipnosi, sia nelle dinamiche relazionali&amp;#039;&amp;#039;&amp;#039; generali.&lt;br /&gt;
&lt;br /&gt;
== XI. La PMA nel quadro della tradizione magnetica e della scienza contemporanea ==&lt;br /&gt;
&lt;br /&gt;
La Paret Movement Analysis è il &amp;#039;&amp;#039;&amp;#039;rifrasamento contemporaneo&amp;#039;&amp;#039;&amp;#039; di una disciplina antica. La tradizione magnetica europea — da [[Franz Anton Mesmer|Mesmer]] attraverso [[Marquis de Puységur|Puységur]], [[Charles Lafontaine|Lafontaine]], [[Donato — Il Padre della Fascinazione|Donato]], [[Maestro Dante Caravelli|Caravelli]], [[Prof. Erminio Di Pisa — Ipnosi con lo Sguardo|Di Pisa]] — ha sempre praticato una lettura del corpo che oggi la PMA codifica esplicitamente. La novità di Paret è &amp;#039;&amp;#039;&amp;#039;l&amp;#039;integrazione sistematica&amp;#039;&amp;#039;&amp;#039; di questa lettura con:&lt;br /&gt;
&lt;br /&gt;
* la &amp;#039;&amp;#039;&amp;#039;[[Teoria polivagale]]&amp;#039;&amp;#039;&amp;#039; di Porges (1994 e successivi) come grammatica fisiologica&lt;br /&gt;
* la &amp;#039;&amp;#039;&amp;#039;ricerca contemporanea sul tocco&amp;#039;&amp;#039;&amp;#039; (Field, Feldman, Hertenstein, Meaney) come fondamento neurobiologico&lt;br /&gt;
* la &amp;#039;&amp;#039;&amp;#039;lateralizzazione cerebrale&amp;#039;&amp;#039;&amp;#039; (Bakan, Galin, Luria) come griglia diagnostica&lt;br /&gt;
* il &amp;#039;&amp;#039;&amp;#039;Myers-Briggs Type Indicator&amp;#039;&amp;#039;&amp;#039; e l&amp;#039;&amp;#039;&amp;#039;&amp;#039;enneagramma&amp;#039;&amp;#039;&amp;#039; come tipologie convergenti&lt;br /&gt;
* la &amp;#039;&amp;#039;&amp;#039;Tria Prima alchemica&amp;#039;&amp;#039;&amp;#039; ([[Paracelso]], [[Oswald Wirth]]) come radice storica trans-tradizionale&lt;br /&gt;
&lt;br /&gt;
Questa integrazione è una delle &amp;#039;&amp;#039;&amp;#039;firme epistemologiche&amp;#039;&amp;#039;&amp;#039; del Paret Method: non riduzione di un livello a un altro, ma &amp;#039;&amp;#039;&amp;#039;riconoscimento della convergenza&amp;#039;&amp;#039;&amp;#039; fra vocabolari indipendenti che descrivono fenomeni reali del comportamento umano. La pagina &amp;#039;&amp;#039;&amp;#039;[[The Moving Enneagram of Paret]]&amp;#039;&amp;#039;&amp;#039; espone la sintesi tipologica completa che ne risulta, e la pagina &amp;#039;&amp;#039;&amp;#039;[[I sei tipi caratteriali nella mappa polivagale]]&amp;#039;&amp;#039;&amp;#039; la stessa tipologia letta nel vocabolario polivagale-paracelsiano.&lt;br /&gt;
&lt;br /&gt;
== Vedi anche ==&lt;br /&gt;
&lt;br /&gt;
=== Sistema PMA e tipologie ===&lt;br /&gt;
&lt;br /&gt;
* [[The Moving Enneagram of Paret]] — la griglia ottuplice tipologica&lt;br /&gt;
* [[I sei tipi caratteriali nella mappa polivagale]] — la versione polivagale-paracelsiana della stessa tipologia&lt;br /&gt;
* [[Touch e sistema nervoso autonomo]] — il dossier neurobiologico del tocco&lt;br /&gt;
* [[Tria Prima]] — radice alchemica della tipologia&lt;br /&gt;
* [[Mercurio Filosofico]] — lo stato integrato come settima configurazione&lt;br /&gt;
&lt;br /&gt;
=== Parte neurologica ===&lt;br /&gt;
&lt;br /&gt;
* [[Paret Method]]&lt;br /&gt;
* [[Ipnosi, Teoria Polivagale e Liberazione Somatica]]&lt;br /&gt;
* [[Teoria polivagale]]&lt;br /&gt;
* [[Stephen Porges]]&lt;br /&gt;
* [[Stato integrato]]&lt;br /&gt;
* [[Presenza Integrale|Presenza Integrale™]]&lt;br /&gt;
* [[Default Mode Network]]&lt;br /&gt;
* [[Movimento autonomo della crisi]]&lt;br /&gt;
&lt;br /&gt;
=== Parte magnetica ===&lt;br /&gt;
&lt;br /&gt;
* [[Crisi Mesmerica]]&lt;br /&gt;
* [[Caduceo ermetico]]&lt;br /&gt;
* [[Allineamento Magnetico (mano nuca-sacro)]]&lt;br /&gt;
* [[Tummo]]&lt;br /&gt;
* [[Franz Anton Mesmer]]&lt;br /&gt;
* [[Donato — Il Padre della Fascinazione]]&lt;br /&gt;
* [[Maestro Dante Caravelli]]&lt;br /&gt;
* [[Prof. Erminio Di Pisa — Ipnosi con lo Sguardo]]&lt;br /&gt;
* [[Alchimia e Magnetismo]] — pagina-asse del cluster&lt;br /&gt;
&lt;br /&gt;
== Fonti ==&lt;br /&gt;
&lt;br /&gt;
=== Pubblicazioni della Scuola ===&lt;br /&gt;
&lt;br /&gt;
* Marco Paret, &amp;#039;&amp;#039;Paret Movement Analysis&amp;#039;&amp;#039; (presentazione didattica, materiali ISI-CNV).&lt;br /&gt;
* Marco Paret, &amp;#039;&amp;#039;Hypnosis, Polyvagal Theory, and Somatic Liberation&amp;#039;&amp;#039; (capitolo Springer, in preparazione).&lt;br /&gt;
* Marco Paret, &amp;#039;&amp;#039;Le Flux Magnétique et les Savoirs Anciens&amp;#039;&amp;#039; (2017).&lt;br /&gt;
&lt;br /&gt;
=== Lateralizzazione cerebrale ===&lt;br /&gt;
&lt;br /&gt;
* P. Bakan, «The eyes have it», &amp;#039;&amp;#039;Psychology Today&amp;#039;&amp;#039;, 4(11), 1971.&lt;br /&gt;
* P. Bakan, «The Right Brain Is the Dreamer», &amp;#039;&amp;#039;Psychology Today&amp;#039;&amp;#039;, 1976.&lt;br /&gt;
* D. Galin, «Implications for psychiatry of left and right cerebral specialization», &amp;#039;&amp;#039;Archives of General Psychiatry&amp;#039;&amp;#039;, 31, 1974.&lt;br /&gt;
* A. R. Luria, &amp;#039;&amp;#039;Higher Cortical Functions in Man&amp;#039;&amp;#039; (1966/1980); &amp;#039;&amp;#039;The Working Brain&amp;#039;&amp;#039; (1973).&lt;br /&gt;
* P. Flor-Henry, «Lateralized temporal–limbic dysfunction and psychopathology», &amp;#039;&amp;#039;Annals of the New York Academy of Sciences&amp;#039;&amp;#039;, 280, 1976.&lt;br /&gt;
&lt;br /&gt;
=== Tocco e comunicazione non verbale ===&lt;br /&gt;
&lt;br /&gt;
* M. J. Hertenstein, D. Keltner, B. App, B. A. Bulleit, A. R. Jaskolka, «Touch communicates distinct emotions», &amp;#039;&amp;#039;Emotion&amp;#039;&amp;#039;, 6(3), 2006.&lt;br /&gt;
* T. Field, &amp;#039;&amp;#039;Touch&amp;#039;&amp;#039;, MIT Press, 2014.&lt;br /&gt;
* R. Feldman, «Parent–infant synchrony and the construction of shared timing», &amp;#039;&amp;#039;Journal of Child Psychology and Psychiatry&amp;#039;&amp;#039;, 48(3-4), 2007.&lt;br /&gt;
* M. Mahmoud, T. Baltrušaitis, P. Robinson, L. Riek, «3D corpus of spontaneous complex mental states» (hand-over-face), ACII 2011.&lt;br /&gt;
&lt;br /&gt;
=== Teoria polivagale e neurofisiologia ===&lt;br /&gt;
&lt;br /&gt;
* S. W. Porges, &amp;#039;&amp;#039;The Polyvagal Theory&amp;#039;&amp;#039;, Norton, 2011.&lt;br /&gt;
* M. A. Zmijewski, A. T. Slominski, «Neuroendocrinology of the skin», &amp;#039;&amp;#039;Endocrine Reviews&amp;#039;&amp;#039;, 2011.&lt;br /&gt;
&lt;br /&gt;
=== Tipologie ===&lt;br /&gt;
&lt;br /&gt;
* I. Briggs Myers, &amp;#039;&amp;#039;Gifts Differing: Understanding Personality Type&amp;#039;&amp;#039;, Davies-Black, 1980.&lt;br /&gt;
* C. G. Jung, &amp;#039;&amp;#039;Psychologische Typen&amp;#039;&amp;#039;, 1921.&lt;br /&gt;
* Oswald Wirth, &amp;#039;&amp;#039;Le Symbolisme hermétique&amp;#039;&amp;#039;, Dervy, 1909.&lt;br /&gt;
* Paracelso, &amp;#039;&amp;#039;Opus Paramirum&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
[[Categoria:Paret Method]]&lt;br /&gt;
[[Categoria:Comunicazione non verbale]]&lt;br /&gt;
[[Categoria:Tipologie]]&lt;br /&gt;
[[Categoria:Diagnostica non verbale]]&lt;/div&gt;</summary>
		<author><name>WikiBot</name></author>
	</entry>
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