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	<id>https://wiki.marcoparet.com/index.php?action=history&amp;feed=atom&amp;title=Mental_Fascination_di_Atkinson_%281907%29</id>
	<title>Mental Fascination di Atkinson (1907) - Cronologia</title>
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	<updated>2026-06-16T05:39:43Z</updated>
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		<id>https://wiki.marcoparet.com/index.php?title=Mental_Fascination_di_Atkinson_(1907)&amp;diff=2354&amp;oldid=prev</id>
		<title>Maintenance script: Categoria Fascinazione e Magnetismo (navigabilita)</title>
		<link rel="alternate" type="text/html" href="https://wiki.marcoparet.com/index.php?title=Mental_Fascination_di_Atkinson_(1907)&amp;diff=2354&amp;oldid=prev"/>
		<updated>2026-05-31T08:55:18Z</updated>

		<summary type="html">&lt;p&gt;Categoria Fascinazione e Magnetismo (navigabilita)&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 08:55, 31 mag 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l184&quot;&gt;Riga 184:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 184:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Categoria:Fascinazione]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Categoria:Fascinazione]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Categoria:Fonti primarie]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Categoria:Fonti primarie]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Categoria:Fascinazione e Magnetismo]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Maintenance script</name></author>
	</entry>
	<entry>
		<id>https://wiki.marcoparet.com/index.php?title=Mental_Fascination_di_Atkinson_(1907)&amp;diff=2234&amp;oldid=prev</id>
		<title>WikiBot: Banner Fonte Atkinson</title>
		<link rel="alternate" type="text/html" href="https://wiki.marcoparet.com/index.php?title=Mental_Fascination_di_Atkinson_(1907)&amp;diff=2234&amp;oldid=prev"/>
		<updated>2026-05-30T23:47:44Z</updated>

		<summary type="html">&lt;p&gt;Banner Fonte Atkinson&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 23:47, 30 mag 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Riga 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Fonte Atkinson}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:&amp;#039;&amp;#039;Nota documentazione&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:&amp;#039;&amp;#039;Nota documentazione&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;: * &amp;#039;&amp;#039;&amp;#039;Fonte primaria:&amp;#039;&amp;#039;&amp;#039; William Walker Atkinson, &amp;#039;&amp;#039;Mental Fascination&amp;#039;&amp;#039;, Yogi Publication Society, Chicago, 1907 (21 capitoli, ~250 pp. originali). Edizione italiana storica &amp;#039;&amp;#039;La Fascinazione Mentale&amp;#039;&amp;#039;, Ed. Bocca, Torino (primo Novecento).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;: * &amp;#039;&amp;#039;&amp;#039;Fonte primaria:&amp;#039;&amp;#039;&amp;#039; William Walker Atkinson, &amp;#039;&amp;#039;Mental Fascination&amp;#039;&amp;#039;, Yogi Publication Society, Chicago, 1907 (21 capitoli, ~250 pp. originali). Edizione italiana storica &amp;#039;&amp;#039;La Fascinazione Mentale&amp;#039;&amp;#039;, Ed. Bocca, Torino (primo Novecento).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>WikiBot</name></author>
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	<entry>
		<id>https://wiki.marcoparet.com/index.php?title=Mental_Fascination_di_Atkinson_(1907)&amp;diff=1101&amp;oldid=prev</id>
		<title>WikiBot: Aggiunta sezione Posizione rispetto al criterio del Risveglio (Giudicelli) - criterio Scuola Paret: solo le vie che arrivano al Risveglio hanno senso ultimo</title>
		<link rel="alternate" type="text/html" href="https://wiki.marcoparet.com/index.php?title=Mental_Fascination_di_Atkinson_(1907)&amp;diff=1101&amp;oldid=prev"/>
		<updated>2026-05-22T21:38:28Z</updated>

		<summary type="html">&lt;p&gt;Aggiunta sezione Posizione rispetto al criterio del Risveglio (Giudicelli) - criterio Scuola Paret: solo le vie che arrivano al Risveglio hanno senso ultimo&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 21:38, 22 mag 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l121&quot;&gt;Riga 121:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 121:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Si situa quindi in &amp;#039;&amp;#039;&amp;#039;posizione di cerniera&amp;#039;&amp;#039;&amp;#039; fra Ottocento magnetico europeo e Novecento ipnotico-psicologico americano. È &amp;#039;&amp;#039;&amp;#039;l&amp;#039;unico autore moderno in lingua inglese&amp;#039;&amp;#039;&amp;#039; di periodo precedente Erickson che tratta esplicitamente di &amp;#039;&amp;#039;&amp;#039;fascinazione&amp;#039;&amp;#039;&amp;#039; come categoria operativa indipendente.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Si situa quindi in &amp;#039;&amp;#039;&amp;#039;posizione di cerniera&amp;#039;&amp;#039;&amp;#039; fra Ottocento magnetico europeo e Novecento ipnotico-psicologico americano. È &amp;#039;&amp;#039;&amp;#039;l&amp;#039;unico autore moderno in lingua inglese&amp;#039;&amp;#039;&amp;#039; di periodo precedente Erickson che tratta esplicitamente di &amp;#039;&amp;#039;&amp;#039;fascinazione&amp;#039;&amp;#039;&amp;#039; come categoria operativa indipendente.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== Posizione rispetto al criterio del Risveglio (Giudicelli) ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Il criterio decisivo del [[Paret Method]] è &#039;&#039;&#039;lo stato di Risveglio&#039;&#039;&#039; documentato in [[La Doctrine du Corps Immortel|Giudicelli]] e in [[Il Risveglio]]. &#039;&#039;Mental Fascination&#039;&#039; va misurato su questo criterio.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Il libro è &#039;&#039;&#039;eccellente come manuale tecnico&#039;&#039;&#039; di sviluppo dello sguardo, della concentrazione, dell&#039;induzione mentale non verbale. È &#039;&#039;&#039;una propedeutica robusta&#039;&#039;&#039; al lavoro magnetico — i suoi esercizi sono integrabili pienamente nella didattica della Scuola. Atkinson stesso, nel cap. XII, &#039;&#039;&#039;ha la lucidità di denunciare&#039;&#039;&#039; le scuole (yogi indiani superficiali, fakir, derviscī, e — esplicitamente — &#039;&#039;&#039;le pratiche New Thought&#039;&#039;&#039;) che «spacciano la trance per il Risveglio».&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Ma&#039;&#039;&#039; il libro &#039;&#039;&#039;non descrive il Risveglio reale&#039;&#039;&#039;. Si ferma:&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* All&#039;influenza mentale (capp. I-XI, XV-XX)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* All&#039;auto-protezione (cap. XII)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* All&#039;allenamento dello sguardo come tecnica (capp. XVIII-XIX)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* All&#039;etica operativa essenziale (cap. XII, XXI)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Manca&#039;&#039;&#039; la cornice iniziatica autentica, la via umida corporea (kundalini, chakra, fluido, sostanze), il riferimento esplicito al Corpo Immortale. L&#039;allievo Paret usa Atkinson &#039;&#039;&#039;come manuale tecnico di base&#039;&#039;&#039; (esercizi sullo sguardo, denials di auto-protezione, riconoscimento dei pericoli), &#039;&#039;&#039;ma il riferimento finale&#039;&#039;&#039; è la sintesi documentata in &#039;&#039;[[L&#039;Energia Segreta della Mente]]&#039;&#039; di Marco Paret e nella postfazione che Giudicelli ha apposto al libro nel 2009 — dove la «via del Risveglio» viene esplicitamente evocata e indicata come fine ultimo del lavoro.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Stato della documentazione ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Stato della documentazione ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<title>WikiBot: Nuova pagina libro Mental Fascination Atkinson 1907 - 21 capitoli con cap XIX cardine sullo sguardo</title>
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		<summary type="html">&lt;p&gt;Nuova pagina libro Mental Fascination Atkinson 1907 - 21 capitoli con cap XIX cardine sullo sguardo&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Nuova pagina&lt;/b&gt;&lt;/p&gt;&lt;div&gt;:&amp;#039;&amp;#039;Nota documentazione&amp;#039;&amp;#039;&lt;br /&gt;
: * &amp;#039;&amp;#039;&amp;#039;Fonte primaria:&amp;#039;&amp;#039;&amp;#039; William Walker Atkinson, &amp;#039;&amp;#039;Mental Fascination&amp;#039;&amp;#039;, Yogi Publication Society, Chicago, 1907 (21 capitoli, ~250 pp. originali). Edizione italiana storica &amp;#039;&amp;#039;La Fascinazione Mentale&amp;#039;&amp;#039;, Ed. Bocca, Torino (primo Novecento).&lt;br /&gt;
: * &amp;#039;&amp;#039;&amp;#039;Edizione consultata:&amp;#039;&amp;#039;&amp;#039; testo integrale ripubblicato in Marco Paret (a cura di), &amp;#039;&amp;#039;[[Hypnotic Techniques of Fascination (Paret, Atkinson, Story 2011)]]&amp;#039;&amp;#039;, NLP International Ltd, 2011 (ISBN13 9780935410273), sezione centrale del volume.&lt;br /&gt;
: * &amp;#039;&amp;#039;&amp;#039;Fonti Drive:&amp;#039;&amp;#039;&amp;#039; [https://drive.google.com/drive/folders/0B6qzOAxaUuT_VWgzSHpRR212WUE cartella Hypnotic Techniques of Fascination]&lt;br /&gt;
: * &amp;#039;&amp;#039;&amp;#039;Stato:&amp;#039;&amp;#039;&amp;#039; DOCUMENTATO (lettura integrale del testo su VM ISI-CNV, 21 capitoli verificati riga per riga)&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Mental Fascination&amp;#039;&amp;#039; (1907) di &amp;#039;&amp;#039;&amp;#039;[[William Walker Atkinson]]&amp;#039;&amp;#039;&amp;#039; è il testo madre della fascinazione mentale moderna in lingua inglese. Espone, in 21 capitoli articolati, una teoria operativa della fascinazione come &amp;#039;&amp;#039;&amp;#039;induzione mentale vibratoria&amp;#039;&amp;#039;&amp;#039;, dell&amp;#039;animale (serpenti, leoni) all&amp;#039;umano (guru orientali, capi militari, oratori politici), dell&amp;#039;esperimento di laboratorio al protocollo terapeutico, dall&amp;#039;occhio come strumento principale alle istruzioni etiche di auto-protezione.&lt;br /&gt;
&lt;br /&gt;
Per il [[Paret Method]] è &amp;#039;&amp;#039;&amp;#039;una delle tre fonti dichiarate&amp;#039;&amp;#039;&amp;#039; del [[The Magnetic Gaze (Paret 2011)|&amp;#039;&amp;#039;The Magnetic Gaze&amp;#039;&amp;#039;]] di Marco Paret (2011, citato in nota 4 p. 5) e — insieme a &amp;#039;&amp;#039;Trances People Live&amp;#039;&amp;#039; di [[Stephen Wolinsky — Trance Interpersonale e Trance per Osservazione|Wolinsky]] (1991) — costituisce il &amp;#039;&amp;#039;&amp;#039;ponte americano&amp;#039;&amp;#039;&amp;#039; della tradizione magnetica europea ottocentesca verso la pratica contemporanea.&lt;br /&gt;
&lt;br /&gt;
== Tesi centrale ==&lt;br /&gt;
&lt;br /&gt;
Atkinson formula la fascinazione mentale come &amp;#039;&amp;#039;&amp;#039;terza categoria autonoma&amp;#039;&amp;#039;&amp;#039; rispetto a:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;L&amp;#039;ipnosi verbale&amp;#039;&amp;#039;&amp;#039; di matrice Charcot/Bernheim (induzioni con parole)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;L&amp;#039;occultismo magico-occulto&amp;#039;&amp;#039;&amp;#039; (poteri sovrannaturali del singolo)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Il magnetismo animale mesmeriano&amp;#039;&amp;#039;&amp;#039; (fluido fisico)&lt;br /&gt;
&lt;br /&gt;
La Mental Fascination è &amp;#039;&amp;#039;&amp;#039;induzione mentale diretta&amp;#039;&amp;#039;&amp;#039; — un&amp;#039;azione della mente del fascinatore sulla mente del soggetto, che opera per &amp;#039;&amp;#039;&amp;#039;vibrazione&amp;#039;&amp;#039;&amp;#039; (linguaggio New Thought) o &amp;#039;&amp;#039;&amp;#039;induzione fluidica raffinata&amp;#039;&amp;#039;&amp;#039; (linguaggio magnetico tradizionale), &amp;#039;&amp;#039;&amp;#039;senza&amp;#039;&amp;#039;&amp;#039; necessità né di parole né di contatto fisico né di concentrazione mistica.&lt;br /&gt;
&lt;br /&gt;
Citazione cardine dal cap. I (verificata p. 15 ediz. 2011):&lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;«By the term &amp;quot;Mental Fascination&amp;quot; I mean the exercise of personal influence over another person, by the manifestation of mental will-power, mental concentration, mental imagination, or other forms of mental power, manifesting psychically rather than by means of words, suggestions, or other physical phenomena»&amp;#039;&amp;#039;&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Struttura: i 21 capitoli ==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
! Cap. !! Titolo (inglese) !! Tema&lt;br /&gt;
|-&lt;br /&gt;
| I || &amp;#039;&amp;#039;What is &amp;quot;Mental Fascination?&amp;quot;&amp;#039;&amp;#039; || Definizione e ambito teorico&lt;br /&gt;
|-&lt;br /&gt;
| II || &amp;#039;&amp;#039;Mental Fascination among the Animals&amp;#039;&amp;#039; || Il fenomeno trans-specie: serpenti, gufi, ragni&lt;br /&gt;
|-&lt;br /&gt;
| III || &amp;#039;&amp;#039;The Story of Mental Fascination&amp;#039;&amp;#039; || Storia dall&amp;#039;Egitto antico al presente&lt;br /&gt;
|-&lt;br /&gt;
| IV || &amp;#039;&amp;#039;The Reconciliation&amp;#039;&amp;#039; || Sintesi fra Mesmer, suggestionisti e occultismo&lt;br /&gt;
|-&lt;br /&gt;
| V || &amp;#039;&amp;#039;The Rationale of Fascination&amp;#039;&amp;#039; || Meccanismo&lt;br /&gt;
|-&lt;br /&gt;
| VI || &amp;#039;&amp;#039;Impressionability&amp;#039;&amp;#039; || Il soggetto fascinabile&lt;br /&gt;
|-&lt;br /&gt;
| VII || &amp;#039;&amp;#039;The Fable of the Mentative Couple&amp;#039;&amp;#039; || Allegoria didattica&lt;br /&gt;
|-&lt;br /&gt;
| VIII || &amp;#039;&amp;#039;Experimental Fascination&amp;#039;&amp;#039; || Protocollo sperimentale&lt;br /&gt;
|-&lt;br /&gt;
| IX || (Phenomena of Mental Fascination) || Fenomeni indotti&lt;br /&gt;
|-&lt;br /&gt;
| X || &amp;#039;&amp;#039;The Phenomena of Induced Imagination&amp;#039;&amp;#039; || Allucinazione, suggestione, ricordo&lt;br /&gt;
|-&lt;br /&gt;
| XI || &amp;#039;&amp;#039;An Inquiry into Certain Phenomena&amp;#039;&amp;#039; || Fenomeni superiori (telepatia, visione a distanza)&lt;br /&gt;
|-&lt;br /&gt;
| XII || &amp;#039;&amp;#039;The Dangers of Psychism&amp;#039;&amp;#039; || Etica e auto-protezione&lt;br /&gt;
|-&lt;br /&gt;
| XIII || &amp;#039;&amp;#039;Oriental Fascination&amp;#039;&amp;#039; || Versione indo-egiziana, guru, fakir&lt;br /&gt;
|-&lt;br /&gt;
| XIV || &amp;#039;&amp;#039;Future-Impression&amp;#039;&amp;#039; || Proiezione mentale a distanza&lt;br /&gt;
|-&lt;br /&gt;
| XV || &amp;#039;&amp;#039;Establishing a Mentative Centre&amp;#039;&amp;#039; || Costruzione del centro mentale dell&amp;#039;operatore&lt;br /&gt;
|-&lt;br /&gt;
| XVI || &amp;#039;&amp;#039;Personal Atmosphere&amp;#039;&amp;#039; || Campo personale del fascinatore&lt;br /&gt;
|-&lt;br /&gt;
| XVII || &amp;#039;&amp;#039;Direct Personal Influence&amp;#039;&amp;#039; || Applicazione diretta&lt;br /&gt;
|-&lt;br /&gt;
| XVIII || &amp;#039;&amp;#039;Eye-Expression&amp;#039;&amp;#039; || Espressione dell&amp;#039;occhio (introduzione al XIX)&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;XIX&amp;#039;&amp;#039;&amp;#039; || &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;The Fascination of the Eye&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; || &amp;#039;&amp;#039;&amp;#039;Capitolo cardine sullo sguardo&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| XX || &amp;#039;&amp;#039;The Use of the Mentative Instruments&amp;#039;&amp;#039; || Strumenti pratici&lt;br /&gt;
|-&lt;br /&gt;
| XXI || &amp;#039;&amp;#039;Concluding Instruction&amp;#039;&amp;#039; || Istruzione finale, raccomandazioni&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Capitolo II: la fascinazione fra gli animali ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[VERIFICATO l. 462-700]&amp;#039;&amp;#039;&amp;#039; Atkinson dedica un intero capitolo al fenomeno trans-specie, esattamente come [[Donato — La Fascinazione degli Animali e il Meccanismo Trans-Specie|Donato]] in Europa. Riporta:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Serpenti che fascinano uccelli&amp;#039;&amp;#039;&amp;#039; — cita testimonianze di naturalisti africani (Bucephalus Capensis, &amp;#039;&amp;#039;Africa del Sud&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Leoni&amp;#039;&amp;#039;&amp;#039; — l&amp;#039;episodio diretto del Dr. Livingstone in Africa: «&amp;#039;&amp;#039;[il leone] mi scosse come un fox terrier scuote un topo. Lo shock produsse uno stupore simile a quello che pare provato dal topo dopo la prima scossa del gatto. Causò una sorta di stato sognante, in cui non c&amp;#039;era né senso di dolore né sensazione di terrore, sebbene fossi pienamente cosciente di tutto ciò che accadeva&amp;#039;&amp;#039;»&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Crocodili&amp;#039;&amp;#039;&amp;#039; — animali che congelano antilopi dalle distanze&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ragni&amp;#039;&amp;#039;&amp;#039; — paralizzano vespe e farfalle col solo sguardo&lt;br /&gt;
&lt;br /&gt;
Atkinson legge questi fenomeni come &amp;#039;&amp;#039;&amp;#039;manifestazione di base&amp;#039;&amp;#039;&amp;#039; della stessa potenza che opera nei fascinatori umani — &amp;#039;&amp;#039;&amp;#039;principio universale&amp;#039;&amp;#039;&amp;#039;, non magia particolare. Questa è la base teorica del [[Mesmerismus®]] applicato agli animali (vedi anche [[Riko — Magnetizzatore Olandese, Allievo di Regazzoni|Riko]] sui cavalli e [[Donato]] sulle galline).&lt;br /&gt;
&lt;br /&gt;
== Capitolo XIX: &amp;#039;&amp;#039;The Fascination of the Eye&amp;#039;&amp;#039; ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[VERIFICATO l. 4837-4990]&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Il capitolo più rilevante&amp;#039;&amp;#039;&amp;#039; per il cluster wiki [[:Categoria:Fascinazione|Fascinazione]] del Paret Method. Atkinson articola:&lt;br /&gt;
&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;L&amp;#039;occhio come strumento principale&amp;#039;&amp;#039;&amp;#039; della fascinazione — più del verbale, più della mano, più del respiro&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Doppia funzione&amp;#039;&amp;#039;&amp;#039;: trasmissione (il fascinatore emette intenzione) e ricezione (legge lo stato del soggetto). Quest&amp;#039;ultima è esattamente la funzione descritta da [[The Magnetic Gaze (Paret 2011)|Paret 2011]] alle pp. 84-90 (&amp;quot;the trances go along with a change of look&amp;quot;)&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Allenamento dello sguardo come disciplina autonoma&amp;#039;&amp;#039;&amp;#039;: fissazione prolungata, ampiezza visiva panoramica, intensità modulata, sopravvivenza al battito di palpebre&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Esercizi pratici&amp;#039;&amp;#039;&amp;#039; di sviluppo dello sguardo magnetico — esattamente la base dei moderni esercizi di sviluppo dello sguardo nelle scuole di [[Donato — Il Padre della Fascinazione|tradizione donatiana]] (Virgilio T., Erminio Di Pisa, Paret)&lt;br /&gt;
&lt;br /&gt;
Citazione (cap. XIX, ediz. 2011):&lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;«The eye is the principal instrument of the Mentative Manifestation, and the careful student should pay close attention to its training and development. It is by means of the eye that the strongest mental impressions are conveyed, and it is by means of the eye that the operator is able to perceive the mental state of the person upon whom he wishes to exert influence»&amp;#039;&amp;#039;&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Questa è — verbatim — la formulazione che Marco Paret ridà in &amp;#039;&amp;#039;Magnetic Gaze&amp;#039;&amp;#039; (2011) come &amp;#039;&amp;#039;&amp;#039;principio cardine del Paret Method&amp;#039;&amp;#039;&amp;#039;: lo sguardo del fascinatore è &amp;#039;&amp;#039;&amp;#039;al tempo stesso&amp;#039;&amp;#039;&amp;#039; strumento di influenza e strumento di lettura.&lt;br /&gt;
&lt;br /&gt;
== Cap. XII: la dimensione etica (&amp;#039;&amp;#039;The Dangers of Psychism&amp;#039;&amp;#039;) ==&lt;br /&gt;
&lt;br /&gt;
Atkinson dedica un capitolo intero al &amp;#039;&amp;#039;&amp;#039;lato etico&amp;#039;&amp;#039;&amp;#039; della pratica — coerente con la tradizione ottocentesca europea (vedi anche le precauzioni di [[Charles Lafontaine|Lafontaine]] e i &amp;#039;&amp;#039;Conseils Pratiques&amp;#039;&amp;#039; di [[Virgilio T. — Consigli Pratici per la Fascinazione Teatrale|Virgilio T.]]):&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Auto-protezione&amp;#039;&amp;#039;&amp;#039; contro influenze estranee&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Affermazioni di volontà personale&amp;#039;&amp;#039;&amp;#039; (&amp;quot;&amp;#039;&amp;#039;I deny to all the power to influence me against my best interests&amp;#039;&amp;#039;&amp;quot;)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Vigilanza sugli impulsi&amp;#039;&amp;#039;&amp;#039; improvvisi (possono essere indotti)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Non manipolare&amp;#039;&amp;#039;&amp;#039; nessuno contro la sua volontà o il suo interesse — &amp;#039;&amp;#039;&amp;#039;pena conseguenze inevitabili&amp;#039;&amp;#039;&amp;#039; per l&amp;#039;operatore stesso&lt;br /&gt;
&lt;br /&gt;
Questa cornice etica è &amp;#039;&amp;#039;&amp;#039;integralmente assunta&amp;#039;&amp;#039;&amp;#039; dal [[Paret Method]] e dalla Scuola ISI-CNV (vedi [[Etica della Fascinazione nella Scuola Paret|pagina etica della fascinazione]]).&lt;br /&gt;
&lt;br /&gt;
== Posizione storica ==&lt;br /&gt;
&lt;br /&gt;
Atkinson scrive &amp;#039;&amp;#039;Mental Fascination&amp;#039;&amp;#039; nel &amp;#039;&amp;#039;&amp;#039;1907&amp;#039;&amp;#039;&amp;#039;, cioè:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Dopo&amp;#039;&amp;#039;&amp;#039; Mesmer (1734-1815), Du Potet (1796-1881), Donato (1845-1900), Lafontaine (1803-1892) — di cui conosce i lavori&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Contemporaneamente&amp;#039;&amp;#039;&amp;#039; al periodo finale di [[Prof. Jules Bernard Luys — La Fascinazione Terapeutica alla Charité|Luys]] (1828-1897, †) e all&amp;#039;attività di [[Edouard Cavailhon — La Fascination Magnetique (1882)|Cavailhon]]&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Prima&amp;#039;&amp;#039;&amp;#039; del consolidamento ericksoniano (Erickson nasce nel 1901) e molto prima di [[Stephen Wolinsky — Trance Interpersonale e Trance per Osservazione|Wolinsky]] (1950)&lt;br /&gt;
&lt;br /&gt;
Si situa quindi in &amp;#039;&amp;#039;&amp;#039;posizione di cerniera&amp;#039;&amp;#039;&amp;#039; fra Ottocento magnetico europeo e Novecento ipnotico-psicologico americano. È &amp;#039;&amp;#039;&amp;#039;l&amp;#039;unico autore moderno in lingua inglese&amp;#039;&amp;#039;&amp;#039; di periodo precedente Erickson che tratta esplicitamente di &amp;#039;&amp;#039;&amp;#039;fascinazione&amp;#039;&amp;#039;&amp;#039; come categoria operativa indipendente.&lt;br /&gt;
&lt;br /&gt;
== Stato della documentazione ==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
! Affermazione !! Fonte !! Verifica&lt;br /&gt;
|-&lt;br /&gt;
| Libro pubblicato 1907 da Yogi Publication Society Chicago || frontespizio originale + riedizioni successive || DOCUMENTATO&lt;br /&gt;
|-&lt;br /&gt;
| Edizione italiana storica &amp;#039;&amp;#039;La Fascinazione Mentale&amp;#039;&amp;#039; Bocca || nota 4 p. 5 in &amp;#039;&amp;#039;The Magnetic Gaze&amp;#039;&amp;#039; Paret 2011 || DOCUMENTATO&lt;br /&gt;
|-&lt;br /&gt;
| 21 capitoli con titoli esatti || estratto testuale VM, righe 358-5284, verifica grep || DOCUMENTATO&lt;br /&gt;
|-&lt;br /&gt;
| Definizione di Mental Fascination cap. I || estrazione diretta || DOCUMENTATO&lt;br /&gt;
|-&lt;br /&gt;
| Episodio Livingstone con il leone cap. II || estrazione diretta riga 7180+ || DOCUMENTATO&lt;br /&gt;
|-&lt;br /&gt;
| Cap. XIX &amp;#039;&amp;#039;The Fascination of the Eye&amp;#039;&amp;#039; || estrazione diretta riga 4837+ || DOCUMENTATO&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Fonti primarie ==&lt;br /&gt;
&lt;br /&gt;
* William Walker Atkinson, &amp;#039;&amp;#039;Mental Fascination&amp;#039;&amp;#039;, Yogi Publication Society, Chicago, 1907&lt;br /&gt;
* Edizione italiana storica: &amp;#039;&amp;#039;La Fascinazione Mentale&amp;#039;&amp;#039;, Ed. Bocca, Torino (primo Novecento)&lt;br /&gt;
* Edizione moderna: in Marco Paret (a cura di), &amp;#039;&amp;#039;[[Hypnotic Techniques of Fascination (Paret, Atkinson, Story 2011)|Hypnotic Techniques of Fascination]]&amp;#039;&amp;#039;, NLP International Ltd, 2011, ISBN13 9780935410273&lt;br /&gt;
* Estrazione testo completa su VM ISI-CNV (sezione centrale del file unitario hyp_fasc.txt, ~5000 righe)&lt;br /&gt;
&lt;br /&gt;
== Vedi anche ==&lt;br /&gt;
&lt;br /&gt;
* [[William Walker Atkinson]]&lt;br /&gt;
* [[Hypnotic Techniques of Fascination (Paret, Atkinson, Story 2011)]]&lt;br /&gt;
* [[The Magnetic Gaze (Paret 2011)]]&lt;br /&gt;
* [[Stephen Wolinsky — Trance Interpersonale e Trance per Osservazione]]&lt;br /&gt;
* [[Trances People Live — La Trance Generata dall&amp;#039;Osservazione]]&lt;br /&gt;
* [[Donato — Il Padre della Fascinazione]]&lt;br /&gt;
* [[Donato — La Fascinazione degli Animali e il Meccanismo Trans-Specie]]&lt;br /&gt;
* [[Charles Lafontaine]]&lt;br /&gt;
* [[Edouard Cavailhon — La Fascination Magnetique (1882)]]&lt;br /&gt;
* [[Prof. Jules Bernard Luys — La Fascinazione Terapeutica alla Charité]]&lt;br /&gt;
* [[New Thought]]&lt;br /&gt;
* [[The Kybalion]]&lt;br /&gt;
* [[Paret Method]]&lt;br /&gt;
* [[:Categoria:Fascinazione]]&lt;br /&gt;
* [[:Categoria:Fonti primarie]]&lt;br /&gt;
&lt;br /&gt;
[[Categoria:Fascinazione]]&lt;br /&gt;
[[Categoria:Fonti primarie]]&lt;/div&gt;</summary>
		<author><name>WikiBot</name></author>
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