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	<title>M. de Lausanne - Cronologia</title>
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	<updated>2026-06-16T05:05:05Z</updated>
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		<title>Marco: v4: riscrittura apertura in stile enciclopedico naturale. Lead paragraph introduce M. de Lausanne / Chevalier de Lausanne / Sarrazin de Montferrier come identita unica. Sezione I dedicata alla denominazione anglofona, Sezione II alla figura plurale. Mantenute integralmente sezioni III-X.</title>
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		<updated>2026-05-25T17:33:57Z</updated>

		<summary type="html">&lt;p&gt;v4: riscrittura apertura in stile enciclopedico naturale. Lead paragraph introduce M. de Lausanne / Chevalier de Lausanne / Sarrazin de Montferrier come identita unica. Sezione I dedicata alla denominazione anglofona, Sezione II alla figura plurale. Mantenute integralmente sezioni III-X.&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 17:33, 25 mag 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Riga 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Fonte autoritativa|Pagina costruita sulla fonte autoritativa &#039;&#039;&#039;Marco Paret, &#039;&#039;History of Hypnotism, Animal Magnetism and Instant Healings&#039;&#039;&#039;&#039;&#039; (manoscritto inedito ISI-CNV) integrata con le fonti primarie &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;verificate &lt;/del&gt;&#039;&#039;&#039;Sarrazin de Montferrier (M. de Lausanne), &#039;&#039;Élémens du magnétisme animal&#039;&#039;&#039;&#039;&#039; (J.G. Dentu, Paris, 1818) e &#039;&#039;&#039;&#039;&#039;Des principes et des procédés du magnétisme animal&#039;&#039;&#039;&#039;&#039; (J.G. Dentu, Paris, 1819, 2 voll.) — &#039;&#039;&#039;[https://gallica.bnf.fr/ark:/12148/bpt6k3163161.texteImage Tome 2 — Gallica BnF]&#039;&#039;&#039; e &#039;&#039;&#039;[https://archive.org/details/b2933102x Internet Archive (entrambi i tomi)]&#039;&#039;&#039;.}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Fonte autoritativa|Pagina costruita sulla fonte autoritativa &#039;&#039;&#039;Marco Paret, &#039;&#039;History of Hypnotism, Animal Magnetism and Instant Healings&#039;&#039;&#039;&#039;&#039; (manoscritto inedito ISI-CNV) integrata con le fonti primarie &#039;&#039;&#039;Sarrazin de Montferrier (M. de Lausanne), &#039;&#039;Élémens du magnétisme animal&#039;&#039;&#039;&#039;&#039; (J.G. Dentu, Paris, 1818) e &#039;&#039;&#039;&#039;&#039;Des principes et des procédés du magnétisme animal&#039;&#039;&#039;&#039;&#039; (J.G. Dentu, Paris, 1819, 2 voll.) — &#039;&#039;&#039;[https://gallica.bnf.fr/ark:/12148/bpt6k3163161.texteImage Tome 2 — Gallica BnF]&#039;&#039;&#039; e &#039;&#039;&#039;[https://archive.org/details/b2933102x Internet Archive (entrambi i tomi)]&#039;&#039;&#039;.}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== I&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Identità &lt;/del&gt;e &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;contesto: M. &lt;/del&gt;de Lausanne &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;= &lt;/del&gt;Alexandre Sarrazin de Montferrier &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;M&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;de Lausanne&#039;&#039;&#039; — talvolta noto nella letteratura magnetica anglofona del XIX &lt;/ins&gt;e &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;XX secolo come «&#039;&#039;&#039;Chevalier &lt;/ins&gt;de Lausanne&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;» — è lo &#039;&#039;&#039;pseudonimo letterario&#039;&#039;&#039; con cui &#039;&#039;&#039;&lt;/ins&gt;Alexandre &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;André Victor &lt;/ins&gt;Sarrazin de Montferrier&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039; (Parigi, 31 agosto 1792 — Argenteuil, 13 marzo 1863) firmò la propria opera magnetica. Matematico, giornalista liberale e marchese di Montferrier, Sarrazin è una delle figure cardinali della &#039;&#039;&#039;seconda generazione del magnetismo francese&#039;&#039;&#039;, quella che riprese il lavoro di Mesmer e di Puységur dopo la lunga interruzione della Rivoluzione e pubblicò, fra il 1814 e il 1820, le prime sintesi sistematiche del corpo dottrinale magnetico in lingua francese.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Punto storico-bibliografico decisivo&lt;/del&gt;&#039;&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(verificato sui cataloghi BnF, Wellcome Collection, Wikipedia FR e bibliografia &lt;/del&gt;magnetica&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;): «&lt;/del&gt;&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;M&lt;/del&gt;. de Lausanne&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;» — l&lt;/del&gt;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;autore &lt;/del&gt;del &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;trattato magnetico in due volumi del 1819 e del manuale del 1818 citati da Marco Paret nel &lt;/del&gt;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;History of Hypnotism&lt;/del&gt;&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;— è uno &lt;/del&gt;&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;pseudonimo letterario&lt;/del&gt;&#039;&#039;&#039;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;L&#039;autore reale è:&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Marco Paret, nel &#039;&#039;History of Hypnotism, Animal Magnetism and Instant Healings&lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, lo colloca tra i quattro pilastri della pratica magnetica della Scuola, attribuendogli specificamente l&lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;insegnamento della &lt;/ins&gt;&#039;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sensibilità &lt;/ins&gt;magnetica&#039;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;— la capacità raffinata di percepire le correnti del fluido vitale dentro e fuori dal proprio corpo&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;«&#039;&#039;From &lt;/ins&gt;de Lausanne &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;we can learn the importance of sensitivity&lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;», scrive Paret, accanto al «&lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;potere &lt;/ins&gt;del &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;tocco caricato di volontà&#039;&lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;» (Puységur), ai «&lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;tipi superiori di magnetismo&lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;» (Du Potet) e all&lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;«&lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;importanza della concentrazione&lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;» (Lafontaine)&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Alexandre André Victor Sarrazin &lt;/del&gt;de &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Montferrier&#039;&#039;&#039; (Parigi, 31 agosto 1792 — Argenteuil, 13 marzo 1863), matematico, giornalista liberale, &#039;&#039;&#039;marchese di Montferrier&#039;&#039;&#039;, figura significativa del magnetismo francese del primo Ottocento.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== I. La denominazione «Chevalier &lt;/ins&gt;de &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lausanne» nella tradizione anglofona ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sarrazin &lt;/del&gt;de &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Montferrier &lt;/del&gt;è &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;figura &lt;/del&gt;&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sorprendentemente plurale&lt;/del&gt;&#039;&#039;&#039;:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;La denominazione «&#039;&#039;&#039;Chevalier &lt;/ins&gt;de &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lausanne&#039;&#039;&#039;» — adoperata da Marco Paret e ricevuta nella tradizione magnetica europea della Scuola — appare nella &#039;&#039;&#039;letteratura magnetica anglofona del XIX-XX secolo&#039;&#039;&#039; che ha citato Lausanne tra i primi mesmeristi di scuola francese. La sua origine &lt;/ins&gt;è &#039;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;quasi certamente editoriale-anglosassone&lt;/ins&gt;&#039;&#039;&#039;: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;autori inglesi e americani, abituati a tradurre il «M.» (abbreviazione francese di «Monsieur») con titoli aristocratici di rispetto, hanno verosimilmente reso il nome come «Chevalier de Lausanne» analogamente all&#039;uso anglofono di «Sieur de» o «Chevalier de» per i nomi di Antico Regime francese.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &lt;/del&gt;&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fondatore degli [https://gallica.bnf.fr/ark:/12148/cb327043044/date1815.r=annales%20du%20magnetisme.langFR Annales du magnétisme animal] (1814-1816)&#039;&#039;&#039; — la prima rivista magnetica francese dell&lt;/del&gt;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;epoca della Restaurazione (40 numeri), in cui pubblicò anche Brice de Beauregard&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nei &lt;/ins&gt;&#039;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;frontespizi originali&lt;/ins&gt;&#039;&#039;&#039; dei libri di &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sarrazin &lt;/ins&gt;de &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Montferrier &lt;/ins&gt;— &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;così come nei cataloghi &lt;/ins&gt;della &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bibliothèque nationale &lt;/ins&gt;de &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;France &lt;/ins&gt;e &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;della Wellcome Collection &lt;/ins&gt;— &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;non compare mai «Chevalier»&lt;/ins&gt;:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Direttore degli &lt;/del&gt;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;Archives du magnétisme animal&#039;&#039;&#039; — collana di estratti &lt;/del&gt;dei &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;migliori autori magnetici «&#039;&#039;formant un corps de doctrine&#039;&#039;» (riferimento sul frontespizio dei suoi &lt;/del&gt;libri&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;Uno dei fondatori del magnetismo a Parigi&#039;&#039;&#039; nella seconda generazione (1814+), insieme a Beauregard, Puységur (anziano) e prima &lt;/del&gt;di &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;[[Baron du Potet &lt;/del&gt;de &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sennevoy &lt;/del&gt;— &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Il Magnetizzatore di Parigi|Du Potet]]&#039;&#039;&#039; (che arriverà al pubblico nel 1820 ca)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;Membro fondatore &lt;/del&gt;della &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Société du Magnétisme de Paris&#039;&#039;&#039; (così recita il frontespizio dei suoi libri: «&#039;&#039;l&#039;un des fondateurs de la Société du Magnétisme &lt;/del&gt;de &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Paris&#039;&#039;»)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;Matematico&#039;&#039;&#039;: autore del &#039;&#039;Dictionnaire des sciences mathématiques pures et appliquées&#039;&#039; (3 voll., 1834-40) &lt;/del&gt;e &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;Encyclopédie mathématique&#039;&#039; (1856) &lt;/del&gt;— &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;l&#039;opera matematica più estesa della prima metà dell&#039;Ottocento francese&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;Giornalista liberale&#039;&#039;&#039;&lt;/del&gt;: &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fondatore de &#039;&#039;L&#039;Ultra&#039;&#039;, &#039;&#039;L&#039;Oracle français&#039;&#039; (1820), &#039;&#039;L&#039;Ère nouvelle&#039;&#039; (1831), direttore di &#039;&#039;La Tribune populaire&#039;&#039; (1848)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;Legame storico-letterario&#039;&#039;&#039;: &#039;&#039;&#039;è in casa sua che Juliette Drouet portò Victor Hugo&#039;&#039;&#039; prima della fuga verso Bruxelles durante il colpo di Stato del 2 dicembre 1851&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;L&lt;/del&gt;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;identificazione «de &lt;/del&gt;Lausanne &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;= Sarrazin &lt;/del&gt;de &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Montferrier» è &lt;/del&gt;&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;pubblicamente documentata&lt;/del&gt;&#039;&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in&lt;/del&gt;:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Frontespizio &lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;Élémens&#039;&#039; (1818): «&#039;&#039;Par A. de Lausanne, l&#039;un des fondateurs de la Société du Magnétisme de Paris&#039;&#039;»&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Frontespizio &#039;&#039;Des principes et des procédés&#039;&#039; (1819): «&#039;&#039;Par M. de &lt;/ins&gt;Lausanne&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, l&#039;un des fondateurs de la Société du Magnétisme &lt;/ins&gt;de &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Paris&lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;»&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Catalogo BnF Gallica (metadati DC.creator del libro 1819): «Sarrazin de Montferrier, Alexandre (1792-1863). Auteur du texte»&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Wellcome Collection (Londra), scheda catalografica &lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Élémens&lt;/ins&gt;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1818&lt;/ins&gt;: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;«&#039;&#039;Par Mr. de Lausanne [i.e. A.A.V.S. de Montferrier]&#039;&#039;»&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Wellcome Collection (Londra): scheda catalografica per &lt;/del&gt;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Élémens du magnétisme animal&lt;/del&gt;&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(1818) — «&lt;/del&gt;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Par Mr. &lt;/del&gt;de &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lausanne [i.&lt;/del&gt;e&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. A.A.V.S&lt;/del&gt;. de &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Montferrier]&lt;/del&gt;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;»&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;La &lt;/ins&gt;&#039;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;conclusione filologica&lt;/ins&gt;&#039;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;è dunque che «Chevalier &lt;/ins&gt;de &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lausanne» &lt;/ins&gt;e &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;«M&lt;/ins&gt;. de &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lausanne» indicano &#039;&lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;la stessa persona&lt;/ins&gt;&#039;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;— Alexandre Sarrazin &lt;/ins&gt;de Montferrier &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;— con la denominazione «Chevalier» entrata nella tradizione magnetica per via editoriale anglofona&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;L&#039;ipotesi alternativa di un titolo iniziatico della &#039;&#039;&lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Libera Muratoria&lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039; — anche nella forma «Chevalier Bienfaisant &lt;/ins&gt;de &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;la Cité Sainte» del Rito Écossais Rectifié, sopravvissuto in Svizzera nel Grand Prieuré d&#039;Helvétie — non regge: i titoli iniziatici &#039;&#039;&lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;non si usano in società&lt;/ins&gt;&#039;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;né compaiono sui frontespizi di libri pubblici, e in nessuna delle fonti d&lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;epoca verificate il personaggio porta tale appellativo nel proprio contesto pubblico.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Catalogo BnF Gallica: metadati DC.creator del libro 1819 indicano &lt;/del&gt;&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;«Sarrazin &lt;/del&gt;de Montferrier&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Alexandre (1792-1863)&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Auteur du texte»&lt;/del&gt;&#039;&#039;&#039;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Voce Wikipedia francese su Sarrazin &lt;/del&gt;de &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Montferrier elenca esplicitamente l&lt;/del&gt;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;opera del 1819 «&lt;/del&gt;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sous le pseudonyme de M. de Lausanne&lt;/del&gt;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;»&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== II. La &lt;/del&gt;denominazione «Chevalier de Lausanne» &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;— uso anglofono ==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Marco Paret nel &#039;&#039;History of Hypnotism&#039;&#039; mantiene la &lt;/ins&gt;denominazione «Chevalier de Lausanne» &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;come &#039;&#039;&#039;conservata nella tradizione magnetica europea ricevuta&#039;&#039;&#039;, distinta dalla denominazione editoriale «M. de Lausanne» dei frontespizi originali.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Marco Paret nel &#039;&#039;History of Hypnotism&#039;&#039;&#039;&#039;&#039; usa la denominazione «&#039;&#039;&#039;Chevalier &lt;/del&gt;de &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lausanne&#039;&#039;&#039;», ripresa dalla tradizione magnetica europea ricevuta nella sua catena iniziatica. Tuttavia, la verifica filologica sui frontespizi originali e sui cataloghi delle biblioteche maggiori dà un risultato chiaro:&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== II. La figura plurale di Sarrazin &lt;/ins&gt;de &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Montferrier ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nei frontespizi originali e nei cataloghi BnF/Wellcome compare solo «M. de Lausanne» o «A. de Lausanne» — mai «Chevalier de Lausanne»&lt;/del&gt;&#039;&#039;&#039;:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sarrazin de Montferrier è figura &#039;&lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sorprendentemente plurale&lt;/ins&gt;&#039;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, che intreccia in un&lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;unica biografia il magnetismo animale, la matematica enciclopedica e il giornalismo liberale della Restaurazione&lt;/ins&gt;:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Frontespizio &lt;/del&gt;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Élémens&lt;/del&gt;&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1818: &lt;/del&gt;«&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Par A. &lt;/del&gt;de &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lausanne&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;l&lt;/del&gt;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;un des fondateurs de la Société &lt;/del&gt;du &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Magnétisme &lt;/del&gt;de &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Paris&lt;/del&gt;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;»&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;Fondatore degli [https://gallica.bnf.fr/ark:/12148/cb327043044/date1815.r=annales%20du%20magnetisme.langFR Annales du magnétisme animal] (1814-1816)&#039;&#039;&#039; — la prima rivista magnetica francese dell&#039;epoca della Restaurazione, in 40 numeri, in cui pubblicò anche Brice de Beauregard&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Frontespizio &lt;/del&gt;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Des principes&lt;/del&gt;&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1819&lt;/del&gt;: «&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Par M. de Lausanne, &lt;/del&gt;l&#039;un des fondateurs de la Société du Magnétisme de Paris&#039;&#039;»&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Direttore degli &lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;Archives du magnétisme animal&#039;&#039;&#039; — collana di estratti dei migliori autori magnetici &lt;/ins&gt;«&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;formant un corps &lt;/ins&gt;de &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;doctrine&#039;&#039;» (annunciata sul frontespizio dei suoi libri e pubblicata nel 1820 presso Barrois)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Catalogo BnF Gallica&lt;/del&gt;: &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;«Sarrazin de Montferrier&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Alexandre &lt;/del&gt;(&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1792-1863&lt;/del&gt;)&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. Auteur du texte»&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;Uno dei fondatori del magnetismo a Parigi&#039;&#039;&#039; nella seconda generazione&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;insieme a Beauregard, Puységur (anziano) e prima di &#039;&#039;&lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Baron &lt;/ins&gt;du &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Potet &lt;/ins&gt;de &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sennevoy — Il Magnetizzatore di Parigi|Du Potet]]&#039;&lt;/ins&gt;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(attivo dal 1820 circa)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Wellcome Collection&lt;/del&gt;: &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;«Par Mr. &lt;/del&gt;de &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lausanne [i.e. A.A.V.S. de Montferrier]»&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &#039;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Membro fondatore della Société du Magnétisme de Paris&lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; (così recita il frontespizio dei suoi libri&lt;/ins&gt;: «&#039;&#039;l&#039;un des fondateurs de la Société du Magnétisme de Paris&#039;&#039;»&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Matematico&#039;&#039;&#039;&lt;/ins&gt;: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;autore del &#039;&#039;Dictionnaire des sciences mathématiques pures et appliquées&#039;&#039; (3 voll.&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1834-40) e dell&#039;&#039;&#039;Encyclopédie mathématique&#039;&#039; &lt;/ins&gt;(&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1856&lt;/ins&gt;) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;— l&#039;opera matematica più estesa della prima metà dell&#039;Ottocento francese&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;La denominazione «&lt;/del&gt;&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Chevalier de Lausanne&lt;/del&gt;&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;» appare invece in &lt;/del&gt;&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;autori anglofoni del XIX-XX secolo&lt;/del&gt;&#039;&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;che hanno citato Lausanne nella letteratura magnetica internazionale — molto probabilmente per un&lt;/del&gt;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;errata trascrizione editoriale del nome francese&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;dove «M.» &lt;/del&gt;(&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;abbreviazione di «Monsieur»&lt;/del&gt;) è &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;stato tradotto come titolo aristocratico inglese («Chevalier»), forse confondendo l&lt;/del&gt;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;attributo con l&lt;/del&gt;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;uso anglosassone &lt;/del&gt;di &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;titoli onorifici francesi.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Giornalista liberale&#039;&#039;&#039;&lt;/ins&gt;: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fondatore &lt;/ins&gt;de &#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;L&#039;Ultra&lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;L&lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Oracle français&lt;/ins&gt;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(1820), &lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;L&lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ère nouvelle&lt;/ins&gt;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(1831)&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;direttore di &#039;&#039;La Tribune populaire&#039;&#039; &lt;/ins&gt;(&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1848&lt;/ins&gt;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;&#039;Legame storico-letterario&#039;&#039;&#039;: &#039;&#039;&#039;&lt;/ins&gt;è &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in casa sua che Juliette Drouet portò Victor Hugo&#039;&lt;/ins&gt;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;prima della fuga verso Bruxelles durante il colpo &lt;/ins&gt;di &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Stato del 2 dicembre 1851&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;La conclusione filologica più probabile&#039;&#039;&#039; &lt;/del&gt;è &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;che «Chevalier de Lausanne» &lt;/del&gt;e &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;«M. de Lausanne» indichino &lt;/del&gt;&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;la stessa persona&lt;/del&gt;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; — Alexandre Sarrazin &lt;/del&gt;de &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Montferrier — con la denominazione «Chevalier» entrata nella tradizione magnetica via fonti editoriali anglofone&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;I &#039;&#039;&#039;titoli iniziatici della Libera Muratoria&#039;&#039;&#039; — anche quando portati da membri reali — &#039;&#039;&lt;/del&gt;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;non si usano in società&#039;&#039;&#039; né tantomeno comparirebbero sul frontespizio di un libro pubblico, dunque l&lt;/del&gt;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ipotesi del titolo massonico-templare (CBCS, RER) non regge&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;L&lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;identificazione «de Lausanne = Sarrazin de Montferrier» &lt;/ins&gt;è &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;pubblicamente documentata nei cataloghi Wellcome Collection (Londra), BnF Gallica &lt;/ins&gt;e &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;nella voce Wikipedia francese dedicata all&lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;autore, che elenca esplicitamente l&lt;/ins&gt;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;opera del 1819 «&lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sous le pseudonyme &lt;/ins&gt;de &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;M&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;de Lausanne&lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;»&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Marco Paret nel &#039;&#039;History of Hypnotism&#039;&#039; mantiene la denominazione «Chevalier de Lausanne» come &#039;&#039;&#039;conservata nella tradizione magnetica europea ricevuta&#039;&#039;&#039;, distinta dalla denominazione editoriale «M. de Lausanne» dei frontespizi originali.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== III. Il riferimento a Bruno nel pensiero di Lausanne ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== III. Il riferimento a Bruno nel pensiero di Lausanne ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Marco</name></author>
	</entry>
	<entry>
		<id>https://wiki.marcoparet.com/index.php?title=M._de_Lausanne&amp;diff=1284&amp;oldid=prev</id>
		<title>Marco: v3: sezione VII estesa a 6 opere magnetiche (aggiunte Essais sur la découverte de Mesmer e Bibliothèque/Archives du magnétisme animal). Conferma metodologica con verifica OCR Internet Archive entrambi tomi 1819.</title>
		<link rel="alternate" type="text/html" href="https://wiki.marcoparet.com/index.php?title=M._de_Lausanne&amp;diff=1284&amp;oldid=prev"/>
		<updated>2026-05-24T20:51:01Z</updated>

		<summary type="html">&lt;p&gt;v3: sezione VII estesa a 6 opere magnetiche (aggiunte Essais sur la découverte de Mesmer e Bibliothèque/Archives du magnétisme animal). Conferma metodologica con verifica OCR Internet Archive entrambi tomi 1819.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;it&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 20:51, 24 mag 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l96&quot;&gt;Riga 96:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 96:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== VII. Le opere magnetiche di Sarrazin de Montferrier ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== VII. Le opere magnetiche di Sarrazin de Montferrier ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;L&#039;opera magnetica completa di Sarrazin de Montferrier alias M. de Lausanne:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;L&#039;opera magnetica completa di Sarrazin de Montferrier alias M. de Lausanne&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, in ordine cronologico&lt;/ins&gt;:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# &#039;&#039;&#039;Annales du magnétisme animal&#039;&#039;&#039; (Paris, J.G. Dentu, 1814-1816) — 40 numeri, prima rivista magnetica francese della Restaurazione&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# &#039;&#039;&#039;Annales du magnétisme animal&#039;&#039;&#039; (Paris, J.G. Dentu, 1814-1816) — 40 numeri, prima rivista magnetica francese della Restaurazione&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. Sarrazin ne è il fondatore e principale redattore. La raccolta completa è di 48 fascicoli per i tre anni&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# &#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Archives &lt;/del&gt;du magnétisme animal&#039;&#039;&#039; (Paris, J.G. Dentu) — &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;collana &lt;/del&gt;di &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;estratti dei migliori autori magnetici «&#039;&#039;formant un corps de doctrine&#039;&#039;»&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;# &#039;&#039;&#039;«Essais sur la découverte de Mesmer»&#039;&#039;&#039; — serie di articoli pubblicati negli &#039;&#039;Annales du magnétisme animal&#039;&#039;, numeri 8, 10, 11, 12, 13 e 14. Lausanne stesso nel libro del 1819 cita esplicitamente questi suoi «Essais» come fonte per l&#039;esposizione del sistema mesmeriano (Tome 1, p. 19, nota in piè di pagina)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# &#039;&#039;&#039;Élémens du magnétisme animal&#039;&#039;&#039; (Paris, J.G. Dentu, 1818) — manuale breve in V-56 pagine&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# &#039;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bibliothèque &lt;/ins&gt;du magnétisme animal&#039;&#039;&#039; (Paris, J.G. Dentu&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, dal 1817&lt;/ins&gt;) — &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;prosecuzione editoriale della rivista, pubblicata mensilmente in fascicoli &lt;/ins&gt;di &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;96-100 pagine. Citata sul frontespizio del 1819&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# &#039;&#039;&#039;Des principes et des procédés du magnétisme animal&#039;&#039;&#039; (Paris, J.G. Dentu, 1819) — opera maggiore in 2 volumi&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# &#039;&#039;&#039;Élémens du magnétisme animal&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, ou Exposition succincte des procédés, des phénomènes, et de l&#039;emploi du magnétisme&lt;/ins&gt;&#039;&#039;&#039; (Paris, J.G. Dentu, 1818) — manuale breve in V-56 pagine&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, firmato «par A. de Lausanne»&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# &#039;&#039;&#039;Des principes et des procédés du magnétisme animal&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, et de leurs rapports avec les lois de la physique et de la physiologie&lt;/ins&gt;&#039;&#039;&#039; (Paris, J.G. Dentu, 1819) — opera maggiore in 2 volumi&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, firmata «par M. de Lausanne, l&#039;un des fondateurs de la Société du Magnétisme de Paris»&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;# &#039;&#039;&#039;Archives du magnétisme animal&#039;&#039;&#039; (Paris, Barrois l&#039;aîné, 1820) — sesta opera magnetica, &#039;&#039;Recueil d&#039;extraits des meilleurs ouvrages publiés depuis la découverte du Magnétisme, formant un corps de doctrine&#039;&#039;. Annunciata sul frontespizio del 1819 e pubblicata l&#039;anno successivo&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== VIII. Collocazione storica: la «seconda generazione» del magnetismo francese (1810-1830) ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== VIII. Collocazione storica: la «seconda generazione» del magnetismo francese (1810-1830) ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Marco</name></author>
	</entry>
	<entry>
		<id>https://wiki.marcoparet.com/index.php?title=M._de_Lausanne&amp;diff=1278&amp;oldid=prev</id>
		<title>ClaudeBot: v3: nuova struttura - Titolo principale M. de Lausanne (nome editoriale verificato nei frontespizi 1818-1819). Aggiunta sezione II onesta su Chevalier de Lausanne come uso anglofono. Aggiunta sezione III con verifica OCR completa entrambi i tomi 1819 + Elemens 1818: zero occorrenze di Bruno - resta da verificare Annales 1814-1816 e Archives du magnetisme animal. Rimossa sezione speculativa precedente (3 ipotesi misleading).</title>
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		<updated>2026-05-24T20:47:09Z</updated>

		<summary type="html">&lt;p&gt;v3: nuova struttura - Titolo principale M. de Lausanne (nome editoriale verificato nei frontespizi 1818-1819). Aggiunta sezione II onesta su Chevalier de Lausanne come uso anglofono. Aggiunta sezione III con verifica OCR completa entrambi i tomi 1819 + Elemens 1818: zero occorrenze di Bruno - resta da verificare Annales 1814-1816 e Archives du magnetisme animal. Rimossa sezione speculativa precedente (3 ipotesi misleading).&lt;/p&gt;
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		<author><name>ClaudeBot</name></author>
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	<entry>
		<id>https://wiki.marcoparet.com/index.php?title=M._de_Lausanne&amp;diff=1277&amp;oldid=prev</id>
		<title>ClaudeBot: ClaudeBot ha spostato la pagina Chevalier de Lausanne a M. de Lausanne senza lasciare redirect: Rinominata pagina: M. de Lausanne e il vero titolo editoriale (frontespizi 1818-1819). Chevalier de Lausanne e uso anglofono successivo - probabile errore traduttivo. I titoli iniziatici non si usano in societa.</title>
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		<updated>2026-05-24T20:46:56Z</updated>

		<summary type="html">&lt;p&gt;ClaudeBot ha spostato la pagina &lt;a href=&quot;/index.php?title=Chevalier_de_Lausanne&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;Chevalier de Lausanne (la pagina non esiste)&quot;&gt;Chevalier de Lausanne&lt;/a&gt; a &lt;a href=&quot;/wiki/M._de_Lausanne&quot; title=&quot;M. de Lausanne&quot;&gt;M. de Lausanne&lt;/a&gt; senza lasciare redirect: Rinominata pagina: M. de Lausanne e il vero titolo editoriale (frontespizi 1818-1819). Chevalier de Lausanne e uso anglofono successivo - probabile errore traduttivo. I titoli iniziatici non si usano in societa.&lt;/p&gt;
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	<entry>
		<id>https://wiki.marcoparet.com/index.php?title=M._de_Lausanne&amp;diff=1276&amp;oldid=prev</id>
		<title>WikiBot: Lausanne riscritta con fonte primaria Gallica BnF: identificazione &#039;M. de Lausanne&#039; = Alexandre Sarrazin de Montferrier (1792-1863) marchese matematico giornalista liberale fondatore Annales du magnétisme animal 1814 + identificazione &#039;Bruno&#039; = introducteur des ambassadeurs Conte Artois manoscritto 1785 + cronologia seconda generazione magnetismo francese Restaurazione + rete magnetisti parigini 1814-1820 (Beauregard Puysegur Deleuze Sarrazin Du Potet)</title>
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		<updated>2026-05-24T18:22:01Z</updated>

		<summary type="html">&lt;p&gt;Lausanne riscritta con fonte primaria Gallica BnF: identificazione &amp;#039;M. de Lausanne&amp;#039; = Alexandre Sarrazin de Montferrier (1792-1863) marchese matematico giornalista liberale fondatore Annales du magnétisme animal 1814 + identificazione &amp;#039;Bruno&amp;#039; = introducteur des ambassadeurs Conte Artois manoscritto 1785 + cronologia seconda generazione magnetismo francese Restaurazione + rete magnetisti parigini 1814-1820 (Beauregard Puysegur Deleuze Sarrazin Du Potet)&lt;/p&gt;
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	<entry>
		<id>https://wiki.marcoparet.com/index.php?title=M._de_Lausanne&amp;diff=1262&amp;oldid=prev</id>
		<title>WikiBot: Creazione pagina Chevalier de Lausanne - magnetista classico citato nel libro autoriale Marco Paret History of Hypnotism - integrazione bidirezionale wiki ermetica-magnetica</title>
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		<updated>2026-05-24T18:04:38Z</updated>

		<summary type="html">&lt;p&gt;Creazione pagina Chevalier de Lausanne - magnetista classico citato nel libro autoriale Marco Paret History of Hypnotism - integrazione bidirezionale wiki ermetica-magnetica&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Nuova pagina&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Avviso|Pagina dedicata al &amp;#039;&amp;#039;&amp;#039;Chevalier de Lausanne&amp;#039;&amp;#039;&amp;#039;, uno dei &amp;#039;&amp;#039;&amp;#039;primi mesmeristi&amp;#039;&amp;#039;&amp;#039; della tradizione magnetica e codificatore del &amp;#039;&amp;#039;&amp;#039;metodo di Bruno&amp;#039;&amp;#039;&amp;#039; (induzione magnetica + diagnosi psichica). Pagina costruita sulla fonte autoritativa &amp;#039;&amp;#039;&amp;#039;Marco Paret, &amp;#039;&amp;#039;History of Hypnotism, Animal Magnetism and Instant Healings&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (manoscritto inedito ISI-CNV).}}&lt;br /&gt;
&lt;br /&gt;
Il &amp;#039;&amp;#039;&amp;#039;Chevalier de Lausanne&amp;#039;&amp;#039;&amp;#039; è documentato da &amp;#039;&amp;#039;&amp;#039;Marco Paret&amp;#039;&amp;#039;&amp;#039; nel &amp;#039;&amp;#039;History of Hypnotism&amp;#039;&amp;#039; come &amp;#039;&amp;#039;&amp;#039;uno dei primi mesmeristi&amp;#039;&amp;#039;&amp;#039; della tradizione magnetica francese del XVIII secolo, e in particolare come il &amp;#039;&amp;#039;&amp;#039;codificatore&amp;#039;&amp;#039;&amp;#039; di una tecnica magnetica raffinata derivata da un certo &amp;#039;&amp;#039;&amp;#039;Bruno&amp;#039;&amp;#039;&amp;#039; che operava combinando &amp;#039;&amp;#039;&amp;#039;induzione magnetica&amp;#039;&amp;#039;&amp;#039; e &amp;#039;&amp;#039;&amp;#039;diagnosi psichica&amp;#039;&amp;#039;&amp;#039; (chiaroveggenza diagnostica del magnetizzatore sul soggetto).&lt;br /&gt;
&lt;br /&gt;
Citazione testuale dal libro di Paret:&lt;br /&gt;
&lt;br /&gt;
«&amp;#039;&amp;#039;The chevalier de Lausanne was one of the first mesmerists: he described the method created by a certain Bruno, who worked not only with magnetic induction, but also with psychic diagnosis&amp;#039;&amp;#039;».&lt;br /&gt;
&lt;br /&gt;
== I. Il metodo di Bruno in sei passi ==&lt;br /&gt;
&lt;br /&gt;
Lausanne descrive — secondo la sintesi di Paret — un &amp;#039;&amp;#039;&amp;#039;protocollo magnetico&amp;#039;&amp;#039;&amp;#039; articolato in &amp;#039;&amp;#039;&amp;#039;sei passi&amp;#039;&amp;#039;&amp;#039; che costituisce uno dei primi &amp;#039;&amp;#039;&amp;#039;metodi codificati&amp;#039;&amp;#039;&amp;#039; della pratica magnetica precoce:&lt;br /&gt;
&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Stabilire il contatto attraverso il pollice&amp;#039;&amp;#039;&amp;#039; — il pollice del magnetizzatore tocca il pollice del soggetto (o un altro punto di contatto stabilito)&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Mantenere il contatto per lo spazio di alcuni minuti&amp;#039;&amp;#039;&amp;#039; — non si passa immediatamente all&amp;#039;azione, si &amp;#039;&amp;#039;&amp;#039;attende&amp;#039;&amp;#039;&amp;#039; che il contatto si stabilisca&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Esercitare la Volontà attiva&amp;#039;&amp;#039;&amp;#039; centrando l&amp;#039;attenzione sul soggetto — la volontà è &amp;#039;&amp;#039;&amp;#039;lo strumento operativo&amp;#039;&amp;#039;&amp;#039; principale&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Passare alle passes&amp;#039;&amp;#039;&amp;#039;, eseguendole &amp;#039;&amp;#039;&amp;#039;molto lentamente&amp;#039;&amp;#039;&amp;#039; lungo le braccia, e davanti al corpo dalla testa ai piedi (o almeno fino alle ginocchia). Le &amp;#039;&amp;#039;&amp;#039;passes&amp;#039;&amp;#039;&amp;#039; sono &amp;#039;&amp;#039;&amp;#039;movimenti lenti vicino al corpo&amp;#039;&amp;#039;&amp;#039; senza contatto fisico diretto&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Allontanarsi progressivamente dal soggetto&amp;#039;&amp;#039;&amp;#039; continuando le passes a un pollice di distanza, mantenendo solo la tensione sufficiente delle mani per tenerle in posizione&lt;br /&gt;
# Passando le mani davanti al paziente a una distanza di &amp;#039;&amp;#039;&amp;#039;3-4 pollici&amp;#039;&amp;#039;&amp;#039;, il magnetizzatore percepirà &amp;#039;&amp;#039;&amp;#039;una sensazione di calore o freddo&amp;#039;&amp;#039;&amp;#039;. Quando è all&amp;#039;altezza della parte affetta, &amp;#039;&amp;#039;&amp;#039;il suo corpo esala una certa vapore — cioè fluido — che va in direzione della parte affetta&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
Punto-cardine: il metodo Bruno-Lausanne è &amp;#039;&amp;#039;&amp;#039;tecnicamente preciso&amp;#039;&amp;#039;&amp;#039; e &amp;#039;&amp;#039;&amp;#039;diagnostico&amp;#039;&amp;#039;&amp;#039; — il magnetizzatore &amp;#039;&amp;#039;&amp;#039;percepisce&amp;#039;&amp;#039;&amp;#039; nel proprio corpo le zone di sofferenza del paziente attraverso variazioni termiche e di sensazione. Il fluido magnetico «esala» dal corpo del magnetizzatore verso la zona sofferente.&lt;br /&gt;
&lt;br /&gt;
== II. Lo sviluppo della sensibilità magnetica ==&lt;br /&gt;
&lt;br /&gt;
Punto-cardine pratico segnalato da Lausanne stesso e ripreso da Paret:&lt;br /&gt;
&lt;br /&gt;
«&amp;#039;&amp;#039;The psychical qualifications of a Magnetiser would have to be developed in order to carry this process out in the true spirit of Bruno. Specifically you must develop the magnetic gaze and the sensitivity&amp;#039;&amp;#039;».&lt;br /&gt;
&lt;br /&gt;
I &amp;#039;&amp;#039;&amp;#039;due assi&amp;#039;&amp;#039;&amp;#039; dello sviluppo del magnetizzatore secondo Lausanne:&lt;br /&gt;
&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Lo sguardo magnetico&amp;#039;&amp;#039;&amp;#039; (&amp;#039;&amp;#039;magnetic gaze&amp;#039;&amp;#039;) — lo sguardo capace di &amp;#039;&amp;#039;&amp;#039;fissare&amp;#039;&amp;#039;&amp;#039; il soggetto, di dirigere il fluido, di stabilire il rapporto. Argomento ripreso in tutta la tradizione magnetica successiva e in particolare nel &amp;#039;&amp;#039;&amp;#039;[[Paret Method]]&amp;#039;&amp;#039;&amp;#039; contemporaneo&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;La sensibilità&amp;#039;&amp;#039;&amp;#039; (&amp;#039;&amp;#039;sensitivity&amp;#039;&amp;#039;) — la capacità di &amp;#039;&amp;#039;&amp;#039;percepire&amp;#039;&amp;#039;&amp;#039; le variazioni sottili nel proprio corpo che corrispondono allo stato del paziente. Senza sensibilità, il magnetismo è cieco — ridotto a meccanica delle passes&lt;br /&gt;
&lt;br /&gt;
Marco Paret riporta direttamente le istruzioni di Lausanne sullo sviluppo della sensibilità:&lt;br /&gt;
&lt;br /&gt;
«&amp;#039;&amp;#039;Here I will tell you what you will experience, in a manner more or less sensible, perhaps the first time, or maybe at the end of eight or ten sittings, or even only at the end of some months of practice. I am ignorant whether there are persons who have not the necessary temperament to obtain this end. To determine this, it would be requisite to know whether they who have never attained it, have not like me failed in patience and perseverance in their researches&amp;#039;&amp;#039;».&lt;br /&gt;
&lt;br /&gt;
Punto-cardine: Lausanne afferma che &amp;#039;&amp;#039;&amp;#039;la sensibilità si sviluppa col tempo&amp;#039;&amp;#039;&amp;#039; — alcuni la sentono dopo 8-10 sedute, altri dopo mesi di pratica. &amp;#039;&amp;#039;&amp;#039;Persistenza e pazienza&amp;#039;&amp;#039;&amp;#039; sono qualità essenziali del magnetizzatore. Lausanne stesso confessa di aver inizialmente «fallito in pazienza e perseveranza».&lt;br /&gt;
&lt;br /&gt;
Nota dell&amp;#039;editore (Paret): «&amp;#039;&amp;#039;In our experience this sensitivity is something that everybody can awaken. It is a natural body capability&amp;#039;&amp;#039;».&lt;br /&gt;
&lt;br /&gt;
== III. Tre fenomeni che emergono dalla pratica del metodo Bruno-Lausanne ==&lt;br /&gt;
&lt;br /&gt;
Paret indica che Lausanne descriveva &amp;#039;&amp;#039;&amp;#039;tre fenomeni&amp;#039;&amp;#039;&amp;#039; fondamentali che emergono dalla pratica del suo metodo:&lt;br /&gt;
&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Sensazioni termiche e fluide nelle mani del magnetizzatore&amp;#039;&amp;#039;&amp;#039; — calore, freddo, formicolio, sensazione di «esalazione» o «assorbimento» di fluido&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Diagnosi psichica&amp;#039;&amp;#039;&amp;#039; — la capacità di &amp;#039;&amp;#039;&amp;#039;percepire&amp;#039;&amp;#039;&amp;#039; la zona del corpo del paziente che ha bisogno di intervento, anche senza che il paziente la indichi (o senza diagnosi medica preliminare)&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Comunicazione fluidica a distanza&amp;#039;&amp;#039;&amp;#039; — l&amp;#039;effetto magnetico continua anche quando il magnetizzatore si allontana dal paziente, sempre che mantenga l&amp;#039;attenzione&lt;br /&gt;
&lt;br /&gt;
Questi tre fenomeni — secondo Paret — sono &amp;#039;&amp;#039;&amp;#039;direttamente verificabili&amp;#039;&amp;#039;&amp;#039; nella pratica della Scuola contemporanea, e costituiscono &amp;#039;&amp;#039;&amp;#039;il nucleo operativo&amp;#039;&amp;#039;&amp;#039; della tradizione magnetica europea.&lt;br /&gt;
&lt;br /&gt;
== IV. Lausanne nella cronologia del magnetismo settecentesco ==&lt;br /&gt;
&lt;br /&gt;
Lausanne si colloca fra i &amp;#039;&amp;#039;&amp;#039;primi mesmeristi&amp;#039;&amp;#039;&amp;#039; — cioè i magnetisti della prima generazione, contemporanei o quasi di Mesmer (1779) e Puységur (1784). Esiste un problema di &amp;#039;&amp;#039;&amp;#039;identificazione precisa&amp;#039;&amp;#039;&amp;#039; di questa figura (Lausanne è probabilmente nome iniziatico di loggia, non patronimico). Il &amp;#039;&amp;#039;&amp;#039;Bruno&amp;#039;&amp;#039;&amp;#039; di cui Lausanne descrive il metodo è figura ancora più antica — possibilmente un magnetista pre-mesmerico o un membro di una loggia magnetica precoce.&lt;br /&gt;
&lt;br /&gt;
Marco Paret elenca il Chevalier de Lausanne fra le figure storiche del magnetismo classico, accanto a:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;[[Marquis de Puységur]]&amp;#039;&amp;#039;&amp;#039; — sonnambulismo magnetico (1784)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Chevalier de Barberin&amp;#039;&amp;#039;&amp;#039; — Scuola Barberinista a Lione (1784-89), cfr. &amp;#039;&amp;#039;&amp;#039;[[Il Martinismo]]&amp;#039;&amp;#039;&amp;#039; sez. VIII&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;[[Joseph Philippe François Deleuze]]&amp;#039;&amp;#039;&amp;#039; — sistematizzatore teorico (1813)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;[[Baron du Potet de Sennevoy — Il Magnetizzatore di Parigi|Baron Du Potet]]&amp;#039;&amp;#039;&amp;#039; — scuola di Parigi (1820+)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;[[Charles Lafontaine — Il Magnetizzatore Franco-Svizzero|Charles Lafontaine]]&amp;#039;&amp;#039;&amp;#039; — divulgatore europeo (1830-90)&lt;br /&gt;
&lt;br /&gt;
La sua posizione cronologica e geografica (forse svizzera, in relazione con Losanna) ne fa una possibile figura di &amp;#039;&amp;#039;&amp;#039;mediazione&amp;#039;&amp;#039;&amp;#039; fra la rete francese (Parigi, Lione, Strasburgo) e quella svizzera-tedesca del magnetismo precoce.&lt;br /&gt;
&lt;br /&gt;
== V. Il metodo Lausanne-Bruno e la Scuola ISI-CNV ==&lt;br /&gt;
&lt;br /&gt;
Marco Paret nel &amp;#039;&amp;#039;History of Hypnotism&amp;#039;&amp;#039; riprende esplicitamente il metodo di Lausanne come &amp;#039;&amp;#039;&amp;#039;fonte tecnica&amp;#039;&amp;#039;&amp;#039; per la pratica della Scuola ISI-CNV. Punti convergenti:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Il pollice come canale iniziale di contatto&amp;#039;&amp;#039;&amp;#039; — ripreso in numerose pratiche introduttive di sensibilizzazione magnetica&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Le passes lente&amp;#039;&amp;#039;&amp;#039; — pratica standard della Scuola&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;L&amp;#039;allontanamento progressivo&amp;#039;&amp;#039;&amp;#039; con mantenimento dell&amp;#039;effetto — punto-cardine della Scuola: «&amp;#039;&amp;#039;people react at a distance as if the operator were near them&amp;#039;&amp;#039;» (Paret)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;La diagnosi psichica&amp;#039;&amp;#039;&amp;#039; attraverso percezione termica e di sensazione — sviluppata nella Scuola come &amp;#039;&amp;#039;&amp;#039;sensibilità magnetica&amp;#039;&amp;#039;&amp;#039; (cfr. [[Sensibilizzazione Magnetica (campo tra le mani)]] e altre pagine del lavoro pratico della Scuola)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Lo sguardo magnetico&amp;#039;&amp;#039;&amp;#039; — sviluppato nel &amp;#039;&amp;#039;&amp;#039;[[Paret Method]]&amp;#039;&amp;#039;&amp;#039; contemporaneo&lt;br /&gt;
&lt;br /&gt;
Lausanne è dunque &amp;#039;&amp;#039;&amp;#039;non solo&amp;#039;&amp;#039;&amp;#039; figura storica documentale ma &amp;#039;&amp;#039;&amp;#039;autore-fonte&amp;#039;&amp;#039;&amp;#039; di tecniche operative ancora in uso nella tradizione magnetica europea che la Scuola ISI-CNV continua.&lt;br /&gt;
&lt;br /&gt;
== VI. Lausanne nel cluster wiki ==&lt;br /&gt;
&lt;br /&gt;
Lausanne appartiene alla generazione dei primi mesmeristi e si pone come una delle &amp;#039;&amp;#039;&amp;#039;fonti tecniche&amp;#039;&amp;#039;&amp;#039; della tradizione magnetica europea continentale che — come documentato in &amp;#039;&amp;#039;&amp;#039;[[Il Martinismo]]&amp;#039;&amp;#039;&amp;#039; sez. X — è continuata col proprio nome fino al recupero italiano del XX secolo. La sua pagina è &amp;#039;&amp;#039;&amp;#039;ponte&amp;#039;&amp;#039;&amp;#039; fra:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Tradizione magnetica precoce&amp;#039;&amp;#039;&amp;#039; (Mesmer, Puységur, Barberin, Lausanne, Bruno)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Sistematizzazioni ottocentesche&amp;#039;&amp;#039;&amp;#039; (Deleuze, Du Potet, Lafontaine)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Continuazione italiana&amp;#039;&amp;#039;&amp;#039; ([[Antonio Regazzoni — Magnetizzatore Italiano, Allievo di Lafontaine|Regazzoni]], &amp;#039;&amp;#039;&amp;#039;[[Kremmerz e Ordine Osirideo Egizio|Kremmerz]]&amp;#039;&amp;#039;&amp;#039;, tradizione napoletana)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Tradizione contemporanea&amp;#039;&amp;#039;&amp;#039; (Scuola Paret-ISI-CNV, &amp;#039;&amp;#039;&amp;#039;[[Paret Method]]&amp;#039;&amp;#039;&amp;#039;)&lt;br /&gt;
&lt;br /&gt;
== Fonti ==&lt;br /&gt;
&lt;br /&gt;
=== Fonte autoritativa principale ===&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Marco Paret&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;History of Hypnotism, Animal Magnetism and Instant Healings&amp;#039;&amp;#039; (manoscritto inedito ISI-CNV) — sezione su Chevalier de Lausanne e il metodo di Bruno, pp. 134-135&lt;br /&gt;
&lt;br /&gt;
=== Studi e questioni aperte ===&lt;br /&gt;
&lt;br /&gt;
* Identificazione precisa del Chevalier de Lausanne fra i magnetisti documentati del XVIII secolo: questione aperta per ricerca futura&lt;br /&gt;
* Identificazione di &amp;#039;&amp;#039;&amp;#039;Bruno&amp;#039;&amp;#039;&amp;#039; (il creatore del metodo): figura pre-mesmerica? Membro di una loggia magnetica precoce? Da verificare nelle bibliografie storiche del magnetismo settecentesco&lt;br /&gt;
* Cfr. Adam Crabtree, &amp;#039;&amp;#039;Animal Magnetism, Early Hypnotism, and Psychical Research, 1766-1925: An Annotated Bibliography&amp;#039;&amp;#039;, Kraus International, 1988, per il quadro bibliografico generale&lt;br /&gt;
&lt;br /&gt;
== Vedi anche ==&lt;br /&gt;
&lt;br /&gt;
* [[Portale della Tradizione Ermetica]]&lt;br /&gt;
* [[Portale della Tradizione Magnetica]]&lt;br /&gt;
* [[Marquis de Puységur]]&lt;br /&gt;
* [[Joseph Philippe François Deleuze]]&lt;br /&gt;
* [[Baron du Potet de Sennevoy — Il Magnetizzatore di Parigi]]&lt;br /&gt;
* [[Charles Lafontaine — Il Magnetizzatore Franco-Svizzero]]&lt;br /&gt;
* [[Mesmer e la Société de l Harmonie Universelle]]&lt;br /&gt;
* [[Il Martinismo]]&lt;br /&gt;
* [[Le Chevalier de Beauregard — Magnetismo Esoterico e Tradizione Egiziana]]&lt;br /&gt;
* [[Antonio Regazzoni — Magnetizzatore Italiano, Allievo di Lafontaine]]&lt;br /&gt;
* [[Alchimia e Magnetismo]]&lt;br /&gt;
* [[Le Catene Magnetiche di Loggia]]&lt;br /&gt;
* [[I Predecessori del Magnetismo Animale — la Catena Dottrinale Documentata da Thouret]]&lt;br /&gt;
* [[Paret Method]]&lt;br /&gt;
&lt;br /&gt;
[[Categoria:Magnetizzatori]]&lt;br /&gt;
[[Categoria:Settecento esoterico]]&lt;br /&gt;
[[Categoria:Tradizione magnetica]]&lt;br /&gt;
[[Categoria:Tecniche magnetiche]]&lt;/div&gt;</summary>
		<author><name>WikiBot</name></author>
	</entry>
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