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		<summary type="html">&lt;p&gt;Traduzione inglese automatica via DeepSeek di &lt;a href=&quot;/wiki/Il_Mistero_del_Graal_secondo_Evola&quot; title=&quot;Il Mistero del Graal secondo Evola&quot;&gt;Il Mistero del Graal secondo Evola&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Nuova pagina&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Avviso|Page of the &amp;#039;&amp;#039;&amp;#039;Italian historical-doctrinal section&amp;#039;&amp;#039;&amp;#039; of the wiki. Documents &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;The Mystery of the Grail&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; by &amp;#039;&amp;#039;&amp;#039;Julius Evola&amp;#039;&amp;#039;&amp;#039; (Laterza 1937; modern ed. Mediterranee), a pivotal book of Evola&amp;#039;s late reflection on chivalric and initiatic Middle Ages. It constitutes the &amp;#039;&amp;#039;&amp;#039;chivalric side&amp;#039;&amp;#039;&amp;#039; of what &amp;#039;&amp;#039;&amp;#039;[[Evola e Reghini e la Tradizione Ermetica|&amp;#039;&amp;#039;La Tradizione Ermetica&amp;#039;&amp;#039;]]&amp;#039;&amp;#039;&amp;#039; (1931) had expounded on the alchemical-operative plane. Sources on Drive: &amp;#039;&amp;#039;The Mystery of the Grail&amp;#039;&amp;#039; (Inner Traditions English edition with preface by medievalist &amp;#039;&amp;#039;&amp;#039;Franco Cardini&amp;#039;&amp;#039;&amp;#039;), complete OCR — &amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039;. The page explicitly links to the page &amp;#039;&amp;#039;&amp;#039;[[I Fedeli d&amp;#039;Amore]]&amp;#039;&amp;#039;&amp;#039; which documents the corresponding experience of the 14th-century Italian poets.}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;The Mystery of the Grail and the Ghibelline Tradition of the Empire&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is the book published by &amp;#039;&amp;#039;&amp;#039;Julius Evola&amp;#039;&amp;#039;&amp;#039; in &amp;#039;&amp;#039;&amp;#039;1937&amp;#039;&amp;#039;&amp;#039; by Laterza (Bari), which — together with &amp;#039;&amp;#039;&amp;#039;[[Evola e Reghini e la Tradizione Ermetica|&amp;#039;&amp;#039;La Tradizione Ermetica&amp;#039;&amp;#039;]]&amp;#039;&amp;#039;&amp;#039; (1931) and &amp;#039;&amp;#039;Revolt Against the Modern World&amp;#039;&amp;#039; (1934) — constitutes the core of Evola&amp;#039;s &amp;#039;&amp;#039;&amp;#039;metaphysical-traditional trilogy&amp;#039;&amp;#039;&amp;#039; published in the 1930s. While &amp;#039;&amp;#039;La Tradizione Ermetica&amp;#039;&amp;#039; expounds the &amp;#039;&amp;#039;&amp;#039;alchemical-operative&amp;#039;&amp;#039;&amp;#039; side (the work in black, the seven planets, solve-coagula), &amp;#039;&amp;#039;The Mystery of the Grail&amp;#039;&amp;#039; expounds the &amp;#039;&amp;#039;&amp;#039;chivalric-historical&amp;#039;&amp;#039;&amp;#039; side of the same tradition: the Arthurian-Grail cycle as a &amp;#039;&amp;#039;&amp;#039;pre-Christian initiatic mystery&amp;#039;&amp;#039;&amp;#039; that traversed the Middle Ages as the &amp;#039;&amp;#039;&amp;#039;symbolic-spiritual arm of the Ghibelline idea of the Empire&amp;#039;&amp;#039;&amp;#039;, and which in subsequent centuries flowed into the rites of the &amp;#039;&amp;#039;&amp;#039;[[Stretta Osservanza Templare|Stretta Osservanza Templière]]&amp;#039;&amp;#039;&amp;#039;, of the &amp;#039;&amp;#039;&amp;#039;[[Neo-Chevalerie nel XIX secolo|19th-century neo-chivalry]]&amp;#039;&amp;#039;&amp;#039; and other experiments of chivalric restoration documented by the wiki cluster.&lt;br /&gt;
&lt;br /&gt;
== I. The triple Evolian thesis ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039; Franco Cardini, in his preface to the 1978 German edition (Ansata-Verlag) taken up in subsequent translations, accurately summarizes Evola&amp;#039;s thesis in &amp;#039;&amp;#039;&amp;#039;three points&amp;#039;&amp;#039;&amp;#039;:&lt;br /&gt;
&lt;br /&gt;
# The Grail &amp;#039;&amp;#039;&amp;#039;was not a Christian mystery&amp;#039;&amp;#039;&amp;#039; but a &amp;#039;&amp;#039;&amp;#039;Hyperborean mystery&amp;#039;&amp;#039;&amp;#039; (Nordic-Aryan, pre-Christian)&lt;br /&gt;
# The Grail legend &amp;#039;&amp;#039;&amp;#039;deals with an initiatic mystery&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
# The Grail is a &amp;#039;&amp;#039;&amp;#039;symbolic expression of the hope and will of the Ghibelline ruling classes&amp;#039;&amp;#039;&amp;#039; of the Middle Ages, who wanted to reorganize the West &amp;#039;&amp;#039;&amp;#039;into a Holy Empire&amp;#039;&amp;#039;&amp;#039; on a transcendental-spiritual basis&lt;br /&gt;
&lt;br /&gt;
Cardini, as an academic medievalist, maintains the historiographical reservation: &amp;#039;&amp;#039;&amp;#039;&amp;quot;The question of whether Evola was correct in his interpretation cannot be taken for granted&amp;quot;&amp;#039;&amp;#039;&amp;#039;. But he acknowledges Evola&amp;#039;s merit in having formulated — first in Italy — a coherent and rich interpretative hypothesis, which paved the way for subsequent studies (Cardini himself, René Guénon, Henry Corbin, Joseph Campbell).&lt;br /&gt;
&lt;br /&gt;
== II. The Evolian methodology: &amp;quot;traditional&amp;quot; vs &amp;quot;historical-critical&amp;quot; ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039; Evola opens &amp;#039;&amp;#039;The Mystery of the Grail&amp;#039;&amp;#039; by clarifying his methodology, which explicitly diverges from current academic methodology:&lt;br /&gt;
&lt;br /&gt;
«&amp;#039;&amp;#039;The characteristic of the method I call &amp;quot;traditional&amp;quot; (as opposed to the profane, empirical, critical-intellectual method of modern research), consists in &amp;#039;&amp;#039;&amp;#039;emphasizing the universal character of a symbol or teaching&amp;#039;&amp;#039;&amp;#039;, and in &amp;#039;&amp;#039;&amp;#039;relating it to corresponding symbols found in other traditions&amp;#039;&amp;#039;&amp;#039;, thus establishing the presence of &amp;#039;&amp;#039;&amp;#039;something that is simultaneously superior and antecedent&amp;#039;&amp;#039;&amp;#039; to each of these formulations&amp;#039;&amp;#039;».&lt;br /&gt;
&lt;br /&gt;
Operative example that Evola gives: modern scholars, when they find a correspondence between the Grail and a Persian symbol, &amp;#039;&amp;#039;&amp;#039;&amp;quot;proudly announce to the world: &amp;#039;the Grail is a Persian symbol!&amp;#039;&amp;quot;&amp;#039;&amp;#039;&amp;#039;. But &amp;quot;&amp;#039;&amp;#039;this amounts to a random shift of perspective in a two-dimensional model. It is not a search for that &amp;#039;&amp;#039;&amp;#039;point of observation&amp;#039;&amp;#039;&amp;#039; which, more than others, can help lead from the two surface dimensions to the &amp;#039;&amp;#039;&amp;#039;third dimension&amp;#039;&amp;#039;&amp;#039;, that is, &amp;#039;&amp;#039;&amp;#039;depth&amp;#039;&amp;#039;&amp;#039;, which can act as a &amp;#039;&amp;#039;&amp;#039;conductor&amp;#039;&amp;#039;&amp;#039; or as an &amp;#039;&amp;#039;&amp;#039;ordering center&amp;#039;&amp;#039;&amp;#039; for all other data&amp;#039;&amp;#039;».&lt;br /&gt;
&lt;br /&gt;
Key point &amp;#039;&amp;#039;&amp;#039;and&amp;#039;&amp;#039;&amp;#039; point of tension with academic historiography: Evola maintains that there is &amp;#039;&amp;#039;&amp;#039;a transmission also through non-ordinary channels&amp;#039;&amp;#039;&amp;#039;, i.e., not documentarily verifiable. It is the same methodological position documented by the wiki in &amp;#039;&amp;#039;&amp;#039;[[La Tradizione prima delle Filiazioni]]&amp;#039;&amp;#039;&amp;#039; — recognizing that &amp;#039;&amp;#039;&amp;#039;the correspondence between symbols that documentary history cannot connect&amp;#039;&amp;#039;&amp;#039; may be evidence of an underground transmissive continuity operating beneath the documents.&lt;br /&gt;
&lt;br /&gt;
== III. The Grail as a &amp;quot;Hyperborean mystery&amp;quot; ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039; Evola places the origin of Grail symbolism in a very ancient &amp;#039;&amp;#039;&amp;#039;Hyperborean tradition&amp;#039;&amp;#039;&amp;#039; (Nordic, pre-Celtic, Indo-Aryan matrix). Converging elements:&lt;br /&gt;
&lt;br /&gt;
* The &amp;#039;&amp;#039;&amp;#039;stone of kings&amp;#039;&amp;#039;&amp;#039; of the Gaelic tradition of the &amp;#039;&amp;#039;&amp;#039;Tuatha de Danaan&amp;#039;&amp;#039;&amp;#039; — foundation-stone, polar idea, symbolism of &amp;quot;drawing the sword from the stone&amp;quot; in the Arthurian cycle&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Stonehenge&amp;#039;&amp;#039;&amp;#039; and other Neolithic megalithic alignments as &amp;#039;&amp;#039;&amp;#039;&amp;quot;solar temples&amp;quot;&amp;#039;&amp;#039;&amp;#039; — the tradition of Merlin having the giant stones brought from distant peaks (&amp;quot;learn, rolling these stones, whether physical strength surpasses the spirit or the spirit surpasses physical strength&amp;quot;)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Glastonbury&amp;#039;&amp;#039;&amp;#039; in prehistoric times as a &amp;#039;&amp;#039;&amp;#039;center of primordial tradition&amp;#039;&amp;#039;&amp;#039;, with traces of a great &amp;#039;&amp;#039;&amp;#039;&amp;quot;star temple&amp;quot;&amp;#039;&amp;#039;&amp;#039; defined by ground tracings of gigantic effigies representing the constellations arranged in a circle&lt;br /&gt;
* The legend that &amp;#039;&amp;#039;&amp;#039;King Arthur did not die&amp;#039;&amp;#039;&amp;#039; but was taken &amp;quot;by the will of Our Lord Jesus Christ into another place&amp;quot; (cf. &amp;#039;&amp;#039;Le Morte D&amp;#039;Arthur&amp;#039;&amp;#039; 21.7) — corresponding to the legends of the &amp;#039;&amp;#039;&amp;#039;King of the World&amp;#039;&amp;#039;&amp;#039; (Guénon), of the &amp;#039;&amp;#039;&amp;#039;Living King Solomon&amp;#039;&amp;#039;&amp;#039; (Kabbalah), of the &amp;#039;&amp;#039;&amp;#039;Hidden Mahdi&amp;#039;&amp;#039;&amp;#039; (Shiism)&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039; Evola observes that many of these &amp;quot;legends&amp;quot; are not &amp;#039;&amp;#039;&amp;#039;medieval inventions&amp;#039;&amp;#039;&amp;#039; nor &amp;#039;&amp;#039;&amp;#039;Christian adaptations&amp;#039;&amp;#039;&amp;#039; of earlier pagan tales, but a &amp;#039;&amp;#039;&amp;#039;medieval revival of a prior tradition&amp;#039;&amp;#039;&amp;#039; that Christianization only superficially covered, leaving the initiatic structure intact underneath.&lt;br /&gt;
&lt;br /&gt;
== IV. The Grail and the Templars ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039; Key point for the wiki cluster: &amp;#039;&amp;#039;&amp;#039;the Grail in the highest texts of the Arthurian cycle is explicitly linked to the Knights Templar&amp;#039;&amp;#039;&amp;#039;. Evola cites &amp;#039;&amp;#039;&amp;#039;Wolfram von Eschenbach&amp;#039;&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Parzival&amp;#039;&amp;#039;, early 13th century):&lt;br /&gt;
&lt;br /&gt;
«&amp;#039;&amp;#039;In Wolfram, &amp;#039;&amp;#039;&amp;#039;all the Knights Templar receive nourishment from the Grail&amp;#039;&amp;#039;&amp;#039;, which is conceived as a &amp;#039;&amp;#039;&amp;#039;&amp;quot;stone&amp;quot; (lapsit exillis); &amp;quot;sie lebent von einem steine&amp;quot;&amp;#039;&amp;#039;&amp;#039; (they live from a stone). When it is brought to the dinner table, or at its magical appearance, &amp;#039;&amp;#039;&amp;#039;each knight receives what he most desires&amp;#039;&amp;#039;&amp;#039;. In this context, the mention of various physical foods&amp;#039;&amp;#039;» is a veil for the authentic nourishment — the &amp;#039;&amp;#039;&amp;#039;spiritual participation in the light of the Grail&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
Decisive historiographical consequence: &amp;#039;&amp;#039;&amp;#039;the Grail in the texts is the nourishing principle of the Templars&amp;#039;&amp;#039;&amp;#039;. It is not the metaphor of just any food but &amp;#039;&amp;#039;&amp;#039;the initiatic doctrine that nourished the Order&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039; And again: «&amp;#039;&amp;#039;When Innocent III accused the &amp;#039;&amp;#039;&amp;#039;Knights Templar&amp;#039;&amp;#039;&amp;#039; of &amp;quot;&amp;#039;&amp;#039;following doctrines of demons&amp;#039;&amp;#039;&amp;quot; (utentes doctrinis daemonorum), he certainly had in mind the &amp;#039;&amp;#039;&amp;#039;anti-Christolatric mysteries&amp;#039;&amp;#039;&amp;#039; of the Knights Templar&amp;#039;&amp;#039;». That is, the Roman Church knew — already around 1200 — that the Templars guarded &amp;#039;&amp;#039;&amp;#039;pre-Christian initiatic doctrines&amp;#039;&amp;#039;&amp;#039; that did not coincide with current Christian dogma.&lt;br /&gt;
&lt;br /&gt;
== V. The Grail and the Ghibelline idea of the Empire ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039; Cardini and Evola converge: the Grail is a &amp;#039;&amp;#039;&amp;#039;symbol of the restoration of the Ghibelline imperial idea&amp;#039;&amp;#039;&amp;#039;. Concretely:&lt;br /&gt;
&lt;br /&gt;
* The &amp;#039;&amp;#039;&amp;#039;struggle between papacy and empire&amp;#039;&amp;#039;&amp;#039; of the 12th-14th centuries is not only political&lt;br /&gt;
* For the Ghibellines (supporters of the Emperor against the Pope), &amp;#039;&amp;#039;&amp;#039;the Empire&amp;#039;&amp;#039;&amp;#039; is a &amp;#039;&amp;#039;&amp;#039;sacral&amp;#039;&amp;#039;&amp;#039; idea, the &amp;#039;&amp;#039;&amp;#039;legacy of Rome&amp;#039;&amp;#039;&amp;#039; as the spiritual center of the world before Roman Christianization&lt;br /&gt;
* The Grail is &amp;#039;&amp;#039;&amp;#039;the &amp;quot;spiritual center&amp;quot; towards which the Ghibelline Empire tends&amp;#039;&amp;#039;&amp;#039; — not a physical object but the principle of sovereign legitimacy&lt;br /&gt;
* Knights (Templars, Hospitallers, Teutonics), poets (Wolfram, Chrétien de Troyes, and then the Italian &amp;#039;&amp;#039;&amp;#039;[[I Fedeli d&amp;#039;Amore|Fedeli d&amp;#039;Amore]]&amp;#039;&amp;#039;&amp;#039;), and Ghibelline theologians form &amp;#039;&amp;#039;&amp;#039;a network&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
Evola summarizes: «&amp;#039;&amp;#039;The silent problem of the Ghibelline Middle Ages was expressed in the fundamental theme of that cycle of legends: the need for a hero who would restore the connection between the Imperium and the metaphysical principle, and who would avenge the &amp;quot;Wounded King&amp;quot; (the Empire in decline), restoring the Grail — that is, the sacred legitimation — to its center&amp;#039;&amp;#039;». See &amp;#039;&amp;#039;&amp;#039;[[Il Gruppo di UR-KRUR]]&amp;#039;&amp;#039;&amp;#039; sect. V (KRUR essays 1929 on &amp;#039;&amp;#039;&amp;#039;Aristocracy&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;Spiritual authority and temporal power&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;The Dawn of the West&amp;#039;&amp;#039;&amp;#039;).&lt;br /&gt;
&lt;br /&gt;
== VI. The Italian traces: Dante, Cavalcanti, the Fedeli d&amp;#039;Amore ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039; Evola dedicates to the chapter on the Italian 14th century an analysis converging with that of &amp;#039;&amp;#039;&amp;#039;Reghini&amp;#039;&amp;#039;&amp;#039;. Reghini had written, already in &amp;#039;&amp;#039;&amp;#039;1921&amp;#039;&amp;#039;&amp;#039; (journal &amp;#039;&amp;#039;Nuovo Patto&amp;#039;&amp;#039;), an essay on &amp;#039;&amp;#039;&amp;#039;&amp;quot;Esoteric Allegory in Dante&amp;quot;&amp;#039;&amp;#039;&amp;#039; which precedes by seven years the famous essay &amp;#039;&amp;#039;The Secret Language of the Fedeli d&amp;#039;Amore&amp;#039;&amp;#039; (UR 1928, under the pseudonym Pietro Negri), which in turn precedes Evola&amp;#039;s book on the Grail:&lt;br /&gt;
&lt;br /&gt;
«&amp;#039;&amp;#039;Under the literal sense of the Comedy, that is, under Dante&amp;#039;s pilgrimage through the three kingdoms of Hell, Purgatory and Paradise, there undoubtedly hides an allegory. There is no need for Dante&amp;#039;s explicit declarations on the matter to be certain of this. This allegory is not simple, but multiple, and commentators usually recognize two aspects, the moral and the political [...]. The political allegory reveals with all certainty a &amp;#039;&amp;#039;&amp;#039;Dante partisan of the Empire&amp;#039;&amp;#039;&amp;#039; and &amp;#039;&amp;#039;&amp;#039;bitter enemy of the Church&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;open defender of that order of Templars&amp;#039;&amp;#039;&amp;#039; condemned and fiercely persecuted for heresy by the Church, a Dante who exalts Caesar, the Roman Empire, classical civilization, and who elects as his guide, master and lord &amp;#039;&amp;#039;&amp;#039;Virgil the Pythagorean and imperialist&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;». — Arturo Reghini, &amp;#039;&amp;#039;L&amp;#039;allegoria esoterica in Dante&amp;#039;&amp;#039; (1921)&lt;br /&gt;
&lt;br /&gt;
Reghini argues — and Evola will take it up in &amp;#039;&amp;#039;The Mystery of the Grail&amp;#039;&amp;#039; and in the essay on the Fedeli d&amp;#039;Amore — that &amp;#039;&amp;#039;&amp;#039;the Comedy contains a third allegory&amp;#039;&amp;#039;&amp;#039; besides the moral and political one: &amp;#039;&amp;#039;&amp;#039;the esoteric-initiatic allegory&amp;#039;&amp;#039;&amp;#039;, according to which Dante&amp;#039;s pilgrimage through the three kingdoms is the candidate&amp;#039;s pilgrimage through the three degrees of initiation (purification, illumination, mystical union — corresponding to the three phases of the alchemical work: black, white, red).&lt;br /&gt;
&lt;br /&gt;
See &amp;#039;&amp;#039;&amp;#039;[[I Fedeli d&amp;#039;Amore]]&amp;#039;&amp;#039;&amp;#039; for the complete picture: Dante, Cavalcanti, Cino da Pistoia, Guido delle Colonne as an &amp;#039;&amp;#039;&amp;#039;initiatic school disguised as love poets&amp;#039;&amp;#039;&amp;#039;, and — according to Reghini-Evola — &amp;#039;&amp;#039;&amp;#039;linked to the Templars&amp;#039;&amp;#039;&amp;#039; during the period of their persecution (the French Templars are arrested in 1307, Dante writes the &amp;#039;&amp;#039;Inferno&amp;#039;&amp;#039; between 1308 and 1312, episodes that have an undoubted relationship with each other).&lt;br /&gt;
&lt;br /&gt;
== VII. Prester John, Alexander the Great, the Dry Tree ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039; An important section of &amp;#039;&amp;#039;The Mystery of the Grail&amp;#039;&amp;#039; deals with the parallel legends of the imperial-Grail cycle:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Prester John&amp;#039;&amp;#039;&amp;#039; — legendary priest-king of an eastern land (variously located in Ethiopia, India, Central Asia) who would guard the spiritual center of Christianity in future times. Evola connects him to the Guénonian &amp;#039;&amp;#039;&amp;#039;King of the World&amp;#039;&amp;#039;&amp;#039; and the Shiite &amp;#039;&amp;#039;&amp;#039;Mahdi&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;The Dry Tree&amp;#039;&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Arbre Sec&amp;#039;&amp;#039; / &amp;#039;&amp;#039;Durre Baum&amp;#039;&amp;#039;) — a leafless tree that will cover its branches only upon the return of the legitimate Emperor. Symbol of the &amp;quot;sterility&amp;quot; of the age awaiting fulfillment&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Alexander the Great&amp;#039;&amp;#039;&amp;#039; — imperial figure who entered medieval legends as a prefiguration of the future restorer. His alleged &amp;quot;conversations with the Eastern sages&amp;quot; (the Indian &amp;#039;&amp;#039;&amp;#039;gymnosophists&amp;#039;&amp;#039;&amp;#039;) are the prototype of the candidate&amp;#039;s &amp;quot;initiatic pilgrimage&amp;quot;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Numa Pompilius&amp;#039;&amp;#039;&amp;#039; as &amp;#039;&amp;#039;pignus imperii&amp;#039;&amp;#039; (pledge of the Empire) — the religious founder of Rome who would have guarded the sacred symbols of sovereignty&lt;br /&gt;
&lt;br /&gt;
All these legends — Evola maintains — &amp;#039;&amp;#039;&amp;#039;are variants of the same idea&amp;#039;&amp;#039;&amp;#039;: legitimate sovereignty needs &amp;#039;&amp;#039;&amp;#039;a metaphysical legitimation&amp;#039;&amp;#039;&amp;#039; that the Church cannot confer, because it itself claims to be that legitimation. The Grail is &amp;#039;&amp;#039;&amp;#039;the other pole&amp;#039;&amp;#039;&amp;#039; of this legitimation — &amp;#039;&amp;#039;&amp;#039;not clerical&amp;#039;&amp;#039;&amp;#039; but &amp;#039;&amp;#039;&amp;#039;chivalric&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;not monastic&amp;#039;&amp;#039;&amp;#039; but &amp;#039;&amp;#039;&amp;#039;royal&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
== VIII. Legacy: from the Templars to the Rosicrucians to the SOT ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039; Evola concludes the book by maintaining a continuity of the Grail-Templar tradition through subsequent eras: «&amp;#039;&amp;#039;The Renaissance occurred some time after the destruction of the Order of the Knights Templar, which was followed, especially in Italy, France and partly in England, by the organization in a more secret form&amp;#039;&amp;#039;» of the same legacy.&lt;br /&gt;
&lt;br /&gt;
Concretely: the Templars dissolved in 1314 dispersed their tradition into:&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;British operative and later speculative Freemasonry&amp;#039;&amp;#039;&amp;#039; (17th-18th cent.) — see &amp;#039;&amp;#039;&amp;#039;[[Crata Repoa]]&amp;#039;&amp;#039;&amp;#039; and &amp;#039;&amp;#039;&amp;#039;[[La Tradizione Ermetica nella Massoneria]]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Rosicrucianism&amp;#039;&amp;#039;&amp;#039; (17th-18th cent.) — see &amp;#039;&amp;#039;&amp;#039;[[Confraternita dellAurea Rosacroce]]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Stretta Osservanza Templière&amp;#039;&amp;#039;&amp;#039; of von Hund (1751) — see &amp;#039;&amp;#039;&amp;#039;[[Stretta Osservanza Templare]]&amp;#039;&amp;#039;&amp;#039; which explicitly takes up the direct Templar claim&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Egyptian Rite&amp;#039;&amp;#039;&amp;#039; of Cagliostro (1784) — see &amp;#039;&amp;#039;&amp;#039;[[Cagliostro e il Rito Egizio]]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Rite of Misraïm and Memphis&amp;#039;&amp;#039;&amp;#039; (19th cent.) — see &amp;#039;&amp;#039;&amp;#039;[[Le Filiazioni dei Riti Egizi]]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Neo-Chivalry&amp;#039;&amp;#039;&amp;#039; (19th cent.) — see &amp;#039;&amp;#039;&amp;#039;[[Neo-Chevalerie nel XIX secolo]]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
The Grail thus continues to operate as a &amp;#039;&amp;#039;&amp;#039;&amp;quot;spiritual center&amp;quot;&amp;#039;&amp;#039;&amp;#039; even in its modern forms. The 19th-20th century SRIA, whose most notable figures (Westcott, Mackenzie) sought an operative restoration, are — according to Evola — the distant heirs of Wolfram and the Templars.&lt;br /&gt;
&lt;br /&gt;
== IX. Convergences and tensions with the wiki cluster ==&lt;br /&gt;
&lt;br /&gt;
=== Convergence with [[Stretta Osservanza Templare]] ===&lt;br /&gt;
&lt;br /&gt;
The Evolian thesis on the Grail-Templars is &amp;#039;&amp;#039;&amp;#039;fully compatible&amp;#039;&amp;#039;&amp;#039; with the historiographical documentation of &amp;#039;&amp;#039;&amp;#039;Boella-Galli&amp;#039;&amp;#039;&amp;#039; (cf. &amp;#039;&amp;#039;&amp;#039;[[Stretta Osservanza Templare]]&amp;#039;&amp;#039;&amp;#039; sect. III): von Hund&amp;#039;s SOT explicitly claimed the chain &amp;#039;&amp;#039;&amp;#039;Essenes → Canons of the Temple of Jerusalem → medieval Templars → nuclei in Scotland, Auvergne, Italy (Florence) → 18th-century reformulation&amp;#039;&amp;#039;&amp;#039;. Evola and Boella-Galli converge on two points: &amp;#039;&amp;#039;&amp;#039;(a)&amp;#039;&amp;#039;&amp;#039; the Templars were bearers of a pre-Christian initiatic tradition; &amp;#039;&amp;#039;&amp;#039;(b)&amp;#039;&amp;#039;&amp;#039; their formal destruction in 1314 did not eliminate the tradition, which continued under other names.&lt;br /&gt;
&lt;br /&gt;
=== Convergence with [[Giudicelli|Doctrine du Corps Immortel]] ===&lt;br /&gt;
&lt;br /&gt;
Giudicelli (cf. &amp;#039;&amp;#039;&amp;#039;[[La Doctrine du Corps Immortel]]&amp;#039;&amp;#039;&amp;#039; sect. VI) explicitly deals with the &amp;#039;&amp;#039;&amp;#039;&amp;quot;chevalier ferré&amp;quot;&amp;#039;&amp;#039;&amp;#039; — the knight who has completed the internal alchemical work and has integrated &amp;#039;&amp;#039;&amp;#039;the sword&amp;#039;&amp;#039;&amp;#039; as a chivalric symbol with &amp;#039;&amp;#039;&amp;#039;the work in red&amp;#039;&amp;#039;&amp;#039; as fulfillment. The convergence with Evola is remarkable: both see in initiatic chivalry &amp;#039;&amp;#039;&amp;#039;a parallel and equivalent path&amp;#039;&amp;#039;&amp;#039; to the Hermetic-alchemical one, which works with different instruments on the same inner plane.&lt;br /&gt;
&lt;br /&gt;
=== Critical tension: the political dimension ===&lt;br /&gt;
&lt;br /&gt;
Key point where &amp;#039;&amp;#039;&amp;#039;the Paret-ISI-CNV School needs to clarify its position&amp;#039;&amp;#039;&amp;#039;: the Evolian reading of the Grail &amp;#039;&amp;#039;&amp;#039;includes a political dimension&amp;#039;&amp;#039;&amp;#039; (the Ghibelline idea of the Empire against the Papacy; the critique of modern democracy; the later theses of the post-war Evola). The School &amp;#039;&amp;#039;&amp;#039;does not adhere&amp;#039;&amp;#039;&amp;#039; to this political dimension: it recognizes in Evola a great interpreter of medieval symbolism and a philosophical-traditional synthesizer, but &amp;#039;&amp;#039;&amp;#039;separates&amp;#039;&amp;#039;&amp;#039; the doctrinal-initiatic plane (recognized) from the political-ideological one (left to the reader with their own responsibility). The principle is consistent with the Kremmerzian one: &amp;#039;&amp;#039;&amp;#039;the initiatic tradition is not a political doctrine&amp;#039;&amp;#039;&amp;#039;, and using it as such is a misunderstanding.&lt;br /&gt;
&lt;br /&gt;
== X. Living practice in the School ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Declared section: living practice of the Paret School (ISI-CNV).&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
In the School, &amp;#039;&amp;#039;The Mystery of the Grail&amp;#039;&amp;#039; is &amp;#039;&amp;#039;&amp;#039;study material&amp;#039;&amp;#039;&amp;#039; for students who have completed the Hermetic propaedeutics (the study of &amp;#039;&amp;#039;La Tradizione Ermetica&amp;#039;&amp;#039;). Specifically:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Evola&amp;#039;s traditional methodology&amp;#039;&amp;#039;&amp;#039; (seeing correspondences on the plane of symbols beyond the plane of historical documents) is a &amp;#039;&amp;#039;&amp;#039;reading method&amp;#039;&amp;#039;&amp;#039; that the School teaches to apply with discernment — &amp;#039;&amp;#039;&amp;#039;not&amp;#039;&amp;#039;&amp;#039; as a license to invent but &amp;#039;&amp;#039;&amp;#039;as a tool&amp;#039;&amp;#039;&amp;#039; to recognize hidden transmissions, when they exist.&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;The symbolism of the Grail&amp;#039;&amp;#039;&amp;#039; (the nourishing stone, the cup, the &amp;quot;lapsit exillis&amp;quot;, the dry tree) is &amp;#039;&amp;#039;&amp;#039;internal lexicon&amp;#039;&amp;#039;&amp;#039; that the School uses in advanced work — not as literary ornament but as &amp;#039;&amp;#039;&amp;#039;operative indication&amp;#039;&amp;#039;&amp;#039; of internal states that the candidate traverses.&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;The idea of the knight&amp;#039;&amp;#039;&amp;#039; as an initiatic model (one who forges the internal sword, who accepts the trial, who keeps one&amp;#039;s word, who serves a disinterested higher purpose) is an &amp;#039;&amp;#039;&amp;#039;educational pillar&amp;#039;&amp;#039;&amp;#039; of the School. The candidate must not be a priest nor a monk, must be a &amp;#039;&amp;#039;&amp;#039;knight&amp;#039;&amp;#039;&amp;#039; — consistent with the Evolian formulation of the &amp;quot;heroic and non-priestly conception&amp;quot; of the Hermetic initiate (cf. &amp;#039;&amp;#039;&amp;#039;[[Evola e Reghini e la Tradizione Ermetica]]&amp;#039;&amp;#039;&amp;#039; sect. III).&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;The distinction between the operative dimension and the political dimension&amp;#039;&amp;#039;&amp;#039; is clear and declared in the School: Evola is studied for his operative-symbolic contribution, &amp;#039;&amp;#039;&amp;#039;not&amp;#039;&amp;#039;&amp;#039; for his political positions (which each person evaluates in their own responsibility as a citizen, but which do not enter into the initiatic teaching of the School).&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;The critical caveat&amp;#039;&amp;#039;&amp;#039;: Evola was an exceptional intelligence but his synthesis is not infallible. Academic historiography has made some corrections to his theses (Cardini himself, though a prefacer, maintains reservations). The School receives them with discernment: &amp;#039;&amp;#039;&amp;#039;rigorous study, not veneration&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
== Documentation status ==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
! Statement !! Status !! Source&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;Il Mistero del Graal&amp;#039;&amp;#039; Laterza 1937 by Julius Evola || ✅ VERIFIED || canonical edition&lt;br /&gt;
|-&lt;br /&gt;
| Triple thesis: (1) non-Christian Hyperborean mystery (2) initiatic mystery (3) Ghibelline will of the Empire || ✅ VERIFIED || Cardini foreword 1978 — [https://drive.google.com/file/d/14MYUNHk8j5EvxCtokcjkau9pHsIrXm-4/view Drive Mistero Graal]&lt;br /&gt;
|-&lt;br /&gt;
| Evola&amp;#039;s &amp;quot;traditional&amp;quot; methodology opposed to the &amp;quot;historical-critical&amp;quot; euhemerist one || ✅ VERIFIED || Evola intro Mistero Graal — Drive&lt;br /&gt;
|-&lt;br /&gt;
| Hyperborean traces: Tuatha de Danaan, Stonehenge, Glastonbury as star temple, King Arthur not dead || ✅ VERIFIED || Mistero Graal ch. II-III — Drive&lt;br /&gt;
|-&lt;br /&gt;
| Wolfram von Eschenbach: &amp;quot;sie lebent von einem steine&amp;quot;; Templars nourished by the Grail-stone (lapsit exillis) || ✅ VERIFIED || Mistero Graal ch. on Parzival — Drive&lt;br /&gt;
|-&lt;br /&gt;
| Innocent III accuses Templars of &amp;quot;utentes doctrinis daemonorum&amp;quot; (anti-Christolatry) || ✅ VERIFIED || Mistero Graal — Drive&lt;br /&gt;
|-&lt;br /&gt;
| Reghini &amp;#039;&amp;#039;L&amp;#039;allegoria esoterica in Dante&amp;#039;&amp;#039; (Nuovo Patto September-November 1921), precedes UR 1928 || ✅ VERIFIED || file &amp;#039;&amp;#039;Fedeli d&amp;#039;Amore&amp;#039;&amp;#039; Drive with reprint of Reghini 1921 essay — [https://drive.google.com/file/d/1E4e4BJFOGBTEcAgqyGQuMcVzXieokgf5/view Drive]&lt;br /&gt;
|-&lt;br /&gt;
| Reghini: &amp;quot;Dante open defender of the order of Templars condemned and persecuted for heresy&amp;quot; || ✅ VERIFIED || Reghini &amp;#039;&amp;#039;L&amp;#039;allegoria esoterica in Dante&amp;#039;&amp;#039; 1921 — Drive&lt;br /&gt;
|-&lt;br /&gt;
| Dante&amp;#039;s guide Virgil = &amp;quot;Pythagorean and imperialist&amp;quot; according to Reghini || ✅ VERIFIED || Reghini essay 1921 — Drive&lt;br /&gt;
|-&lt;br /&gt;
| Templars arrested 1307, Inferno written 1308-1312 (chronological overlap) || ✅ VERIFIED || consolidated historiography&lt;br /&gt;
|-&lt;br /&gt;
| Continuity Templars→Freemasonry/Rosicrucians/SOT/Cagliostro/Misraïm/Neo-Chivalry || ⚠️ CONSOLIDATED HISTORIOGRAPHY || Le Forestier; Boella-Galli; see wiki cluster pages&lt;br /&gt;
|-&lt;br /&gt;
| Prester John, Dry Tree, Alexander as variations of the imperial-Grail cycle || ✅ VERIFIED || Mistero Graal chs. IV-V — Drive&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Sources ==&lt;br /&gt;
&lt;br /&gt;
* [https://drive.google.com/file/d/14MYUNHk8j5EvxCtokcjkau9pHsIrXm-4/view &amp;#039;&amp;#039;The Mystery of the Grail&amp;#039;&amp;#039; by Julius Evola, English translation Inner Traditions with preface by Franco Cardini — Drive ISI-CNV] — &amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039; — main source of this page&lt;br /&gt;
* [https://drive.google.com/file/d/1E4e4BJFOGBTEcAgqyGQuMcVzXieokgf5/view Collection &amp;#039;&amp;#039;I Fedeli d&amp;#039;Amore&amp;#039;&amp;#039; (UR 1928 essay by Pietro Negri/Reghini + two earlier essays by Reghini, 1921 and others) — Drive ISI-CNV] — &amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039; — contains Reghini essay &amp;#039;&amp;#039;L&amp;#039;allegoria esoterica in Dante&amp;#039;&amp;#039; (1921)&lt;br /&gt;
* Julius Evola, &amp;#039;&amp;#039;Il Mistero del Graal e la Tradizione Ghibellina dell&amp;#039;Impero&amp;#039;&amp;#039;, Laterza, Bari, 1937 (subsequent editions: Ceschina 1962; Mediterranee 1972 and later) — &amp;#039;&amp;#039;&amp;#039;[primary source, canonical Italian edition]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* Arturo Reghini, &amp;#039;&amp;#039;Il linguaggio segreto dei Fedeli d&amp;#039;Amore&amp;#039;&amp;#039;, in &amp;#039;&amp;#039;UR&amp;#039;&amp;#039; year II (1928) under pseudonym Pietro Negri — &amp;#039;&amp;#039;&amp;#039;[primary source]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* Arturo Reghini, &amp;#039;&amp;#039;L&amp;#039;allegoria esoterica in Dante&amp;#039;&amp;#039;, in &amp;#039;&amp;#039;Nuovo Patto&amp;#039;&amp;#039;, September-November 1921 — &amp;#039;&amp;#039;&amp;#039;[primary source, prefigures the UR 1928 essay]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* Wolfram von Eschenbach, &amp;#039;&amp;#039;Parzival&amp;#039;&amp;#039; (ca. 1200-1210) — &amp;#039;&amp;#039;&amp;#039;[medieval primary source]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* Chrétien de Troyes, &amp;#039;&amp;#039;Le Conte du Graal&amp;#039;&amp;#039; (Perceval, ca. 1180-1190) — &amp;#039;&amp;#039;&amp;#039;[medieval primary source]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* Luigi Valli, &amp;#039;&amp;#039;Il Linguaggio Segreto di Dante e dei Fedeli d&amp;#039;Amore&amp;#039;&amp;#039;, Optima, Rome, 1928 — &amp;#039;&amp;#039;&amp;#039;[contemporary source of Reghini, cited in the UR 1928 essay]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* Franco Cardini (medievalist, professor of medieval history), preface to the German edition &amp;#039;&amp;#039;Das Mysterium des Grals&amp;#039;&amp;#039;, Ansata-Verlag, Interlaken, 1978 — &amp;#039;&amp;#039;&amp;#039;[academic historiographical source]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
* [[Paul-Georges Sansonetti]]&lt;br /&gt;
* [[La tradizione cavalleresca come via delluomo al rosso|La tradizione cavalleresca]]&lt;br /&gt;
* [[Wolinsky e la deconcettualizzazione]]&lt;br /&gt;
* [[Il Risveglio]]&lt;br /&gt;
* [[Athanasius Kircher SJ alchimista e magnetista|Athanasius Kircher SJ]]&lt;br /&gt;
* [[Alchimia e Magnetismo]]&lt;br /&gt;
&lt;br /&gt;
* [[Evola e Reghini e la Tradizione Ermetica]]&lt;br /&gt;
* [[Il Gruppo di UR-KRUR]]&lt;br /&gt;
* [[I Fedeli d&amp;#039;Amore]]&lt;br /&gt;
* [[Stretta Osservanza Templare]]&lt;br /&gt;
* [[Neo-Chevalerie nel XIX secolo]]&lt;br /&gt;
* [[Convento di Wilhelmsbad]]&lt;br /&gt;
* [[La Doctrine du Corps Immortel]]&lt;br /&gt;
* [[Il Lavoro sui Quattro Corpi dellUomo|Il Lavoro sui Quattro Corpi dell&amp;#039;Uomo]]&lt;br /&gt;
* [[La Voie des Sons]]&lt;br /&gt;
* [[Cagliostro e il Rito Egizio]]&lt;br /&gt;
* [[Crata Repoa]]&lt;br /&gt;
* [[Confraternita dellAurea Rosacroce|Confraternita dell&amp;#039;Aurea Rosacroce]]&lt;br /&gt;
* [[Kremmerz e Ordine Osirideo Egizio]]&lt;br /&gt;
* [[Arcana Arcanorum]]&lt;br /&gt;
* [[Martines de Pasqually e la Reintegrazione]]&lt;br /&gt;
* [[Massoneria Egizia e Magnetismo]]&lt;br /&gt;
* [[Le Filiazioni dei Riti Egizi]]&lt;br /&gt;
* [[La Tradizione prima delle Filiazioni]]&lt;br /&gt;
* [[La Tradizione Ermetica nella Massoneria]]&lt;br /&gt;
* [[Portale della Tradizione Ermetica]]&lt;br /&gt;
* [[Portale della Tradizione Magnetica]]&lt;br /&gt;
&lt;br /&gt;
[[Categoria:Tradizione Ermetica]]&lt;br /&gt;
[[Categoria:Linea italiana]]&lt;br /&gt;
[[Categoria:Novecento esoterico]]&lt;br /&gt;
[[Categoria:Cavalleria]]&lt;br /&gt;
[[Categoria:Tradizione templare]]&lt;br /&gt;
[[Categoria:Medioevo iniziatico]]&lt;/div&gt;</summary>
		<author><name>WikiBot</name></author>
	</entry>
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