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	<title>Fascinazione - Cronologia</title>
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		<title>WikiBot: Aggiunta sezione sulle utilità contemporanee: attenzione, regolazione, embodiment, applicazioni cliniche integrative, relazioni, sviluppo interiore, etica e confini delle evidenze; aggiornati i riferimenti scientifici.</title>
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		<updated>2026-07-17T10:46:01Z</updated>

		<summary type="html">&lt;p&gt;Aggiunta sezione sulle utilità contemporanee: attenzione, regolazione, embodiment, applicazioni cliniche integrative, relazioni, sviluppo interiore, etica e confini delle evidenze; aggiornati i riferimenti scientifici.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 10:46, 17 lug 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l48&quot;&gt;Riga 48:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 48:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Il filo che le unisce è il [[Magnetismo Personale|magnetismo personale]]: la fascinazione non è un trucco dell&amp;#039;occhio, ma la manifestazione visibile di una [[Presenza|presenza]] costruita. Sul piano dei [[Magnetic Passes|passi magnetici]] essa rappresenta il polo dell&amp;#039;azione istantanea, opposto e complementare al lavoro lento per accumulo.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Il filo che le unisce è il [[Magnetismo Personale|magnetismo personale]]: la fascinazione non è un trucco dell&amp;#039;occhio, ma la manifestazione visibile di una [[Presenza|presenza]] costruita. Sul piano dei [[Magnetic Passes|passi magnetici]] essa rappresenta il polo dell&amp;#039;azione istantanea, opposto e complementare al lavoro lento per accumulo.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== 5. Nota etica ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== 5&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. Utilità contemporanee ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In una lettura contemporanea, l&#039;utilità della fascinazione risiede soprattutto nella capacità di &#039;&#039;&#039;orientare l&#039;attenzione, modificare il tono corporeo e creare una relazione percettiva intensa&#039;&#039;&#039;. Nel Metodo Paret il punto decisivo è lo stato della persona: la parola e la suggestione, quando vengono impiegate, arrivano dopo il lavoro compiuto da sguardo, postura, distanza, respiro e presenza.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;La ricerca scientifica offre dati su diversi elementi che compongono questo processo — attenzione focalizzata, assorbimento, modificazioni percettive, coordinazione interpersonale ed effetti clinici dell&#039;ipnosi — mentre gli studi dedicati specificamente alla fascinazione non verbale restano più limitati. Conviene quindi distinguere le applicazioni formative e relazionali dagli impieghi clinici, che richiedono competenza professionale.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== 5.1 Attenzione, focus e uscita dall&#039;iper-mentalizzazione ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;La fissazione dello sguardo riduce progressivamente il peso degli stimoli periferici e favorisce l&#039;&#039;&#039;&#039;assorbimento&#039;&#039;&#039;, cioè il coinvolgimento pieno in un&#039;esperienza. In condizioni sperimentali particolari — dieci minuti di sguardo reciproco e bassa illuminazione — sono state osservate alterazioni transitorie della percezione del volto e del senso ordinario di realtà. Questi risultati mostrano quanto il contatto oculare prolungato possa riorganizzare l&#039;esperienza percettiva, pur senza coincidere automaticamente con la tecnica completa del Metodo Paret.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sul piano pratico, la fascinazione può essere usata per:&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* interrompere per alcuni minuti il rimuginio e il sovraccarico attentivo;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* passare dal pensiero ripetitivo al sentire corporeo;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* prepararsi a un compito creativo, a una prestazione o a un intervento pubblico;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* allenare concentrazione, stabilità dello sguardo e presenza nel momento.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gli studi di neuroimmagine sull&#039;ipnosi descrivono modificazioni nella connettività fra reti attentive, esecutive, di salienza e &#039;&#039;Default Mode Network&#039;&#039; — la rete associata al pensiero autoriferito e alla mente che vaga. Parlano dunque di &#039;&#039;&#039;modulazione&#039;&#039;&#039; delle reti cerebrali, non di un semplice «spegnimento» della mente.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== 5.2 Regolazione dell&#039;arousal e recupero dallo stress ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Per &#039;&#039;&#039;arousal&#039;&#039;&#039; si intende il livello di attivazione dell&#039;organismo, che può andare dalla quiete alla massima allerta. L&#039;operatore osserva respiro, tono muscolare, postura, deglutizione, ammiccamento e micro-movimenti, adattando ritmo e intensità. Una presenza stabile può facilitare il passaggio dall&#039;allerta dispersiva a una &#039;&#039;&#039;calma vigile&#039;&#039;&#039;: il corpo rallenta mentre l&#039;attenzione resta viva.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nella lettura polivagale adottata dal Metodo Paret, la &#039;&#039;&#039;neurocezione&#039;&#039;&#039; è la valutazione automatica dei segnali di sicurezza o pericolo; la &#039;&#039;&#039;co-regolazione&#039;&#039;&#039; è l&#039;influenza reciproca attraverso cui due persone accordano, in parte, i rispettivi stati fisiologici. Questi concetti offrono una cornice per comprendere perché lo stato dell&#039;operatore conti quanto il gesto tecnico: volto, respiro, distanza e congruenza possono rendere l&#039;esperienza più prevedibile e sicura.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;L&#039;utilità moderna riguarda soprattutto il recupero dopo periodi di sovraccarico, l&#039;apprendimento dell&#039;autoregolazione e la prevenzione dell&#039;accumulo di tensione. La letteratura su ipnosi e &#039;&#039;mindful hypnotherapy&#039;&#039; segnala risultati promettenti su ansia, stress e distress psicologico; l&#039;efficacia specifica della fascinazione per il burnout richiede ancora studi dedicati.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== 5.3 Embodiment e accesso alle emozioni ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Embodiment&#039;&#039;&#039; significa riconoscere che pensieri ed emozioni prendono forma nel corpo: nel respiro, nella postura, nella tensione, nel calore, nel peso e nell&#039;impulso al movimento. La fascinazione rende spesso questi segnali più evidenti. Per chi comprende intellettualmente un problema ma fatica a sentirlo, ciò può aprire un accesso esperienziale diverso dal dialogo ordinario.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Le utilità principali sono:&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* aumentare la consapevolezza delle sensazioni interne;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* riconoscere più precocemente l&#039;avvio di una reazione emotiva;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* sperimentare immobilità, movimento e rilascio entro una relazione guidata;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* integrare comprensione mentale e risposta corporea.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nel lavoro sul trauma questa possibilità assume carattere clinico. Tremori, sospiri o variazioni posturali sono segnali da osservare e integrare, non prove automatiche di risoluzione. Servono stabilizzazione, consenso, dosaggio dell&#039;intensità e competenza specifica, evitando esposizioni forzate o ricostruzioni suggestive dei ricordi.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== 5.4 Dolore, ansia e uso clinico integrativo ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Meta-analisi e revisioni sostengono l&#039;utilità dell&#039;&#039;&#039;&#039;ipnosi&#039;&#039;&#039; come intervento complementare per alcune forme di dolore e per l&#039;ansia, con risultati variabili secondo contesto, procedura e caratteristiche individuali. La fascinazione può offrire una via non verbale d&#039;ingresso nello stato ipnotico e preparare il terreno a interventi analgesici, immaginativi o di regolazione.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Questa letteratura rende plausibile l&#039;applicazione clinica, ma l&#039;efficacia della fascinazione va studiata direttamente e distinta da quella dell&#039;ipnosi verbale. In ambito sanitario o psicoterapeutico essa rientra quindi nelle competenze e nei limiti professionali dell&#039;operatore e mantiene carattere integrativo rispetto alle cure appropriate.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== 5.5 Relazioni, carisma e comunicazione ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lo sguardo reciproco è un potente segnale sociale. Gli studi di &#039;&#039;&#039;hyperscanning&#039;&#039;&#039; — registrazione simultanea dell&#039;attività cerebrale di due persone — hanno rilevato, in alcuni compiti, maggiore sincronizzazione interpersonale durante il contatto oculare. Ciò indica coordinazione attentiva e sociale; da solo, il dato non dimostra trasmissione di pensieri né efficacia terapeutica.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nel Metodo Paret l&#039;allenamento dello sguardo può sviluppare:&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* capacità di sostenere il contatto senza irrigidirsi;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* lettura più fine dei segnali corporei dell&#039;altro;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* presenza percepibile nella relazione;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* autorevolezza calma nel public speaking e nella leadership;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* maggiore profondità nell&#039;ascolto e nell&#039;incontro.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Il &#039;&#039;&#039;carisma&#039;&#039;&#039; viene così ricondotto alla congruenza: corpo, intenzione, sguardo e ritmo comunicano nella stessa direzione. L&#039;influenza nasce dalla qualità della presenza, anziché dalla pressione esercitata sull&#039;altro.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== 5.6 Pratiche contemplative e sviluppo interiore ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;La fissazione di un punto, di una fiamma o della propria immagine allo specchio appartiene a diverse tradizioni contemplative; lo &#039;&#039;trāṭaka&#039;&#039; yogico costituisce uno dei confronti più noti. Queste pratiche di auto-fascinazione differiscono dall&#039;incontro oculare con un operatore, ma condividono l&#039;allenamento dell&#039;attenzione stabile.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nel percorso individuale possono servire a:&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* raccogliere l&#039;attenzione dispersa;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* approfondire la percezione corporea;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* osservare il mutare delle immagini interne;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* sviluppare silenzio mentale, concentrazione e continuità della presenza;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* interiorizzare gradualmente lo stato sperimentato nella relazione.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In questo senso la fascinazione è una capacità umana allenabile, che si manifesta con intensità e forme diverse in ciascuna persona.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== 5.7 Comprendere e riconoscere l&#039;influenza ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Studiare la fascinazione ha anche una funzione di &#039;&#039;&#039;alfabetizzazione percettiva&#039;&#039;&#039;. Chi comprende come lo sguardo cattura l&#039;attenzione, come il corpo risponde alla salienza e come la relazione modifica la ricettività diventa più capace di riconoscere pressioni, incongruenze e tentativi di manipolazione.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;La stessa disciplina che aumenta la presenza personale può quindi rafforzare autonomia, confini e uso etico dell&#039;influenza. Il principio operativo è semplice: &#039;&#039;&#039;solo consenso, sempre&#039;&#039;&#039;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== 5.8 Confine delle evidenze ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;È scientificamente corretto parlare di risultati documentati sull&#039;ipnosi, di esperimenti sullo sguardo reciproco e di modelli plausibili di regolazione interpersonale. Restano invece ipotesi da verificare direttamente nella fascinazione: un aumento sistematico dell&#039;ossitocina, la sincronizzazione gamma dopo una durata fissa, l&#039;equivalenza fra scarica motoria e risoluzione del trauma, oppure l&#039;identità fra ogni forma di eye-gazing e trance terapeutica.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Questa distinzione rende il campo più solido: valorizza l&#039;esperienza osservabile, indica le applicazioni già ragionevoli e trasforma le affermazioni più ambiziose in programmi di ricerca.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== 6&lt;/ins&gt;. Nota etica ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;La fascinazione produce stati profondi e, come attestano le fonti dell&amp;#039;Ottocento non meno dei manuali contemporanei, il risveglio può essere difficile. Le tecniche descritte in questa wiki sono materiale di studio e di formazione, non protocolli terapeutici, e non sostituiscono in alcun caso un intervento medico o psicologico.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;La fascinazione produce stati profondi e, come attestano le fonti dell&amp;#039;Ottocento non meno dei manuali contemporanei, il risveglio può essere difficile. Le tecniche descritte in questa wiki sono materiale di studio e di formazione, non protocolli terapeutici, e non sostituiscono in alcun caso un intervento medico o psicologico.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l82&quot;&gt;Riga 82:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 168:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Paret, Marco, &amp;#039;&amp;#039;The Magnetic Gaze&amp;#039;&amp;#039;, 2011.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Paret, Marco, &amp;#039;&amp;#039;The Magnetic Gaze&amp;#039;&amp;#039;, 2011.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Paret, Marco, &amp;#039;&amp;#039;Fascinazione. Il potere nascosto dello sguardo&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Paret, Marco, &amp;#039;&amp;#039;Fascinazione. Il potere nascosto dello sguardo&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Riferimenti scientifici contemporanei ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Caputo, G. B., «Dissociation and hallucinations in dyads engaged through interpersonal gazing», &#039;&#039;Psychiatry Research&#039;&#039;, 228(3), 2015, pp. 659–663. [https://pubmed.ncbi.nlm.nih.gov/26112448/ Scheda PubMed].&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Jiang, H. et al., «Brain Activity and Functional Connectivity Associated with Hypnosis», &#039;&#039;Cerebral Cortex&#039;&#039;, 27(8), 2017, pp. 4083–4093. [https://pubmed.ncbi.nlm.nih.gov/27469596/ Scheda PubMed].&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Luft, C. D. B. et al., «Social synchronization of brain activity increases during eye-contact», &#039;&#039;Communications Biology&#039;&#039;, 5, 2022. [https://pmc.ncbi.nlm.nih.gov/articles/PMC9068716/ Testo integrale].&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Porges, S. W., «Polyvagal Theory: A Science of Safety», &#039;&#039;Frontiers in Integrative Neuroscience&#039;&#039;, 16, 2022. [https://pubmed.ncbi.nlm.nih.gov/35645742/ Scheda PubMed].&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Thompson, T. et al., «The effectiveness of hypnosis for pain relief: A systematic review and meta-analysis of 85 controlled experimental trials», &#039;&#039;Neuroscience &amp;amp; Biobehavioral Reviews&#039;&#039;, 99, 2019, pp. 298–310. [https://pubmed.ncbi.nlm.nih.gov/30790634/ Scheda PubMed].&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Valentine, K. E. et al., «The efficacy of hypnosis as a treatment for anxiety: a meta-analysis», &#039;&#039;International Journal of Clinical and Experimental Hypnosis&#039;&#039;, 67(3), 2019, pp. 336–363. [https://pubmed.ncbi.nlm.nih.gov/31251710/ Scheda PubMed].&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Padilla, V. J. et al., «Effect of Mindful Hypnotherapy on Psychological Distress: A Systematic Review and Meta-Analysis», &#039;&#039;Behavioral Sciences&#039;&#039;, 16(1), 2026. [https://pubmed.ncbi.nlm.nih.gov/41595048/ Scheda PubMed].&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Categoria:Fascinazione e Magnetismo]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Categoria:Fascinazione e Magnetismo]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<id>https://wiki.marcoparet.com/index.php?title=Fascinazione&amp;diff=4238&amp;oldid=prev</id>
		<title>WikiBot: CORREZIONE: Regazzoni e Antonio (fonti primarie OCR: Regazzoni, Ant.), non Giuseppe — errore del catalogo derivato biblioteca.libri</title>
		<link rel="alternate" type="text/html" href="https://wiki.marcoparet.com/index.php?title=Fascinazione&amp;diff=4238&amp;oldid=prev"/>
		<updated>2026-07-13T14:35:07Z</updated>

		<summary type="html">&lt;p&gt;CORREZIONE: Regazzoni e Antonio (fonti primarie OCR: Regazzoni, Ant.), non Giuseppe — errore del catalogo derivato biblioteca.libri&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 14:35, 13 lug 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l15&quot;&gt;Riga 15:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 15:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sin dall&amp;#039;origine la fascinazione è stata contesa fra due spiegazioni.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sin dall&amp;#039;origine la fascinazione è stata contesa fra due spiegazioni.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;La &#039;&#039;&#039;lettura magnetica&#039;&#039;&#039; la riconduce all&#039;azione di un fluido trasmesso dall&#039;operatore: è la posizione di [[Charles Lafontaine|Lafontaine]] (&#039;&#039;L&#039;art de magnétiser&#039;&#039;, 1847) e della tradizione che da lui discende attraverso [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Giuseppe &lt;/del&gt;Regazzoni|Regazzoni]]. Cahagnet, nel 1854, la iscrive addirittura in un &#039;&#039;traité historique et pratique de fascination&#039;&#039; di taglio apertamente magico.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;La &#039;&#039;&#039;lettura magnetica&#039;&#039;&#039; la riconduce all&#039;azione di un fluido trasmesso dall&#039;operatore: è la posizione di [[Charles Lafontaine|Lafontaine]] (&#039;&#039;L&#039;art de magnétiser&#039;&#039;, 1847) e della tradizione che da lui discende attraverso [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Antonio &lt;/ins&gt;Regazzoni|Regazzoni]]. Cahagnet, nel 1854, la iscrive addirittura in un &#039;&#039;traité historique et pratique de fascination&#039;&#039; di taglio apertamente magico.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;La &amp;#039;&amp;#039;&amp;#039;lettura fisiologica&amp;#039;&amp;#039;&amp;#039; la spiega invece senza fluido alcuno. James Braid, nel 1855, dedica alla questione un opuscolo intero — &amp;#039;&amp;#039;The Physiology of Fascination&amp;#039;&amp;#039; — sostenendo che l&amp;#039;effetto nasce dal sistema nervoso del soggetto, non da un&amp;#039;emanazione dell&amp;#039;operatore. Trent&amp;#039;anni dopo Jules Luys porterà lo stato di fascinazione in laboratorio inducendolo con specchi rotanti, e nel 1895 Preyer ne pubblicherà un caso clinico dettagliato.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;La &amp;#039;&amp;#039;&amp;#039;lettura fisiologica&amp;#039;&amp;#039;&amp;#039; la spiega invece senza fluido alcuno. James Braid, nel 1855, dedica alla questione un opuscolo intero — &amp;#039;&amp;#039;The Physiology of Fascination&amp;#039;&amp;#039; — sostenendo che l&amp;#039;effetto nasce dal sistema nervoso del soggetto, non da un&amp;#039;emanazione dell&amp;#039;operatore. Trent&amp;#039;anni dopo Jules Luys porterà lo stato di fascinazione in laboratorio inducendolo con specchi rotanti, e nel 1895 Preyer ne pubblicherà un caso clinico dettagliato.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l27&quot;&gt;Riga 27:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 27:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Prima metà dell&amp;#039;Ottocento — la fascinazione come &amp;quot;charming&amp;quot;.&amp;#039;&amp;#039;&amp;#039; Newman (&amp;#039;&amp;#039;Fascination, or The Philosophy of Charming&amp;#039;&amp;#039;, 1848) e Blakeman (1849) la trattano ancora dentro la cornice della &amp;#039;&amp;#039;animal fascination&amp;#039;&amp;#039;: il potere dello sguardo predatorio, l&amp;#039;incantamento. È un oggetto di curiosità naturalistica più che una tecnica.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Prima metà dell&amp;#039;Ottocento — la fascinazione come &amp;quot;charming&amp;quot;.&amp;#039;&amp;#039;&amp;#039; Newman (&amp;#039;&amp;#039;Fascination, or The Philosophy of Charming&amp;#039;&amp;#039;, 1848) e Blakeman (1849) la trattano ancora dentro la cornice della &amp;#039;&amp;#039;animal fascination&amp;#039;&amp;#039;: il potere dello sguardo predatorio, l&amp;#039;incantamento. È un oggetto di curiosità naturalistica più che una tecnica.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;1847–1865 — la codifica magnetica.&#039;&#039;&#039; Con Lafontaine e [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Giuseppe &lt;/del&gt;Regazzoni|Regazzoni]] la fascinazione entra nel repertorio del magnetizzatore praticante. Il &#039;&#039;Nouveau manuel du magnétiseur praticien&#039;&#039; di Regazzoni (1865) è conservato nella biblioteca della scuola, insieme a un dossier di 26 fonti primarie in 7 lingue sulle sue sedute.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;1847–1865 — la codifica magnetica.&#039;&#039;&#039; Con Lafontaine e [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Antonio &lt;/ins&gt;Regazzoni|Regazzoni]] la fascinazione entra nel repertorio del magnetizzatore praticante. Il &#039;&#039;Nouveau manuel du magnétiseur praticien&#039;&#039; di Regazzoni (1865) è conservato nella biblioteca della scuola, insieme a un dossier di 26 fonti primarie in 7 lingue sulle sue sedute.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;1882 — il metodo Donato.&amp;#039;&amp;#039;&amp;#039; Édouard Cavailhon pubblica &amp;#039;&amp;#039;La fascination magnétique&amp;#039;&amp;#039;, con prefazione firmata da Donato stesso: è il trattato canonico. Donato non inventa il fenomeno, ma ne fa un &amp;#039;&amp;#039;&amp;#039;metodo&amp;#039;&amp;#039;&amp;#039; — rapido, teatrale, replicabile, fondato sull&amp;#039;attacco oculare improvviso e sullo sforzo muscolare del soggetto (vedi [[Metodo Donato (sforzo muscolare + fascinazione rapida)]]). Le sue tournée attraversano l&amp;#039;Europa; la [[La Revue des Sciences Hypnotiques e Donato|Revue des Sciences Hypnotiques]] lo cita 46 volte. Nel 1888, ne &amp;#039;&amp;#039;La lumière sur le magnétisme&amp;#039;&amp;#039;, Donato prende posizione contro i suoi detrattori.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;1882 — il metodo Donato.&amp;#039;&amp;#039;&amp;#039; Édouard Cavailhon pubblica &amp;#039;&amp;#039;La fascination magnétique&amp;#039;&amp;#039;, con prefazione firmata da Donato stesso: è il trattato canonico. Donato non inventa il fenomeno, ma ne fa un &amp;#039;&amp;#039;&amp;#039;metodo&amp;#039;&amp;#039;&amp;#039; — rapido, teatrale, replicabile, fondato sull&amp;#039;attacco oculare improvviso e sullo sforzo muscolare del soggetto (vedi [[Metodo Donato (sforzo muscolare + fascinazione rapida)]]). Le sue tournée attraversano l&amp;#039;Europa; la [[La Revue des Sciences Hypnotiques e Donato|Revue des Sciences Hypnotiques]] lo cita 46 volte. Nel 1888, ne &amp;#039;&amp;#039;La lumière sur le magnétisme&amp;#039;&amp;#039;, Donato prende posizione contro i suoi detrattori.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l74&quot;&gt;Riga 74:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 74:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Cahagnet, Louis Alphonse, &amp;#039;&amp;#039;Magie magnétique ou traité historique et pratique de fascination, miroirs cabalistiques, apports, suspensions, pactes, talismans…&amp;#039;&amp;#039;, Paris, Baillière, 1854 (Crabtree 707).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Cahagnet, Louis Alphonse, &amp;#039;&amp;#039;Magie magnétique ou traité historique et pratique de fascination, miroirs cabalistiques, apports, suspensions, pactes, talismans…&amp;#039;&amp;#039;, Paris, Baillière, 1854 (Crabtree 707).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Braid, James, &amp;#039;&amp;#039;The Physiology of Fascination, and The Critics Criticised&amp;#039;&amp;#039;, Manchester, Grant &amp;amp; Co., 1855 (Crabtree 738).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Braid, James, &amp;#039;&amp;#039;The Physiology of Fascination, and The Critics Criticised&amp;#039;&amp;#039;, Manchester, Grant &amp;amp; Co., 1855 (Crabtree 738).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Regazzoni, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Giuseppe&lt;/del&gt;, &#039;&#039;Nouveau manuel du magnétiseur praticien&#039;&#039;, 1865. Volume posseduto; integrato dal dossier di 26 fonti primarie in 7 lingue sulle sedute Regazzoni.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Regazzoni, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Antonio&lt;/ins&gt;, &#039;&#039;Nouveau manuel du magnétiseur praticien&#039;&#039;, 1865. Volume posseduto; integrato dal dossier di 26 fonti primarie in 7 lingue sulle sedute Regazzoni.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Cavailhon, Édouard, &amp;#039;&amp;#039;La fascination magnétique, précédée d&amp;#039;une préface par Donato et de son portrait photographié&amp;#039;&amp;#039;, Paris, E. Dentu, 1882 (Crabtree 1056).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Cavailhon, Édouard, &amp;#039;&amp;#039;La fascination magnétique, précédée d&amp;#039;une préface par Donato et de son portrait photographié&amp;#039;&amp;#039;, Paris, E. Dentu, 1882 (Crabtree 1056).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* D&amp;#039;Hont, Alfred-Édouard [Donato], &amp;#039;&amp;#039;La lumière sur le magnétisme, ses défenses et ses ennemis&amp;#039;&amp;#039;, Neuchâtel, 1888 (Crabtree 1207).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* D&amp;#039;Hont, Alfred-Édouard [Donato], &amp;#039;&amp;#039;La lumière sur le magnétisme, ses défenses et ses ennemis&amp;#039;&amp;#039;, Neuchâtel, 1888 (Crabtree 1207).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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	<entry>
		<id>https://wiki.marcoparet.com/index.php?title=Fascinazione&amp;diff=4191&amp;oldid=prev</id>
		<title>WikiBot: FASE 2: creazione pagina hub Fascinazione (concetto pilastro, 250 citazioni orfane)</title>
		<link rel="alternate" type="text/html" href="https://wiki.marcoparet.com/index.php?title=Fascinazione&amp;diff=4191&amp;oldid=prev"/>
		<updated>2026-07-13T11:53:00Z</updated>

		<summary type="html">&lt;p&gt;FASE 2: creazione pagina hub Fascinazione (concetto pilastro, 250 citazioni orfane)&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Nuova pagina&lt;/b&gt;&lt;/p&gt;&lt;div&gt;La &amp;#039;&amp;#039;&amp;#039;fascinazione&amp;#039;&amp;#039;&amp;#039; (fr. &amp;#039;&amp;#039;fascination&amp;#039;&amp;#039;, ted. &amp;#039;&amp;#039;Fascination&amp;#039;&amp;#039;, ingl. &amp;#039;&amp;#039;fascination&amp;#039;&amp;#039;; storicamente anche &amp;#039;&amp;#039;&amp;#039;fascino&amp;#039;&amp;#039;&amp;#039; o &amp;#039;&amp;#039;charming&amp;#039;&amp;#039;) è uno stato di coscienza modificato — e insieme la tecnica che lo induce — ottenuto attraverso la fissazione oculare intensa e ravvicinata, senza ricorso alla suggestione verbale. È il procedimento che, nella seconda metà dell&amp;#039;Ottocento, il magnetizzatore belga [[Donato — Il Padre della Fascinazione|Donato]] (Alfred-Édouard d&amp;#039;Hont, 1845–1900) codificò e portò sulle scene europee, e che costituisce oggi uno dei concetti pilastro del [[Metodo Paret]] e della [[Ipnosi non verbale|ipnosi non verbale]].&lt;br /&gt;
&lt;br /&gt;
A differenza dell&amp;#039;ipnosi classica, che passa per la parola, la fascinazione agisce nel canale pre-verbale: lo sguardo precede e scavalca il linguaggio. Per questo la scuola la considera non una tecnica fra le altre, ma la porta d&amp;#039;ingresso all&amp;#039;intero lavoro sul [[Magnetismo Personale|magnetismo personale]].&lt;br /&gt;
&lt;br /&gt;
== 1. Il fenomeno ==&lt;br /&gt;
&lt;br /&gt;
Le fonti primarie descrivono un quadro sorprendentemente coerente attraverso lingue e decenni. Lo sguardo del fascinatore è &amp;#039;&amp;#039;&amp;#039;rapido, brusco e molto ravvicinato&amp;#039;&amp;#039;&amp;#039; — non la fissazione lenta e sonnolenta dell&amp;#039;induzione ipnotica classica. L&amp;#039;operatore si muove, spesso girando attorno al soggetto. L&amp;#039;effetto riportato è uno &amp;#039;&amp;#039;&amp;#039;shock rapido e improvviso&amp;#039;&amp;#039;&amp;#039;, seguito da rigidità corporea, immobilità tonica e catalessi.&lt;br /&gt;
&lt;br /&gt;
I segni osservati ricorrenti sono: rigidità muscolare spontanea, volto contratto, catalessi, allucinazioni visive, sospensione della volontà razionale. La sequenza classicamente descritta procede per gradi — &amp;#039;&amp;#039;&amp;#039;fascinazione → crisi → letargia → estasi&amp;#039;&amp;#039;&amp;#039; — e trova un parallelo strutturale nella dinamica ascensionale descritta ne [[L&amp;#039;Asse Verticale Ternario dell&amp;#039;Essere Umano|l&amp;#039;asse verticale ternario]].&lt;br /&gt;
&lt;br /&gt;
I caveat sono anch&amp;#039;essi costanti nelle fonti: &amp;#039;&amp;#039;&amp;#039;difficoltà nel risveglio&amp;#039;&amp;#039;&amp;#039; e rischio di uno stato troppo profondo. La fascinazione non è un esercizio da praticare senza istruzione.&lt;br /&gt;
&lt;br /&gt;
== 2. Le due letture: fluidica e fisiologica ==&lt;br /&gt;
&lt;br /&gt;
Sin dall&amp;#039;origine la fascinazione è stata contesa fra due spiegazioni.&lt;br /&gt;
&lt;br /&gt;
La &amp;#039;&amp;#039;&amp;#039;lettura magnetica&amp;#039;&amp;#039;&amp;#039; la riconduce all&amp;#039;azione di un fluido trasmesso dall&amp;#039;operatore: è la posizione di [[Charles Lafontaine|Lafontaine]] (&amp;#039;&amp;#039;L&amp;#039;art de magnétiser&amp;#039;&amp;#039;, 1847) e della tradizione che da lui discende attraverso [[Giuseppe Regazzoni|Regazzoni]]. Cahagnet, nel 1854, la iscrive addirittura in un &amp;#039;&amp;#039;traité historique et pratique de fascination&amp;#039;&amp;#039; di taglio apertamente magico.&lt;br /&gt;
&lt;br /&gt;
La &amp;#039;&amp;#039;&amp;#039;lettura fisiologica&amp;#039;&amp;#039;&amp;#039; la spiega invece senza fluido alcuno. James Braid, nel 1855, dedica alla questione un opuscolo intero — &amp;#039;&amp;#039;The Physiology of Fascination&amp;#039;&amp;#039; — sostenendo che l&amp;#039;effetto nasce dal sistema nervoso del soggetto, non da un&amp;#039;emanazione dell&amp;#039;operatore. Trent&amp;#039;anni dopo Jules Luys porterà lo stato di fascinazione in laboratorio inducendolo con specchi rotanti, e nel 1895 Preyer ne pubblicherà un caso clinico dettagliato.&lt;br /&gt;
&lt;br /&gt;
Il corpus della scuola annota su questo punto un&amp;#039;indicazione operativa netta: &amp;#039;&amp;#039;&amp;#039;non utilizzare il fluido immaginario&amp;#039;&amp;#039;&amp;#039;. La pratica non richiede di aderire alla teoria fluidica. Ciò che si insegna è un&amp;#039;azione osservabile — postura, sguardo, respiro, distanza — di cui si verificano gli effetti, non una metafisica da credere.&lt;br /&gt;
&lt;br /&gt;
== 3. La linea storica ==&lt;br /&gt;
&lt;br /&gt;
Il termine attraversa tre secoli cambiando di segno.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Prima metà dell&amp;#039;Ottocento — la fascinazione come &amp;quot;charming&amp;quot;.&amp;#039;&amp;#039;&amp;#039; Newman (&amp;#039;&amp;#039;Fascination, or The Philosophy of Charming&amp;#039;&amp;#039;, 1848) e Blakeman (1849) la trattano ancora dentro la cornice della &amp;#039;&amp;#039;animal fascination&amp;#039;&amp;#039;: il potere dello sguardo predatorio, l&amp;#039;incantamento. È un oggetto di curiosità naturalistica più che una tecnica.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;1847–1865 — la codifica magnetica.&amp;#039;&amp;#039;&amp;#039; Con Lafontaine e [[Giuseppe Regazzoni|Regazzoni]] la fascinazione entra nel repertorio del magnetizzatore praticante. Il &amp;#039;&amp;#039;Nouveau manuel du magnétiseur praticien&amp;#039;&amp;#039; di Regazzoni (1865) è conservato nella biblioteca della scuola, insieme a un dossier di 26 fonti primarie in 7 lingue sulle sue sedute.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;1882 — il metodo Donato.&amp;#039;&amp;#039;&amp;#039; Édouard Cavailhon pubblica &amp;#039;&amp;#039;La fascination magnétique&amp;#039;&amp;#039;, con prefazione firmata da Donato stesso: è il trattato canonico. Donato non inventa il fenomeno, ma ne fa un &amp;#039;&amp;#039;&amp;#039;metodo&amp;#039;&amp;#039;&amp;#039; — rapido, teatrale, replicabile, fondato sull&amp;#039;attacco oculare improvviso e sullo sforzo muscolare del soggetto (vedi [[Metodo Donato (sforzo muscolare + fascinazione rapida)]]). Le sue tournée attraversano l&amp;#039;Europa; la [[La Revue des Sciences Hypnotiques e Donato|Revue des Sciences Hypnotiques]] lo cita 46 volte. Nel 1888, ne &amp;#039;&amp;#039;La lumière sur le magnétisme&amp;#039;&amp;#039;, Donato prende posizione contro i suoi detrattori.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Fine secolo — il rovescio.&amp;#039;&amp;#039;&amp;#039; Nel 1894 Ernest Mesnet dedica alla fascinazione uno studio medico-legale sugli abusi commessi in stato di sonnambulismo provocato. È il momento in cui la potenza della tecnica viene riconosciuta anche dalla parte del danno che può fare — ragione per cui la scuola ne fa oggetto di formazione controllata e non di divulgazione spettacolare.&lt;br /&gt;
&lt;br /&gt;
== 4. La fascinazione nel Metodo Paret ==&lt;br /&gt;
&lt;br /&gt;
Nel [[Metodo Paret]] la fascinazione non è una curiosità storica ricostruita: è una &amp;#039;&amp;#039;&amp;#039;famiglia viva di tecniche&amp;#039;&amp;#039;&amp;#039;, insegnata in progressione. Le principali documentate su questa wiki:&lt;br /&gt;
&lt;br /&gt;
* [[Pre-Fascinazione (3 varianti)]] — la preparazione dello sguardo e del campo prima del contatto oculare vero e proprio.&lt;br /&gt;
* [[Fascinazione (tecnica base)]] — la forma fondamentale, associata al massaggio magnetico.&lt;br /&gt;
* [[Fascinazione 2 / Classical Induction]] — il raccordo con l&amp;#039;induzione classica.&lt;br /&gt;
* [[Fascinazione + Risposta Avanti/Indietro]] — l&amp;#039;integrazione con il test di risposta ideomotoria.&lt;br /&gt;
* [[Fascinazione Frazionata / Fractionated Fascinazione]] — l&amp;#039;approfondimento per cicli successivi.&lt;br /&gt;
* [[Mirror Fascinazione (Ajna/Third Eye)]] — il lavoro sull&amp;#039;asse frontale e l&amp;#039;auto-fascinazione allo specchio.&lt;br /&gt;
* [[Salamini (fascinazione con regressione)]] — la variante con regressione.&lt;br /&gt;
* [[Metodo Donato (sforzo muscolare + fascinazione rapida)]] — la ricostruzione operativa della tecnica storica.&lt;br /&gt;
&lt;br /&gt;
Il filo che le unisce è il [[Magnetismo Personale|magnetismo personale]]: la fascinazione non è un trucco dell&amp;#039;occhio, ma la manifestazione visibile di una [[Presenza|presenza]] costruita. Sul piano dei [[Magnetic Passes|passi magnetici]] essa rappresenta il polo dell&amp;#039;azione istantanea, opposto e complementare al lavoro lento per accumulo.&lt;br /&gt;
&lt;br /&gt;
== 5. Nota etica ==&lt;br /&gt;
&lt;br /&gt;
La fascinazione produce stati profondi e, come attestano le fonti dell&amp;#039;Ottocento non meno dei manuali contemporanei, il risveglio può essere difficile. Le tecniche descritte in questa wiki sono materiale di studio e di formazione, non protocolli terapeutici, e non sostituiscono in alcun caso un intervento medico o psicologico.&lt;br /&gt;
&lt;br /&gt;
== Vedi anche ==&lt;br /&gt;
&lt;br /&gt;
* [[Donato — Il Padre della Fascinazione]]&lt;br /&gt;
* [[I Soggetti di Donato — Testimonianze Dirette]]&lt;br /&gt;
* [[Ulteriori aneddoti su Donato]]&lt;br /&gt;
* [[La Revue des Sciences Hypnotiques e Donato]]&lt;br /&gt;
* [[Baron du Potet — Stub (fonti Donato)]]&lt;br /&gt;
* [[Fascinazione (tecnica base)]]&lt;br /&gt;
* [[Mirror Fascinazione (Ajna/Third Eye)]]&lt;br /&gt;
* [[L&amp;#039;Asse Verticale Ternario dell&amp;#039;Essere Umano]]&lt;br /&gt;
* [[Ipnosi non verbale]]&lt;br /&gt;
* [[Mesmerismus]]&lt;br /&gt;
&lt;br /&gt;
== Bibliografia ==&lt;br /&gt;
&lt;br /&gt;
Fonti primarie e di riferimento, verificate nella biblioteca magnetica della scuola (fra parentesi il numero di catalogo Crabtree, dove disponibile).&lt;br /&gt;
&lt;br /&gt;
* Newman, John B., &amp;#039;&amp;#039;Fascination, or The Philosophy of Charming, Illustrating the Principles of Life in Connection with Spirit and Matter&amp;#039;&amp;#039;, New York, Fowler and Wells, 1848 (Crabtree 564).&lt;br /&gt;
* Blakeman, Rufus, &amp;#039;&amp;#039;A Philosophical Essay on Credulity and Superstition; and also on Animal Fascination, or Charming&amp;#039;&amp;#039;, New York–New Haven, 1849 (Crabtree 571).&lt;br /&gt;
* Lafontaine, Charles, &amp;#039;&amp;#039;L&amp;#039;art de magnétiser ou le magnétisme animal considéré sous le point de vue théorique, pratique et thérapeutique&amp;#039;&amp;#039;, Paris, Germer Baillière, 1847 (Crabtree 552).&lt;br /&gt;
* Cahagnet, Louis Alphonse, &amp;#039;&amp;#039;Magie magnétique ou traité historique et pratique de fascination, miroirs cabalistiques, apports, suspensions, pactes, talismans…&amp;#039;&amp;#039;, Paris, Baillière, 1854 (Crabtree 707).&lt;br /&gt;
* Braid, James, &amp;#039;&amp;#039;The Physiology of Fascination, and The Critics Criticised&amp;#039;&amp;#039;, Manchester, Grant &amp;amp; Co., 1855 (Crabtree 738).&lt;br /&gt;
* Regazzoni, Giuseppe, &amp;#039;&amp;#039;Nouveau manuel du magnétiseur praticien&amp;#039;&amp;#039;, 1865. Volume posseduto; integrato dal dossier di 26 fonti primarie in 7 lingue sulle sedute Regazzoni.&lt;br /&gt;
* Cavailhon, Édouard, &amp;#039;&amp;#039;La fascination magnétique, précédée d&amp;#039;une préface par Donato et de son portrait photographié&amp;#039;&amp;#039;, Paris, E. Dentu, 1882 (Crabtree 1056).&lt;br /&gt;
* D&amp;#039;Hont, Alfred-Édouard [Donato], &amp;#039;&amp;#039;La lumière sur le magnétisme, ses défenses et ses ennemis&amp;#039;&amp;#039;, Neuchâtel, 1888 (Crabtree 1207).&lt;br /&gt;
* Luys, Jules Bernard, «Sur l&amp;#039;état de fascination déterminé chez l&amp;#039;homme à l&amp;#039;aide de surfaces brillantes en rotation (action somnifère des miroirs à alouettes)», in &amp;#039;&amp;#039;Comptes rendus et mémoires de la Société de biologie&amp;#039;&amp;#039;, 107 (1888), p. 449 (Crabtree 1213).&lt;br /&gt;
* Mesnet, Ernest, &amp;#039;&amp;#039;Outrages à la pudeur. Violences sur les organes sexuels de la femme dans le somnambulisme provoqué et la fascination. Étude médico-légale&amp;#039;&amp;#039;, Paris, Rueff, 1894 (Crabtree 1368).&lt;br /&gt;
* Preyer, Wilhelm Thierry, &amp;#039;&amp;#039;Ein merkwürdiger Fall von Fascination&amp;#039;&amp;#039;, Stuttgart, Ferdinand Enke, 1895 (Crabtree 1389).&lt;br /&gt;
* Paret, Marco, &amp;#039;&amp;#039;The Magnetic Gaze&amp;#039;&amp;#039;, 2011.&lt;br /&gt;
* Paret, Marco, &amp;#039;&amp;#039;Fascinazione. Il potere nascosto dello sguardo&amp;#039;&amp;#039;.&lt;br /&gt;
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[[Categoria:Fascinazione e Magnetismo]]&lt;/div&gt;</summary>
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