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		<summary type="html">&lt;p&gt;Traduzione inglese automatica via DeepSeek di &lt;a href=&quot;/wiki/Cavalcare_la_Tigre_di_Evola&quot; title=&quot;Cavalcare la Tigre di Evola&quot;&gt;Cavalcare la Tigre di Evola&lt;/a&gt;&lt;/p&gt;
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&lt;br /&gt;
{{Avviso|Page of the &amp;#039;&amp;#039;&amp;#039;Italian historical-doctrinal section&amp;#039;&amp;#039;&amp;#039; of the wiki. Documents &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Ride the Tiger&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; by &amp;#039;&amp;#039;&amp;#039;Julius Evola&amp;#039;&amp;#039;&amp;#039; (Scheiwiller 1961, canonical edition Mediterranee 1971 and later). It is Evola&amp;#039;s mature work on the existential orientation of the &amp;quot;&amp;#039;&amp;#039;differentiated&amp;#039;&amp;#039;&amp;quot; individual in the world of the completed Kali Yuga. It constitutes — together with &amp;#039;&amp;#039;&amp;#039;[[Evola e Reghini e la Tradizione Ermetica|&amp;#039;&amp;#039;The Hermetic Tradition&amp;#039;&amp;#039;]]&amp;#039;&amp;#039;&amp;#039; (1931), &amp;#039;&amp;#039;&amp;#039;[[Il Mistero del Graal di Evola]]&amp;#039;&amp;#039;&amp;#039; (1937) and &amp;#039;&amp;#039;&amp;#039;[[Lo Yoga della Potenza di Evola]]&amp;#039;&amp;#039;&amp;#039; (1949) — Evola&amp;#039;s mature quadrilogy. Source: complete Italian text OCR Drive ISI-CNV with introduction by Stefano Zecchi — &amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039;.}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Ride the Tiger. Existential Orientations for an Age of Dissolution&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is the book published by &amp;#039;&amp;#039;&amp;#039;Julius Evola&amp;#039;&amp;#039;&amp;#039; in &amp;#039;&amp;#039;&amp;#039;1961&amp;#039;&amp;#039;&amp;#039; (Scheiwiller, Milan), considered &amp;#039;&amp;#039;&amp;#039;the most realist and the most pessimistic&amp;#039;&amp;#039;&amp;#039; among all his writings (as Evola himself defines it in &amp;#039;&amp;#039;The Path of Cinnabar&amp;#039;&amp;#039;, 1963). It is &amp;#039;&amp;#039;&amp;#039;Evola&amp;#039;s most misunderstood book&amp;#039;&amp;#039;&amp;#039; — interpreted variously as an &amp;#039;&amp;#039;&amp;#039;invitation to revolt&amp;#039;&amp;#039;&amp;#039; (far-right reading) or as a &amp;#039;&amp;#039;&amp;#039;disenchanted withdrawal&amp;#039;&amp;#039;&amp;#039; (existentialist left reading). For the wiki it is significant because it formulates &amp;#039;&amp;#039;&amp;#039;the existential position of the man of Tradition&amp;#039;&amp;#039;&amp;#039; in the contemporary world, a formulation that the School accepts in some elements (self-awareness of the age, inner discipline, care in life choices) and rejects in others (political drifts, misanthropic closure, ideological anti-modernism).&lt;br /&gt;
&lt;br /&gt;
== I. Position in the Evolian quadrilogy ==&lt;br /&gt;
&lt;br /&gt;
Ride the Tiger &amp;#039;&amp;#039;&amp;#039;ideally&amp;#039;&amp;#039;&amp;#039; closes Evola&amp;#039;s metaphysical-traditional quadrilogy:&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;[[Evola e Reghini e la Tradizione Ermetica|&amp;#039;&amp;#039;The Hermetic Tradition&amp;#039;&amp;#039;]]&amp;#039;&amp;#039;&amp;#039; (1931) — &amp;#039;&amp;#039;&amp;#039;the doctrine&amp;#039;&amp;#039;&amp;#039; operative-alchemical&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;[[Il Mistero del Graal di Evola]]&amp;#039;&amp;#039;&amp;#039; (1937) — &amp;#039;&amp;#039;&amp;#039;the history&amp;#039;&amp;#039;&amp;#039; of tradition in the chivalric world&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;[[Lo Yoga della Potenza di Evola]]&amp;#039;&amp;#039;&amp;#039; (1949) — &amp;#039;&amp;#039;&amp;#039;the practice&amp;#039;&amp;#039;&amp;#039; tantric-oriental&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Ride the Tiger&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (1961) — &amp;#039;&amp;#039;&amp;#039;the existence&amp;#039;&amp;#039;&amp;#039; of the man of Tradition in the world of dissolution&lt;br /&gt;
&lt;br /&gt;
If the first three books describe &amp;#039;&amp;#039;&amp;#039;Tradition&amp;#039;&amp;#039;&amp;#039; in its doctrines, history and practice, Ride the Tiger describes &amp;#039;&amp;#039;&amp;#039;what the man of Tradition concretely does&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;when he lives in a world where Tradition no longer exists&amp;#039;&amp;#039;&amp;#039;. It is &amp;#039;&amp;#039;&amp;#039;the existential phenomenology&amp;#039;&amp;#039;&amp;#039; of the contemporary traditionalist condition.&lt;br /&gt;
&lt;br /&gt;
== II. The title-metaphor: «riding the tiger» ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039; The title derives from a tantric-oriental metaphor that Evola takes up: &amp;#039;&amp;#039;&amp;#039;when a tiger attacks, and one can neither flee nor kill it, the only way is to leap onto its back and ride it — because as long as one is on its back, the tiger cannot turn around to devour the rider&amp;#039;&amp;#039;&amp;#039;. Applied to the contemporary age: the man of Tradition &amp;#039;&amp;#039;&amp;#039;cannot flee&amp;#039;&amp;#039;&amp;#039; the modern world (it is everywhere), &amp;#039;&amp;#039;&amp;#039;cannot fight it&amp;#039;&amp;#039;&amp;#039; head-on (it is too strong), &amp;#039;&amp;#039;&amp;#039;the only way is to ride it&amp;#039;&amp;#039;&amp;#039; — &amp;#039;&amp;#039;&amp;#039;actively enter&amp;#039;&amp;#039;&amp;#039; its processes of dissolution, &amp;#039;&amp;#039;&amp;#039;go through them&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;survive&amp;#039;&amp;#039;&amp;#039; their exhaustion.&lt;br /&gt;
&lt;br /&gt;
The logic is that which Evola himself formulates in the text: &amp;#039;&amp;#039;&amp;#039;to the destructive processes of the modern&amp;#039;&amp;#039;&amp;#039; one does not oppose &amp;#039;&amp;#039;&amp;#039;conservative&amp;#039;&amp;#039;&amp;#039; resistance (which is losing because it defends things &amp;#039;&amp;#039;&amp;#039;already dead&amp;#039;&amp;#039;&amp;#039;), &amp;#039;&amp;#039;&amp;#039;but one goes beyond&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;through dissolution itself&amp;#039;&amp;#039;&amp;#039;, towards a point where &amp;#039;&amp;#039;&amp;#039;what was essential rises again&amp;#039;&amp;#039;&amp;#039; from the ruin of what was contingent. It is &amp;#039;&amp;#039;&amp;#039;the nigredo applied to the historical age&amp;#039;&amp;#039;&amp;#039; — the black work of civilization.&lt;br /&gt;
&lt;br /&gt;
== III. The diagnosis of the «completed Kali Yuga» ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039; The book opens (part I &amp;#039;&amp;#039;&amp;#039;ORIENTATIONS&amp;#039;&amp;#039;&amp;#039;) with two chapters that establish the diagnosis:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 1&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Modern world and men of Tradition&amp;#039;&amp;#039; — the modern world is &amp;#039;&amp;#039;&amp;#039;the Fourth Age&amp;#039;&amp;#039;&amp;#039; (Kali Yuga) of the Hindu tradition; the man of Tradition survives in it &amp;#039;&amp;#039;&amp;#039;as a stranger&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 2&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;End of a cycle. «Riding the tiger»&amp;#039;&amp;#039; — the cycle closes, and the way to face it is not &amp;#039;&amp;#039;&amp;#039;nostalgia&amp;#039;&amp;#039;&amp;#039; but &amp;#039;&amp;#039;&amp;#039;riding the tiger&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
Part II — &amp;#039;&amp;#039;&amp;#039;IN THE WORLD WHERE GOD IS DEAD&amp;#039;&amp;#039;&amp;#039; (Nietzschean title) — articulates the diagnosis of &amp;#039;&amp;#039;&amp;#039;European nihilism&amp;#039;&amp;#039;&amp;#039;:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 3&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;European nihilism. Dissolution of morality&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 4&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;From the precursors to the &amp;quot;burned-out youth&amp;quot; and &amp;quot;protest&amp;quot;&amp;#039;&amp;#039; (Evola writes in 1961, already sees the precursors of 1968)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 5&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Cover-ups of European nihilism. The economic-social myth and protest&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 6&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Active nihilism. Nietzsche&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 7&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Being oneself&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 8&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;The dimension of transcendence. &amp;quot;Life&amp;quot; and &amp;quot;more than life&amp;quot;&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 9&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Beyond theism and atheism&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 10&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Invulnerability. Apollo and Dionysus&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 11&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Action without desire. The causal law&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
== IV. The critique of existentialism ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039; Part III — &amp;#039;&amp;#039;&amp;#039;THE DEAD END OF EXISTENTIALISM&amp;#039;&amp;#039;&amp;#039; — discusses the position of contemporary existentialist philosophers:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 12&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Being and inauthentic existence&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 13&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Sartre: the prison without walls&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 14&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Existence, &amp;quot;a project thrown into the world&amp;quot;&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 15&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Heidegger: flight forward and &amp;quot;being-towards-death&amp;quot;. Collapse of existentialism&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
Evola acknowledges &amp;#039;&amp;#039;&amp;#039;Sartre&amp;#039;&amp;#039;&amp;#039; and &amp;#039;&amp;#039;&amp;#039;Heidegger&amp;#039;&amp;#039;&amp;#039; a partial diagnosis of nihilism, but criticizes them because they &amp;#039;&amp;#039;&amp;#039;remain within&amp;#039;&amp;#039;&amp;#039; nihilism instead of going beyond it. Sartre makes anguish a perpetual condition («the prison without walls»); Heidegger transforms the problem of death into &amp;#039;&amp;#039;&amp;#039;destiny&amp;#039;&amp;#039;&amp;#039; instead of an &amp;#039;&amp;#039;&amp;#039;initiatic opportunity&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
The man of Tradition, according to Evola, &amp;#039;&amp;#039;&amp;#039;goes through&amp;#039;&amp;#039;&amp;#039; nihilism as an inner &amp;#039;&amp;#039;&amp;#039;black work&amp;#039;&amp;#039;&amp;#039; — not as a tragic destiny but as a necessary passage towards a new foundation.&lt;br /&gt;
&lt;br /&gt;
== V. The dissolution of the individual, knowledge, art ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039; The central sections of the book analyze the different planes of contemporary dissolution:&lt;br /&gt;
&lt;br /&gt;
=== DISSOLUTION OF THE INDIVIDUAL ===&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 16&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Twofold aspect of anonymity&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 17&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Destructions and liberations in the new realism&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 18&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;The &amp;quot;animal ideal&amp;quot;. The feeling for nature&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
=== DISSOLUTION OF KNOWLEDGE — RELATIVISM ===&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 19&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;The procedures of modern science&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 20&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Covering of nature. &amp;quot;Phenomenology&amp;quot;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
=== THE DOMAIN OF ART — FROM PHYSICAL MUSIC TO THE REGIME OF NARCOTICS ===&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 21&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;The sickness of European culture&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 22&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Dissolution in modern art&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 23&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Modern music and jazz&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 24&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Digression on drugs&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
== VI. Dissolution in the social domain ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039; The part on &amp;#039;&amp;#039;&amp;#039;social dissolution&amp;#039;&amp;#039;&amp;#039; is the most politically contested:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 25&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;States and parties. The stateless man&amp;#039;&amp;#039; — the man of Tradition is &amp;#039;&amp;#039;&amp;#039;stateless&amp;#039;&amp;#039;&amp;#039; because no modern State is a &amp;#039;&amp;#039;&amp;#039;true sacral community&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 26&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Society. The crisis of the feeling of homeland&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 27&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Marriage and family&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 28&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Relations between the sexes&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Critical point of the School&amp;#039;&amp;#039;&amp;#039;: Evola in these chapters expresses &amp;#039;&amp;#039;&amp;#039;political&amp;#039;&amp;#039;&amp;#039; positions (anti-democratic, anti-liberal, anti-egalitarian) and &amp;#039;&amp;#039;&amp;#039;social&amp;#039;&amp;#039;&amp;#039; ones (on marriage, gender roles, family) that reflect &amp;#039;&amp;#039;&amp;#039;a specific traditionalist weltanschauung&amp;#039;&amp;#039;&amp;#039; that the School &amp;#039;&amp;#039;&amp;#039;does not assume integrally&amp;#039;&amp;#039;&amp;#039;. The School recognizes some insights (the critique of consumerism, the crisis of the sense of community) but &amp;#039;&amp;#039;&amp;#039;not&amp;#039;&amp;#039;&amp;#039; the ideological anti-modern conclusion, and maintains an &amp;#039;&amp;#039;&amp;#039;open and dialogical&amp;#039;&amp;#039;&amp;#039; attitude towards contemporary social forms, working &amp;#039;&amp;#039;&amp;#039;within&amp;#039;&amp;#039;&amp;#039; them and not against them.&lt;br /&gt;
&lt;br /&gt;
== VII. The final spiritual problem ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039; The final part of the book addresses the great themes:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 29&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;The second religiosity&amp;#039;&amp;#039; — the critique of new religiosities (oriental syncretisms, new age in nuce, esoteric fashions) that Evola sees as &amp;#039;&amp;#039;&amp;#039;surrogates&amp;#039;&amp;#039;&amp;#039; of the lost Tradition&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ch. 30&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Death. The right over life&amp;#039;&amp;#039; — the concluding reflection on death as an &amp;#039;&amp;#039;&amp;#039;opportunity&amp;#039;&amp;#039;&amp;#039; for those who have worked and as a &amp;#039;&amp;#039;&amp;#039;defeat&amp;#039;&amp;#039;&amp;#039; for those who have not worked&lt;br /&gt;
&lt;br /&gt;
The final orientation of the book is &amp;#039;&amp;#039;&amp;#039;sober&amp;#039;&amp;#039;&amp;#039; and &amp;#039;&amp;#039;&amp;#039;disenchanted&amp;#039;&amp;#039;&amp;#039; — the man of Tradition &amp;#039;&amp;#039;&amp;#039;does not await restorations&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;does not seek mass conversions&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;works silently&amp;#039;&amp;#039;&amp;#039; for himself and for the few who can understand him, going through the age &amp;#039;&amp;#039;&amp;#039;without being devoured by it&amp;#039;&amp;#039;&amp;#039; nor &amp;#039;&amp;#039;&amp;#039;pretending to save it&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
== VIII. Reception: misunderstandings and controversies ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039; The introduction by &amp;#039;&amp;#039;&amp;#039;Gianfranco de Turris&amp;#039;&amp;#039;&amp;#039; (curator of the Mediterranee edition) is titled: &amp;#039;&amp;#039;Bad masters, bad disciples, bad exegetes&amp;#039;&amp;#039;. It documents how the book has been &amp;#039;&amp;#039;&amp;#039;profoundly misunderstood&amp;#039;&amp;#039;&amp;#039;:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Far-right reading&amp;#039;&amp;#039;&amp;#039;: interpretation of «riding the tiger» as a &amp;#039;&amp;#039;&amp;#039;call to armed revolt&amp;#039;&amp;#039;&amp;#039; — an interpretation that Evola himself explicitly rejected («&amp;#039;&amp;#039;apply oneself to the purely individual problem&amp;#039;&amp;#039;», &amp;#039;&amp;#039;Path of Cinnabar&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Left-wing reading&amp;#039;&amp;#039;&amp;#039;: interpretation as a radical critique of industrial capitalism (Adriano Romualdi, some exponents of the New Left) that valued the nihilistic diagnosis while ignoring the traditionalist framework&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Media reading&amp;#039;&amp;#039;&amp;#039;: reduction to the slogan «ride the tiger» detached from the book&amp;#039;s content, used as a &amp;#039;&amp;#039;&amp;#039;label&amp;#039;&amp;#039;&amp;#039; for protest poses&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039; The introduction by &amp;#039;&amp;#039;&amp;#039;Stefano Zecchi&amp;#039;&amp;#039;&amp;#039; (academic philosopher) is titled: &amp;#039;&amp;#039;Evola, or a philosophy of responsibility against nihilism&amp;#039;&amp;#039;. Zecchi proposes a &amp;#039;&amp;#039;&amp;#039;philosophical-academic&amp;#039;&amp;#039;&amp;#039; reading of Evola as an author who — beyond political positions — has formulated a &amp;#039;&amp;#039;&amp;#039;serious critique of nihilism&amp;#039;&amp;#039;&amp;#039; comparable to Heidegger, Jünger, Klages, and who deserves to be read &amp;#039;&amp;#039;&amp;#039;within the history of philosophy&amp;#039;&amp;#039;&amp;#039; not only within the history of esotericism.&lt;br /&gt;
&lt;br /&gt;
== IX. Convergences and tensions with the wiki cluster ==&lt;br /&gt;
&lt;br /&gt;
=== Convergence: the diagnosis of the «age of dissolution» ===&lt;br /&gt;
&lt;br /&gt;
The Evolian diagnosis of the completed Kali Yuga is &amp;#039;&amp;#039;&amp;#039;convergent&amp;#039;&amp;#039;&amp;#039; with the &amp;#039;&amp;#039;&amp;#039;Kremmerzian&amp;#039;&amp;#039;&amp;#039; one of the spiritual crisis of the West (cf. &amp;#039;&amp;#039;Avviamento alla Magia secondo G. Kremmerz&amp;#039;&amp;#039;, 1929 text treated in &amp;#039;&amp;#039;&amp;#039;[[Il Gruppo di UR-KRUR]]&amp;#039;&amp;#039;&amp;#039;) and with that of &amp;#039;&amp;#039;&amp;#039;René Guénon&amp;#039;&amp;#039;&amp;#039; (&amp;#039;&amp;#039;The Crisis of the Modern World&amp;#039;&amp;#039; 1927, &amp;#039;&amp;#039;The Reign of Quantity&amp;#039;&amp;#039; 1945). The three authors — Kremmerz, Guénon, Evola — &amp;#039;&amp;#039;&amp;#039;converge&amp;#039;&amp;#039;&amp;#039; on the historical diagnosis.&lt;br /&gt;
&lt;br /&gt;
=== Convergence: the idea of the «differentiated man» ===&lt;br /&gt;
&lt;br /&gt;
The «differentiated man» of Ride the Tiger — one who lives in the world without being of the world, who maintains an inner quality in an age of leveling — is &amp;#039;&amp;#039;&amp;#039;convergent&amp;#039;&amp;#039;&amp;#039; with the traditional figure of the &amp;#039;&amp;#039;&amp;#039;initiate&amp;#039;&amp;#039;&amp;#039; (which the School and the entire Kremmerzian tradition recognize). The difference: Evola uses philosophical-traditionalist lexicon, the School uses Kremmerzian-initiatic lexicon, but &amp;#039;&amp;#039;&amp;#039;the referent is the same&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
=== Tension: the political dimension ===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Central point of tension&amp;#039;&amp;#039;&amp;#039;: Ride the Tiger includes &amp;#039;&amp;#039;&amp;#039;explicit&amp;#039;&amp;#039;&amp;#039; political positions (anti-democratic, anti-egalitarian, anti-modern) that &amp;#039;&amp;#039;&amp;#039;the School does not assume&amp;#039;&amp;#039;&amp;#039;. The School recognizes in Evola a great thinker of Tradition but &amp;#039;&amp;#039;&amp;#039;separates&amp;#039;&amp;#039;&amp;#039; the doctrinal-initiatic plane (recognized as authoritative) from the political-ideological plane (left to the individual conscience of each reader, but &amp;#039;&amp;#039;&amp;#039;not integrated into the School&amp;#039;s teaching&amp;#039;&amp;#039;&amp;#039;). The principle is the same applied to &amp;#039;&amp;#039;&amp;#039;[[Il Mistero del Graal di Evola]]&amp;#039;&amp;#039;&amp;#039; sec. IX.&lt;br /&gt;
&lt;br /&gt;
=== Tension: misanthropic closure ===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Critical point&amp;#039;&amp;#039;&amp;#039;: the dimension of &amp;#039;&amp;#039;&amp;#039;closure&amp;#039;&amp;#039;&amp;#039; and &amp;#039;&amp;#039;&amp;#039;disenchantment&amp;#039;&amp;#039;&amp;#039; of Ride the Tiger — the stateless man, the separated man, one who no longer expects — can degenerate into &amp;#039;&amp;#039;&amp;#039;misanthropy&amp;#039;&amp;#039;&amp;#039; and &amp;#039;&amp;#039;&amp;#039;renunciation of civic engagement&amp;#039;&amp;#039;&amp;#039; if misinterpreted. The Paret-ISI-CNV School instead has an &amp;#039;&amp;#039;&amp;#039;active and formative vocation&amp;#039;&amp;#039;&amp;#039; (teaching, therapy, communication, professional development) that works &amp;#039;&amp;#039;&amp;#039;within society&amp;#039;&amp;#039;&amp;#039; with real people — it does not &amp;#039;&amp;#039;&amp;#039;withdraw&amp;#039;&amp;#039;&amp;#039; into the tower of «differentiation». Ours is a tradition that &amp;#039;&amp;#039;&amp;#039;operates&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
== X. Living practice in the School ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Declared section: living practice of the Paret School (ISI-CNV).&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Ride the Tiger is recommended&amp;#039;&amp;#039;&amp;#039; to intermediate-level students as &amp;#039;&amp;#039;&amp;#039;formative reading&amp;#039;&amp;#039;&amp;#039; — &amp;#039;&amp;#039;&amp;#039;not&amp;#039;&amp;#039;&amp;#039; as an operational manual (practice is done elsewhere) but as a &amp;#039;&amp;#039;&amp;#039;reading that clarifies&amp;#039;&amp;#039;&amp;#039; the historical condition in which we move. It is good that the candidate has &amp;#039;&amp;#039;&amp;#039;self-awareness&amp;#039;&amp;#039;&amp;#039; of living in a phase of dissolution and of working &amp;#039;&amp;#039;&amp;#039;consciously&amp;#039;&amp;#039;&amp;#039; in that context&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;The title-metaphor&amp;#039;&amp;#039;&amp;#039; is &amp;#039;&amp;#039;&amp;#039;didactic lexicon&amp;#039;&amp;#039;&amp;#039;: students are taught that &amp;#039;&amp;#039;&amp;#039;one must not fight&amp;#039;&amp;#039;&amp;#039; the contemporary world (head-on one does not win), &amp;#039;&amp;#039;&amp;#039;nor flee it&amp;#039;&amp;#039;&amp;#039; (it is everywhere), but &amp;#039;&amp;#039;&amp;#039;ride it&amp;#039;&amp;#039;&amp;#039; — actively enter its processes and go through them bringing a different quality&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Self-awareness of the age&amp;#039;&amp;#039;&amp;#039; (the idea that we live in a specific historical moment, with specific characteristics, and that our practice must be aware of it) is &amp;#039;&amp;#039;&amp;#039;an integral part of the School&amp;#039;s training&amp;#039;&amp;#039;&amp;#039;. One does not work in a vacuum: one works &amp;#039;&amp;#039;&amp;#039;within a history&amp;#039;&amp;#039;&amp;#039;, and one must know that history&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;The distinction between the doctrinal-initiatic dimension and the political dimension&amp;#039;&amp;#039;&amp;#039; is &amp;#039;&amp;#039;&amp;#039;declared&amp;#039;&amp;#039;&amp;#039; and &amp;#039;&amp;#039;&amp;#039;taught&amp;#039;&amp;#039;&amp;#039; to students: Evola is studied for his operational-symbolic contribution, &amp;#039;&amp;#039;&amp;#039;not&amp;#039;&amp;#039;&amp;#039; for his political positions (which each person evaluates as a citizen, but which &amp;#039;&amp;#039;&amp;#039;do not enter the School&amp;#039;s teaching&amp;#039;&amp;#039;&amp;#039;). The same principle as &amp;#039;&amp;#039;&amp;#039;[[Il Mistero del Graal di Evola]]&amp;#039;&amp;#039;&amp;#039; sec. IX&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;The critique of the &amp;quot;second religiosity&amp;quot;&amp;#039;&amp;#039;&amp;#039; (new age syncretisms, commercial esotericisms, initiatic fashions) is a &amp;#039;&amp;#039;&amp;#039;constant diagnostic&amp;#039;&amp;#039;&amp;#039; of the School — one learns to recognize and distinguish &amp;#039;&amp;#039;&amp;#039;authentic tradition&amp;#039;&amp;#039;&amp;#039; from &amp;#039;&amp;#039;&amp;#039;its simulacra&amp;#039;&amp;#039;&amp;#039;, a principle already documented in &amp;#039;&amp;#039;&amp;#039;[[Athanasius Kircher e lAlchimia]]&amp;#039;&amp;#039;&amp;#039; sec. IV (hermetic philosophers vs charcoal burners)&lt;br /&gt;
&lt;br /&gt;
== Documentation status ==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
! Statement !! Status !! Source&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;Ride the Tiger. Existential Orientations for an Age of Dissolution&amp;#039;&amp;#039; Scheiwiller 1961 by Julius Evola || ✅ VERIFIED || canonical edition&lt;br /&gt;
|-&lt;br /&gt;
| Mediterranee edition 1971 with introductions by Stefano Zecchi and Gianfranco de Turris || ✅ VERIFIED || OCR Drive ISI-CNV&lt;br /&gt;
|-&lt;br /&gt;
| Evola himself defines Ride the Tiger «the most realist and most pessimistic book» in &amp;#039;&amp;#039;The Path of Cinnabar&amp;#039;&amp;#039; 1963 || ✅ VERIFIED || &amp;#039;&amp;#039;The Path of Cinnabar&amp;#039;&amp;#039; cited in Mediterranee preface&lt;br /&gt;
|-&lt;br /&gt;
| Structure of the book: 30 chapters in 8 sections (Orientations, World where God is dead, Dead end of existentialism, Dissolution of the individual, Dissolution of knowledge, Domain of art, Social dissolution, Spiritual problem) || ✅ VERIFIED || index of the text — [https://drive.google.com/file/d/1tnLDqzybyV3O8t9q3aLmtChWwY-7uXGZ/view Drive]&lt;br /&gt;
|-&lt;br /&gt;
| Explicit critique of Sartre («prison without walls») and Heidegger («flight forward, being-towards-death») || ✅ VERIFIED || Ride the Tiger ch. 12-15 — Drive&lt;br /&gt;
|-&lt;br /&gt;
| Critique of modern music, jazz, drugs, phenomenology, modern science, modern art, protest, burned-out youth || ✅ VERIFIED || chs. 19-24 — Drive&lt;br /&gt;
|-&lt;br /&gt;
| Political-social positions on State, parties, stateless man, feeling of homeland, marriage, family, sexes || ✅ VERIFIED || chs. 25-28 — Drive&lt;br /&gt;
|-&lt;br /&gt;
| «Second religiosity» as critique of oriental-new age syncretisms || ✅ VERIFIED || ch. 29 — Drive&lt;br /&gt;
|-&lt;br /&gt;
| Reception 1968-1973: about a dozen reprints of Evolian books both on the right and left; protest reading || ✅ VERIFIED || biography ed. Mediterranee — Drive&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Sources ==&lt;br /&gt;
&lt;br /&gt;
* [https://drive.google.com/file/d/1tnLDqzybyV3O8t9q3aLmtChWwY-7uXGZ/view Julius Evola, &amp;#039;&amp;#039;Ride the Tiger&amp;#039;&amp;#039;, ed. Mediterranee, with introductions by Stefano Zecchi and Gianfranco de Turris — Drive ISI-CNV] — &amp;#039;&amp;#039;&amp;#039;[VERIFIED]&amp;#039;&amp;#039;&amp;#039; — main source, complete Italian text with editorial apparatus&lt;br /&gt;
* Julius Evola, &amp;#039;&amp;#039;Ride the Tiger&amp;#039;&amp;#039;, Scheiwiller, Milan, 1961 — &amp;#039;&amp;#039;&amp;#039;[primary source, original edition]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* Julius Evola, &amp;#039;&amp;#039;The Path of Cinnabar&amp;#039;&amp;#039; (autobiography through his own books), Scheiwiller 1963, ed. Mediterranee — &amp;#039;&amp;#039;&amp;#039;[primary source, author&amp;#039;s self-commentary]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* Julius Evola, &amp;#039;&amp;#039;Men Among the Ruins&amp;#039;&amp;#039;, Volpe, Rome, 1953 — &amp;#039;&amp;#039;&amp;#039;[contemporary source, considered complementary to Ride the Tiger]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* Julius Evola, &amp;#039;&amp;#039;The Metaphysics of Sex&amp;#039;&amp;#039;, Atanòr, Rome, 1958 — &amp;#039;&amp;#039;&amp;#039;[contemporary source, completes the reflection on the sexes]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* Stefano Zecchi, preface &amp;#039;&amp;#039;Evola, or a philosophy of responsibility against nihilism&amp;#039;&amp;#039; — &amp;#039;&amp;#039;&amp;#039;[academic secondary source]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* Gianfranco de Turris, &amp;#039;&amp;#039;Bad masters, bad disciples, bad exegetes&amp;#039;&amp;#039; — &amp;#039;&amp;#039;&amp;#039;[secondary source on reception]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* Friedrich Nietzsche, &amp;#039;&amp;#039;The Gay Science&amp;#039;&amp;#039; (1882) — &amp;#039;&amp;#039;&amp;#039;[for the «God is dead»]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
* Jean-Paul Sartre, &amp;#039;&amp;#039;Being and Nothingness&amp;#039;&amp;#039; (1943); Martin Heidegger, &amp;#039;&amp;#039;Being and Time&amp;#039;&amp;#039; (1927) — &amp;#039;&amp;#039;&amp;#039;[Evola&amp;#039;s philosophical interlocutors]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
&lt;br /&gt;
* [[Evola e Reghini e la Tradizione Ermetica]]&lt;br /&gt;
* [[Il Mistero del Graal di Evola]]&lt;br /&gt;
* [[Lo Yoga della Potenza di Evola]]&lt;br /&gt;
* [[Il Gruppo di UR-KRUR]]&lt;br /&gt;
* [[I Fedeli dellAmore|I Fedeli d&amp;#039;Amore]]&lt;br /&gt;
* [[Kremmerz e Ordine Osirideo Egizio]]&lt;br /&gt;
* [[Athanasius Kircher e lAlchimia|Athanasius Kircher e l&amp;#039;Alchimia]]&lt;br /&gt;
* [[Arcana Arcanorum]]&lt;br /&gt;
* [[Il Lavoro sui Quattro Corpi dellUomo|Il Lavoro sui Quattro Corpi dell&amp;#039;Uomo]]&lt;br /&gt;
* [[La Doctrine du Corps Immortel]]&lt;br /&gt;
* [[La Tradizione prima delle Filiazioni]]&lt;br /&gt;
* [[La Tradizione Ermetica nella Massoneria]]&lt;br /&gt;
* [[Portale della Tradizione Ermetica]]&lt;br /&gt;
&lt;br /&gt;
[[Categoria:Tradizione Ermetica]]&lt;br /&gt;
[[Categoria:Linea italiana]]&lt;br /&gt;
[[Categoria:Novecento esoterico]]&lt;br /&gt;
[[Categoria:Filosofia della Tradizione]]&lt;br /&gt;
[[Categoria:Pensiero contemporaneo]]&lt;/div&gt;</summary>
		<author><name>WikiBot</name></author>
	</entry>
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